Dreweatts 1759 | Art on a Postcard International Women's Day Auction in aid of The Hepatitis C Trust

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

15

Quantity

1

50 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Katherine Jones Swimming Pool I Sugarlift Etching on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Katherine Jones is a contemporary British artist working in a combination of painting and traditional printmaking techniques. Her work revolves around perceptions of safety and danger, focusing on ordinary objects, spaces and buildings as a framework to begin to question these themes. Education: 2001 - 2003 Camberwell College of Art, MA Fine Art Printmaking 1998 - 2001 Cambridge School of Art, BA (hons) Fine Art Printmaking Exhibitions, Collections & Awards: V&A National Art Library, UK Lafayette College, USA V&A Prints and Drawings Collection, UK Yale University Library, CT, USA Boston Athenaeum, USA University College London, Hospitals Art Collection, UK Wellesley Library, USA Guangdong Museum, China House of Lords, Government Art Collection, UK Swathmore College, PA, USA Ashmolean Museum, UK Saison Poetry Library, Royal Festival Hall, UK Winchester College, UK Swindon Museum and Gallery, UK Eton College, UK University of Chichester, Otter Collection UK Royal West of England Academy, Bristol UK RESIDENCIES 2020/ 2018 Artist in residence, Sevenoaks School, Kent 2016-17 Artist in residence, Rabley Drawing Centre, Wiltshire 2015 Residency at Eton College, Windsor 2014 Residency at Winchester College 2013 Printfest Residency, Cumbria 2011 Residency at Kloster Bentlage, Rheine, Germany 2007-10 Research Fellowship, City and Guilds of London Art School, London 2009 Artist of the season, 'Twenty8Twelve', London 2005 Intaglio Printmaker Residency AWARDS: 2019 Shortlisted for the Dentons art Prize, Denton's Law, London 2014 Royal Academy, London Original Print Fair Prize and Printmaking Today Prize 2013 Finalist - Arts Foundation Fellowship Award in Printmaking and Printmaker of the Year, Printfest Residency, Cumbria 2012 Guangdong Museum Purchase Prize, Qijiang, China 2010 Birgit Skiold Memorial Trust Award for Excellence V&A Purchase Prize 2009 International Print Biennale Solution Group Prize, The London Print Studio Award, Pushing Print Award, East London Printmakers Great Art Prize, Intaglio Printmaker Award, The T N Lawrence and Son Print Prize 2007 Julian Trevelyan Memorial Award for Printmaking, St Cuthbert's Mill Award for Watercolour 2006 Stoke Roberts Bursary Award 2003 Edward Ardizzonie Award, Artichoke Studio Award for Lithography Rabley Contemporary Gallery, Whiltshire, UK website https://rableygallery.com/?v=79cba1185463 About the postcard artworks: The two pieces donated are etchings made using sugar-lift aquatint on zinc. They were made during a residency at Eton College and depict a disused swimming pool. This, once monumentally sized, figure of eight, state of the art pool I am told was at one time used as a landmark for the navigation of concord. It is now empty and deserted and has been gradually taken over by wildlife. Budlia grow from cracks in the lining and birds, foxes and butterflies find a safe haven there."

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

16

Quantity

1

60 GBP

Opening bid

60 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Katherine Jones Swimming Pool II, 2020 Sugarlift Etching on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Katherine Jones is a contemporary British artist working in a combination of painting and traditional printmaking techniques. Her work revolves around perceptions of safety and danger, focusing on ordinary objects, spaces and buildings as a framework to begin to question these themes. Education: 2001 - 2003 Camberwell College of Art, MA Fine Art Printmaking 1998 - 2001 Cambridge School of Art, BA (hons) Fine Art Printmaking Exhibitions, Collections & Awards: V&A National Art Library, UK Lafayette College, USA V&A Prints and Drawings Collection, UK Yale University Library, CT, USA Boston Athenaeum, USA University College London, Hospitals Art Collection, UK Wellesley Library, USA Guangdong Museum, China House of Lords, Government Art Collection, UK Swathmore College, PA, USA Ashmolean Museum, UK Saison Poetry Library, Royal Festival Hall, UK Winchester College, UK Swindon Museum and Gallery, UK Eton College, UK University of Chichester, Otter Collection UK Royal West of England Academy, Bristol UK RESIDENCIES 2020/ 2018 Artist in residence, Sevenoaks School, Kent 2016-17 Artist in residence, Rabley Drawing Centre, Wiltshire 2015 Residency at Eton College, Windsor 2014 Residency at Winchester College 2013 Printfest Residency, Cumbria 2011 Residency at Kloster Bentlage, Rheine, Germany 2007-10 Research Fellowship, City and Guilds of London Art School, London 2009 Artist of the season, 'Twenty8Twelve', London 2005 Intaglio Printmaker Residency AWARDS: 2019 Shortlisted for the Dentons art Prize, Denton's Law, London 2014 Royal Academy, London Original Print Fair Prize and Printmaking Today Prize 2013 Finalist - Arts Foundation Fellowship Award in Printmaking and Printmaker of the Year, Printfest Residency, Cumbria 2012 Guangdong Museum Purchase Prize, Qijiang, China 2010 Birgit Skiold Memorial Trust Award for Excellence V&A Purchase Prize 2009 International Print Biennale Solution Group Prize, The London Print Studio Award, Pushing Print Award, East London Printmakers Great Art Prize, Intaglio Printmaker Award, The T N Lawrence and Son Print Prize 2007 Julian Trevelyan Memorial Award for Printmaking, St Cuthbert's Mill Award for Watercolour 2006 Stoke Roberts Bursary Award 2003 Edward Ardizzonie Award, Artichoke Studio Award for Lithography Rabley Contemporary Gallery, Whiltshire, UK website https://rableygallery.com/?v=79cba1185463 About the postcard artworks: The two pieces donated are etchings made using sugar-lift aquatint on zinc. They were made during a residency at Eton College and depict a disused swimming pool. This, once monumentally sized, figure of eight, state of the art pool I am told was at one time used as a landmark for the navigation of concord. It is now empty and deserted and has been gradually taken over by wildlife. Budlia grow from cracks in the lining and birds, foxes and butterflies find a safe haven there."

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

35

Quantity

1

160 GBP

Opening bid

160 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

36

Quantity

1

100 GBP

Opening bid

100 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

37

Quantity

1

130 GBP

Opening bid

130 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

38

Quantity

1

200 GBP

Opening bid

200 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

67

Quantity

1

50 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

68

Quantity

1

50 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

69

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

70

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

Delphine Lebourgeois, Spring Quarantine Study 2, 2021

98

Quantity

1

70 GBP

Opening bid

70 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Delphine Lebourgeois Spring Quarantine Study 2, 2021 Ink, Watercolour and Acrylic on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) "Delphine Lebourgeois is a French artist based in London She works in various medium including digital, collage, pencil, pen, ink, watercolour and screenprint but her working process always starts with an initial collage of found elements. Her most recent work draws from various stylistic sources (ranging from Botticelli to comics) mixing symbols and cultural references in a playful and sometimes irreverent way. In 2014, Lebourgeois created a whole series of original drawings on the power of crowds "The Girl has a Gun" that was launched at the Other Art Fair in October 2014. The works explored the realm of power relations and female emancipation. Lebourgeois' latest series are her most feminist to date, as her armies of women have progressively taken on a deeper meaning. Her 2019 Pink Collection explores both erotica, the power to assert one's sexuality, and Mania, a look back on female repression. Lebourgeois has also collaborated with The New Yorker, The Guardian, Le Monde, L'Obs, Amnesty International, Soho House and The Other Art Fair, where she continues to exhibit her work yearly. In 2019, several of her works were featured as street art in the latest edition of Need For Speed Heat, produced by EA Games. She is exhibited around the world, including in the UK, Paris, New York, Hong Kong and Singapore. Education BA Fine Art, Ecole Des Beaux-Arts, Lyon, France MA Illustration, Central St Martins, London, UK Exhibitions UPCOMING 10-14th March 2021 - The Other Art Fair Virtual Edition SELECTED SOLO EXHIBITIONS 2019 - Prélude - Jealous Gallery, London 2017 - Rebels - Gas Gallery, London 2013 - Fall / Gas Gallery / London 2011 - Over the Cover / Frameless Gallery / London SELECTED GROUP EXHIBITIONS 2020 - Women by Women / Liberty Gallery / Royal Over Seas League, London 2020 - Hang Up new gallery launch / Hoxton / London 2020 - The Big Issue, Ben Eine and Our Types charity exhibition / Jealous Gallery / London 2020 - London Art Fair / Jealous Gallery / London 2019 - Salon Des Beaux Arts / Carrousel du Louvre / Paris , France 2019 - Speculative Fiction / Candid Art Trust / 6 artists show / London 2018 - The Other Art Fair / Brooklyn, USA 2017 - Unforeseen / Art Bastion Gallery / Miami, USA 2017 - Art Wynwood / Amnesty International / USA 2017 - The Other Art Fair / Collaboration with Elisabeth Lecourt / London 2017 - London Art Fair / Liberty Gallery / London

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

99

Quantity

1

60 GBP

Opening bid

60 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Delphine Lebourgeois The Run, 2021 Ink on Japanese Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) "Delphine Lebourgeois is a French artist based in London She works in various medium including digital, collage, pencil, pen, ink, watercolour and screenprint but her working process always starts with an initial collage of found elements. Her most recent work draws from various stylistic sources (ranging from Botticelli to comics) mixing symbols and cultural references in a playful and sometimes irreverent way. In 2014, Lebourgeois created a whole series of original drawings on the power of crowds "The Girl has a Gun" that was launched at the Other Art Fair in October 2014. The works explored the realm of power relations and female emancipation. Lebourgeois' latest series are her most feminist to date, as her armies of women have progressively taken on a deeper meaning. Her 2019 Pink Collection explores both erotica, the power to assert one's sexuality, and Mania, a look back on female repression. Lebourgeois has also collaborated with The New Yorker, The Guardian, Le Monde, L'Obs, Amnesty International, Soho House and The Other Art Fair, where she continues to exhibit her work yearly. In 2019, several of her works were featured as street art in the latest edition of Need For Speed Heat, produced by EA Games. She is exhibited around the world, including in the UK, Paris, New York, Hong Kong and Singapore. Education BA Fine Art, Ecole Des Beaux-Arts, Lyon, France MA Illustration, Central St Martins, London, UK Exhibitions UPCOMING 10-14th March 2021 - The Other Art Fair Virtual Edition SELECTED SOLO EXHIBITIONS 2019 - Prélude - Jealous Gallery, London 2017 - Rebels - Gas Gallery, London 2013 - Fall / Gas Gallery / London 2011 - Over the Cover / Frameless Gallery / London SELECTED GROUP EXHIBITIONS 2020 - Women by Women / Liberty Gallery / Royal Over Seas League, London 2020 - Hang Up new gallery launch / Hoxton / London 2020 - The Big Issue, Ben Eine and Our Types charity exhibition / Jealous Gallery / London 2020 - London Art Fair / Jealous Gallery / London 2019 - Salon Des Beaux Arts / Carrousel du Louvre / Paris , France 2019 - Speculative Fiction / Candid Art Trust / 6 artists show / London 2018 - The Other Art Fair / Brooklyn, USA 2017 - Unforeseen / Art Bastion Gallery / Miami, USA 2017 - Art Wynwood / Amnesty International / USA 2017 - The Other Art Fair / Collaboration with Elisabeth Lecourt / London 2017 - London Art Fair / Liberty Gallery / London

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

Liz Dexheimer, Burst Series: Conversations with E, 2021

145

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Liz Dexheimer Burst Series: Conversations with E, 2021 Synthetic Polymer on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Liz Dexheimer is a contemporary American painter and printmaker. Her work has been exhibited widely, in both solo and curated shows, throughout the eastern part of the United States, and appears in numerous public, private and corporate collections throughout the country, including The State of Connecticut, Four Seasons Hotels, Frontier Communications, Hudson Insurance, J.W. Marriott (Essex House), J.W. Nordstrom, Inc., Ritz Carlton, United Peoples Bank and many more. Education Born in 1960, she received a BA from Oberlin College in Ohio and continued her studies at the School of Visual Arts and Parsons School of Design, both in Manhattan. Dexheimer's work is in a number of corporate and public collections including The State of Connecticut, Frontier Communications, Hudson Insurance, JW Nordstrom, Inc, United Peoples Bank. A native of Manhattan, Ms. Dexheimer currently resides in Washington, CT, where she maintains a painting studio. Gallery Representation Amy Simon Fine Art, Westport, CT, USA; Argazzi Art, Lakeville, CT, USA; Claire Carino Contemporary, Boston, MA, USA; About the postcard artworks The conversation that occurs as colors react and interact with each other, each adding its own energy and dynamic, is fundamental to my approach in all my work. My current series of paintings continues to explore qualities of light, reflection and color, how they inform and alter what we see, how they create atmosphere. My imagery is informed by the linear and fluid elements of wetland environments. I often work with a limited palette, layering and blending just a few colors to achieve a meditative stillness, a sense of place and quietude. In other work I find myself incorporating combinations of highly-keyed colors and elaborate patterning which take on a more dynamic quality. I tend to alternate between these two approaches, I enjoy how they play off of one another and inform each other. I normally work in series, digging in to various themes as points of departure. For this auction, I have created two cards: Green Suite Series no. IX, incorporating one of my favorite motifs - the long view, strong horizon and reflected elements, and Burst Series Conversations with E, recalling a delightful afternoon spent by the river, observing the flow and the play of light in the water while in conversation with a dear friend.

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

Liz Dexheimer, Green Suite Series No IX, 2021

146

Quantity

1

70 GBP

Opening bid

70 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Liz Dexheimer Green Suite Series No IX, 2021 Synthetic Polymer on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Liz Dexheimer is a contemporary American painter and printmaker. Her work has been exhibited widely, in both solo and curated shows, throughout the eastern part of the United States, and appears in numerous public, private and corporate collections throughout the country, including The State of Connecticut, Four Seasons Hotels, Frontier Communications, Hudson Insurance, J.W. Marriott (Essex House), J.W. Nordstrom, Inc., Ritz Carlton, United Peoples Bank and many more. Education Born in 1960, she received a BA from Oberlin College in Ohio and continued her studies at the School of Visual Arts and Parsons School of Design, both in Manhattan. Dexheimer's work is in a number of corporate and public collections including The State of Connecticut, Frontier Communications, Hudson Insurance, JW Nordstrom, Inc, United Peoples Bank. A native of Manhattan, Ms. Dexheimer currently resides in Washington, CT, where she maintains a painting studio. Gallery Representation Amy Simon Fine Art, Westport, CT, USA; Argazzi Art, Lakeville, CT, USA; Claire Carino Contemporary, Boston, MA, USA; About the postcard artworks The conversation that occurs as colors react and interact with each other, each adding its own energy and dynamic, is fundamental to my approach in all my work. My current series of paintings continues to explore qualities of light, reflection and color, how they inform and alter what we see, how they create atmosphere. My imagery is informed by the linear and fluid elements of wetland environments. I often work with a limited palette, layering and blending just a few colors to achieve a meditative stillness, a sense of place and quietude. In other work I find myself incorporating combinations of highly-keyed colors and elaborate patterning which take on a more dynamic quality. I tend to alternate between these two approaches, I enjoy how they play off of one another and inform each other. I normally work in series, digging in to various themes as points of departure. For this auction, I have created two cards: Green Suite Series no. IX, incorporating one of my favorite motifs - the long view, strong horizon and reflected elements, and Burst Series Conversations with E, recalling a delightful afternoon spent by the river, observing the flow and the play of light in the water while in conversation with a dear friend.

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

Claudia Dharmashi, Running for the Sake of It, 2021

178

Quantity

1

50 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

192

Quantity

1

60 GBP

Opening bid

60 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

218

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

219

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

233

Quantity

1

50 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Mary Griffiths The Not Yet Star, 2021 Inscribed Graphite on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Mary Griffiths (b. 1965, Wirral. Lives in Manchester) Mary Griffiths' practice begins with drawing and the close observation of urban, rural and industrial ecologies and architectures. These rapid figurative drawings are developed in the studio in graphite, ink, monoprints, paint and digital media. They are also the root of her abstract works, through which their essential geometries are rendered BA English, Newcastle University: MA Fine Art, Manchester Metropolitan University Exhibitions/Awards "Drawing Biennial", Drawing Room, London (Forthcoming, 2021); "Royal Academy Summer/Winter Exhibition" (2020); "Protest and Remembrance", Cristea Roberts Gallery, London (2018); "Wild Honey", The Turnpike, Leigh (2018, solo exhibition); "Prospect Planes", with physicist Kostya Novoselov, for the Great Exhibition of the North, Newcastle/Gateshead (2018); "Wonder Materials: Graphene and Beyond", Museum of Science and Industry, Manchester and touring internationally (2016-18); "From Seathwaite", permanent wall drawing at the National Graphene Institute, Manchester (2015, solo exhibition); "Still Further", Bureau, Manchester (2014, solo exhibition); "Black and White Room" curated by Cornelia Parker, "Royal Academy Summer Exhibition" (2014); "Cabedal", Plataforma Revolver, Lisbon (2012); "Fathom", Bureau, Manchester (2012, solo exhibition); "Memory of a Hope", Ceri Hand Gallery, Liverpool (2011). Arts Council England awards (2020, 2018, 2015); Greater Manchester Combined Authority Creative Commissions (2020) Collections: Arts Council Collection; The Turnpike; The Whitworth; private collections About the postcard artworks "The Not Yet Star" is made of graphite, a form of carbon, the stuff we are all made from. The drawing takes its form from an industrial machine but it becomes a celestial star. Earthly and cosmological, like all of us.

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

244

Quantity

1

50 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Anne Desmet RA Building Site 1, 2021 Lithograph, Pen and Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Anne Desmet RA. Born Liverpool, UK, 1964. Lives/works in London. Printmaking artist specialising in wood engravings, linocuts and collages. Author of 7 published books on printmaking and drawing. Editor of "Printmaking Today" magazine (1998-2013). Curator of "Scene through Wood - A Century of Modern Wood Engraving" for Ashmolean Museum, Oxford, 2020 & touring to other UK museums until 2023. Only the 3rd artist ever elected as a wood engraver to the Royal Academy of Arts in the RA's 253-year history. Oxford University BA Fine Art Degree (1986) & MA (1991); Central School of Art Postgraduate Diploma in Printmaking (1988); British School at Rome Scholarship in Printmaking (1989-90) Have won over 40 national and international awards and prizes, 1987-2019 inclusive and have works in numerous national and international museum collections. Have had over 40 solo exhibitions, mostly in London but including major retrospectives in Moscow Ex Libris Museum, Russia (1995); Ashmolean Museum Oxford (1998 & touring UK until 1999); Whitworth Art Gallery, Manchester (2008 & touring UK until 2010); Holburne Museum, Bath (2017); Gainsborough's House Museum, Suffolk (2018); + "Olympic Metamorphoses" solo exhibition toured UK museums inc. Bluecoat Arts, Liverpool (2012) www.longandryle.com www.kevishouse.com www.banksidegallery.com "Looking Up" is a view up the historic winding staircase of Gainsborough's House Museum, Suffolk, rendered as a wood engraving. My other 3 postcard submissions are all lithograph and pencil studies of the building site at London's Royal Academy as it undertook its massive expansion project a few years ago. The interior and exterior of buildings with the play of light, pattern and form are prevailing themes in my work.

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

245

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

246

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Anne Desmet RA Building Site 3, 2021 Lithograph, Pen and Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Anne Desmet RA. Born Liverpool, UK, 1964. Lives/works in London. Printmaking artist specialising in wood engravings, linocuts and collages. Author of 7 published books on printmaking and drawing. Editor of "Printmaking Today" magazine (1998-2013). Curator of "Scene through Wood - A Century of Modern Wood Engraving" for Ashmolean Museum, Oxford, 2020 & touring to other UK museums until 2023. Only the 3rd artist ever elected as a wood engraver to the Royal Academy of Arts in the RA's 253-year history. Oxford University BA Fine Art Degree (1986) & MA (1991); Central School of Art Postgraduate Diploma in Printmaking (1988); British School at Rome Scholarship in Printmaking (1989-90) Have won over 40 national and international awards and prizes, 1987-2019 inclusive and have works in numerous national and international museum collections. Have had over 40 solo exhibitions, mostly in London but including major retrospectives in Moscow Ex Libris Museum, Russia (1995); Ashmolean Museum Oxford (1998 & touring UK until 1999); Whitworth Art Gallery, Manchester (2008 & touring UK until 2010); Holburne Museum, Bath (2017); Gainsborough's House Museum, Suffolk (2018); + "Olympic Metamorphoses" solo exhibition toured UK museums inc. Bluecoat Arts, Liverpool (2012) www.longandryle.com www.kevishouse.com www.banksidegallery.com "Looking Up" is a view up the historic winding staircase of Gainsborough's House Museum, Suffolk, rendered as a wood engraving. My other 3 postcard submissions are all lithograph and pencil studies of the building site at London's Royal Academy as it undertook its massive expansion project a few years ago. The interior and exterior of buildings with the play of light, pattern and form are prevailing themes in my work.

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

247

Quantity

1

50 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

250

Quantity

1

90 GBP

Opening bid

90 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Ceal Warnants Entitled (Repeat), 2021 Digital Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) b. 1984, Guildford, Surrey. Lives and works in London. The work draws parallels between the youth of 'then' and 'now'. The angst is the same but the pressures are different. Basing work on illustrations from the past helps to lend it an authenticity but also highlights the differences between two timeframes. Innocence is the truth of childhood whatever the era and it is fascinating. Education 2002 - 2006 BA (Hons) Winchester School of Art (Printmaking) 2006 - 2008 MA RCA (Printmaking) Exhibitions/Awards 2020 ""HOUSE OF VANS COMMUNITY MARKET"" - HOUSE OF VANS, LONDON 'ROYAL ACADEMY SUMMER (WINTER) EXHIBITION 2020' - ROYAL ACADEMY OF ARTS, LONDON. 'WOMENKIND NORTH"" - WITH LAE CONSULTANCY, PRESTON. 'ART ON A POSTCARD - INTERNATIONAL WOMEN'S DAY' - ALL BRIGHT, MAYFAIR, LONDON. 2019 'NOTICE THE SMALL THINGS"" - JEALOUS GALLERY, LONDON. 'BLISTERS - WAY BACK WHEN' - PRINT CLUB, LONDON. 2018 'THE CUT' - HICKS GALLERY, LONDON 'POP ART FEMMES' - GINA CROSS GALLERY X ARTSY X GUCCI, LONDON 'CHOOSE LOVE' - THE PRINT CLUB @ SOMERSET HOUSE, LONDON 'WEIL ICH EIN MÄDCHEN BIN' - ODAPARK, CENTRUM VOOR HEDENDAAGSE KUNST, NETHERLANDS. 'ROYAL ACADEMY SUMMER EXHIBITION 2018' - ROYAL ACADEMY OF ARTS, LONDON. COLLABORATION WITH ""COCO FENNELL"" FOR SS18 COLLECTION #COCOXCEAL 2017 COLLABORATION WITH ""THE BIG ISSUE"" #WEARABIGISSUE 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'GIRLS, GIRLS, GIRLS' - JEALOUS NORTH, LONDON. 2016 'KIDDING' (W/KRISTIAN JONES), JEALOUS GALLERY, LONDON. '20 BEST OF ART ON A POSTCARD' - JEALOUS GALLERY, LONDON. 2015 'FRACTURED FAIRYTALES' (3 PERSON SHOW WITH JESSICA HARRISON & JOE WEBB) - JEALOUS GALLERY, LONDON. 2014 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'TIME OF THE MONTH' - JEALOUS GALLERY, LONDON. 2013 'ENGLISH EDITION' - CULTURE GALLERY, CAPE TOWN, SOUTH AFRICA. 'CONTES DE NOËL' - LESS IS MORE PROJECTS, PARIS, FRANCE. 2012 'ASSEMBLY' - HARTINGTON ROAD, LONDON. 'JEALOUS @ HEAL'S, HEAL'S', TOTTENHAM COURT ROAD. 2011 'EXAM.' - TRANSITION GALLERY, LONDON. 2010 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'LA COLLECTION DE MONSIEUR X, OU LES AVANTAGES D'ÊTRE UN COLLECTIONNEUR' - ATELIER RICHELIEU, 60, RUE DE RICHELIEU, PARIS. 2009 'MANDERLEY' - JOHN JONES PROJECT SPACE, FINSBURY. 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'TATE'S LONG WEEKEND', BOXBOT STAGE - TATE MODERN, SOUTHWARK. 'NEW PRINTS FROM THE ROYAL COLLEGE OF ART SELECTED BY CHRIS ORR RA' - ROYAL ACADEMY OF ARTS, IN THE SIR HUGH CASSON ROOM FOR FRIENDS OF THE ROYAL ACADEMY, LONDON. 2008 '10' - AN EXHIBITION TO CELEBRATE THE 10 YEARS OF CHRIS ORR'S PROFESSORSHIP IN CONJUNCTION WITH THE WORK OF NOTABLE ARTISTS INCLUDING TRACEY EMIN AND MICHAEL CRAIG-MARTIN - ROYAL COLLEGE OF ART GALLERIES, KENSINGTON, LONDON. 'MAKE BELIEVE' - SHOW WITH BOO RITSON, RUTH CLAXTON ET AL. PART OF 'CONCRETE AND GLASS' MUSIC AND ART FESTIVAL NICHOLLS & CLARKE BUILDING, 3-10 SHOREDITCH HIGH STREET. 'BEAUTIFULLY CRAFTED' - NATIONAL GLASS CENTRE, SUNDERLAND. 'SHOW RCA 2008' - HENRY MOORE GALLERY, ROYAL COLLEGE OF ART, KENSINGTON, LONDON. 2007 'IF YOU COULD DO ANYTHING TOMORROW - WHAT WOULD IT BE?' - EXPOSURE GALLERY, LITTLE PORTLAND STREET, LONDON. 'OVER AND OVER AGAIN' - CURATED BY SASHA CRADDOCK - SADLER'S WELLS, ROSEBERY AVENUE, LONDON. COLLECTIONS CHAPMAN BROTHER'S FAMILY ARCHIVE ROYAL COLLEGE OF ART ARCHIVE WSA LIBRARY ARTIST'S BOOK COLLECTION P RIVATE COLLECTIONS WORLDWIDE COLLABORATIONS 2018 COCO FENNELL 2017 THE BIG ISSUE #WEARABIGISSUE SCHOLARSHIPS AND AWARDS 2008 TIM MARA PRIZE - WINNER 2008 PRINTMAKING COUNCIL AWARD - WINNER 2008 SOUTH SQUARE TRUST SCHOLARSHIP - WINNER Gallery Representation Jealous Gallery, Gas Gallery, Chappell Contemporary About the postcard artworks When considering how to reflect myself within my work I decided to choose a balance of positive and negative. ""And What?"" represents fighting attitudes that I see as being wrong in society, whilst ""Entitled"" depicts my particular position of privilege of which I am very aware."

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

251

Quantity

1

90 GBP

Opening bid

90 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Ceal Warnants And What?, 2021 Digital Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) b. 1984, Guildford, Surrey. Lives and works in London. The work draws parallels between the youth of 'then' and 'now'. The angst is the same but the pressures are different. Basing work on illustrations from the past helps to lend it an authenticity but also highlights the differences between two timeframes. Innocence is the truth of childhood whatever the era and it is fascinating. Education 2002 - 2006 BA (Hons) Winchester School of Art (Printmaking) 2006 - 2008 MA RCA (Printmaking) Exhibitions/Awards 2020 ""HOUSE OF VANS COMMUNITY MARKET"" - HOUSE OF VANS, LONDON 'ROYAL ACADEMY SUMMER (WINTER) EXHIBITION 2020' - ROYAL ACADEMY OF ARTS, LONDON. 'WOMENKIND NORTH"" - WITH LAE CONSULTANCY, PRESTON. 'ART ON A POSTCARD - INTERNATIONAL WOMEN'S DAY' - ALL BRIGHT, MAYFAIR, LONDON. 2019 'NOTICE THE SMALL THINGS"" - JEALOUS GALLERY, LONDON. 'BLISTERS - WAY BACK WHEN' - PRINT CLUB, LONDON. 2018 'THE CUT' - HICKS GALLERY, LONDON 'POP ART FEMMES' - GINA CROSS GALLERY X ARTSY X GUCCI, LONDON 'CHOOSE LOVE' - THE PRINT CLUB @ SOMERSET HOUSE, LONDON 'WEIL ICH EIN MÄDCHEN BIN' - ODAPARK, CENTRUM VOOR HEDENDAAGSE KUNST, NETHERLANDS. 'ROYAL ACADEMY SUMMER EXHIBITION 2018' - ROYAL ACADEMY OF ARTS, LONDON. COLLABORATION WITH ""COCO FENNELL"" FOR SS18 COLLECTION #COCOXCEAL 2017 COLLABORATION WITH ""THE BIG ISSUE"" #WEARABIGISSUE 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'GIRLS, GIRLS, GIRLS' - JEALOUS NORTH, LONDON. 2016 'KIDDING' (W/KRISTIAN JONES), JEALOUS GALLERY, LONDON. '20 BEST OF ART ON A POSTCARD' - JEALOUS GALLERY, LONDON. 2015 'FRACTURED FAIRYTALES' (3 PERSON SHOW WITH JESSICA HARRISON & JOE WEBB) - JEALOUS GALLERY, LONDON. 2014 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'TIME OF THE MONTH' - JEALOUS GALLERY, LONDON. 2013 'ENGLISH EDITION' - CULTURE GALLERY, CAPE TOWN, SOUTH AFRICA. 'CONTES DE NOËL' - LESS IS MORE PROJECTS, PARIS, FRANCE. 2012 'ASSEMBLY' - HARTINGTON ROAD, LONDON. 'JEALOUS @ HEAL'S, HEAL'S', TOTTENHAM COURT ROAD. 2011 'EXAM.' - TRANSITION GALLERY, LONDON. 2010 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'LA COLLECTION DE MONSIEUR X, OU LES AVANTAGES D'ÊTRE UN COLLECTIONNEUR' - ATELIER RICHELIEU, 60, RUE DE RICHELIEU, PARIS. 2009 'MANDERLEY' - JOHN JONES PROJECT SPACE, FINSBURY. 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'TATE'S LONG WEEKEND', BOXBOT STAGE - TATE MODERN, SOUTHWARK. 'NEW PRINTS FROM THE ROYAL COLLEGE OF ART SELECTED BY CHRIS ORR RA' - ROYAL ACADEMY OF ARTS, IN THE SIR HUGH CASSON ROOM FOR FRIENDS OF THE ROYAL ACADEMY, LONDON. 2008 '10' - AN EXHIBITION TO CELEBRATE THE 10 YEARS OF CHRIS ORR'S PROFESSORSHIP IN CONJUNCTION WITH THE WORK OF NOTABLE ARTISTS INCLUDING TRACEY EMIN AND MICHAEL CRAIG-MARTIN - ROYAL COLLEGE OF ART GALLERIES, KENSINGTON, LONDON. 'MAKE BELIEVE' - SHOW WITH BOO RITSON, RUTH CLAXTON ET AL. PART OF 'CONCRETE AND GLASS' MUSIC AND ART FESTIVAL NICHOLLS & CLARKE BUILDING, 3-10 SHOREDITCH HIGH STREET. 'BEAUTIFULLY CRAFTED' - NATIONAL GLASS CENTRE, SUNDERLAND. 'SHOW RCA 2008' - HENRY MOORE GALLERY, ROYAL COLLEGE OF ART, KENSINGTON, LONDON. 2007 'IF YOU COULD DO ANYTHING TOMORROW - WHAT WOULD IT BE?' - EXPOSURE GALLERY, LITTLE PORTLAND STREET, LONDON. 'OVER AND OVER AGAIN' - CURATED BY SASHA CRADDOCK - SADLER'S WELLS, ROSEBERY AVENUE, LONDON. COLLECTIONS CHAPMAN BROTHER'S FAMILY ARCHIVE ROYAL COLLEGE OF ART ARCHIVE WSA LIBRARY ARTIST'S BOOK COLLECTION P RIVATE COLLECTIONS WORLDWIDE COLLABORATIONS 2018 COCO FENNELL 2017 THE BIG ISSUE #WEARABIGISSUE SCHOLARSHIPS AND AWARDS 2008 TIM MARA PRIZE - WINNER 2008 PRINTMAKING COUNCIL AWARD - WINNER 2008 SOUTH SQUARE TRUST SCHOLARSHIP - WINNER Gallery Representation Jealous Gallery, Gas Gallery, Chappell Contemporary About the postcard artworks When considering how to reflect myself within my work I decided to choose a balance of positive and negative. ""And What?"" represents fighting attitudes that I see as being wrong in society, whilst ""Entitled"" depicts my particular position of privilege of which I am very aware."

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

253

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

254

Quantity

1

50 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

Heidrun Rathgeb, River Boy, Rotach, 2020

255

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

286

Quantity

1

50 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

297

Quantity

1

50 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

298

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

299

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

Chitra P Merchant, Tree: Presence/Absence, 2021

335

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Chitra P Merchant Tree: Presence/Absence, 2021 Watercolour and Pyrograph on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Chitra Parvathy Merchant grew up in India and currently works as an artist in Bristol, U.K. After completing a B.A Degree in Psychology, she left India to work for a year in an artist's studio in West Africa. Education She came to England in the early nineties and completed a B.A (Hons) Degree in Illustration from U.W.E Bristol ('98) where she was first introduced to printmaking. In 2001 she based herself at Spike Print Studio where she works. Exhibitions/Awards 2005: PGCE, UWE, Bristol, U.K 1999: Post Extn Studies in Illustration, UWE, Bristol, U.K 1998: BA Hons Illustration, UWE, Bristol, U.K 1995: Foundation Studies in Art and Design, Leeds, U.K 1993: BA Psychology, Bangalore, India2021: Upcoming show at Candida Stevens Fine Art, Sussex 2020: Royal Academy Summer / WInter Show , London 2019: Solo show at Hidden Gallery, Bristol 2018: Summer Exhibition, Royal Academy, London 2018: Art Rooms Fair 2017: 'Good Nature', Candida Stevens Fine Art, Chichester, UK 2017: Brighton Print Fair, UK 2017: SKETCH 2017, Rabley Drawing Centre, Marlborough, UK 2017: 'Drawn', RWA Bristol 2016: NEO: Print Prize 2016 2016: 'ICON', Candida Stevens Fine Art 2016: 'The Story in Art', Candida Stevens Fine Art 2016: Small Print International, Leicester Print Studio 2015: 'Pressing Identities' West Yorkshire Print Studio 2015: 'In The Studio' Videoed by the Royal Academy of Arts 2015: 'Encre 39 / 93' Atelier aux Lilas, Paris 2014: Royal Academy Art, Painter / Printmakers show 2014: AAF Battersea, London 2014: 'Multiplied', Christies, London 2014: Royal Academy Summer Exhibition, London 2013: AAF Battersea, London 2013: 'Multiplied', Christies, London 2013: Royal Academy Summer Exhibition, London 2012: Winter Show, Rostra, Bath 2012: AAF, Battersea, London 2012: 'BITE' Artists Making Prints, Mall Galleries, London 2012: Bristol Affordable Art Fair 2012: May Open Studios, Spike Island, Bristol 2012: London Original Print Fair, Royal Academy, London 2012: Group Show; Victoria Art Gallery and Museum, Bath 2011: Affordable Art Fair , Battersea, London 2011: 'BITE' Artists Making Prints, Mall Galleries, London 2011: Small Print Big Impression, U.K 2011: Affordable Art Fair, Bristol, U.K 2011: May Open at SPS 2010: Group Show at the Create Centre , Bristol 2010: Invited Artist at SNAP Gallery Bristol 2010: R.A Summer Exhibition 2009: IMPACT '09 2009: RWA Open Print, Bristol, U.K 2009: Solo show at BIYC Bristol, U.K 2009: May Open at Spike Print Studio, Bristol, U.K 2009: IMPRESS, GPC, Stroud, U.K 2008: S, M,L,XL, Spike Print Studio, U.K 2008: Group Show at RUH, Bath, U.K 2007: BABE, Arnolfini, Bristol, U.K 2007: Spike Print, Spyglass, Bristol 2006: Spike Print, Paintworks, Bristol 2005: Solo show at Bristol Old Vic 2004: May Open, Spike Print , U.K 2003: Christmas Show at Spike Print Studio, U.K 2002: May Open, Spike Print , U.K 2002: Christmas Show at Spike Print Studio, U.K 2000: Group Show at Centre Space Gallery, Bristol, U.K 1998: Degree Show at Angel Islington art Gallery, London Gallery Representation Candida Stevens Fine Art, Chichester, Sussex About the postcard artworks Growing up in India, and having lived in the West, I am interested in the identities ascribed to and taken on by women. 'Eve' is a cheeky take on a popular creation myth (we all know the one!) And 'Free' is an attempt to look at 'The Feminine' , not as gender but as a quality in this largely patriarchal world we live in.

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

Chitra P Merchant, Free! Feeding Crows, 2021

336

Quantity

1

50 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Chitra P Merchant Free! Feeding Crows, 2021 Ink Pen and Pyrograph on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Chitra Parvathy Merchant grew up in India and currently works as an artist in Bristol, U.K. After completing a B.A Degree in Psychology, she left India to work for a year in an artist's studio in West Africa. Education She came to England in the early nineties and completed a B.A (Hons) Degree in Illustration from U.W.E Bristol ('98) where she was first introduced to printmaking. In 2001 she based herself at Spike Print Studio where she works. Exhibitions/Awards 2005: PGCE, UWE, Bristol, U.K 1999: Post Extn Studies in Illustration, UWE, Bristol, U.K 1998: BA Hons Illustration, UWE, Bristol, U.K 1995: Foundation Studies in Art and Design, Leeds, U.K 1993: BA Psychology, Bangalore, India2021: Upcoming show at Candida Stevens Fine Art, Sussex 2020: Royal Academy Summer / WInter Show , London 2019: Solo show at Hidden Gallery, Bristol 2018: Summer Exhibition, Royal Academy, London 2018: Art Rooms Fair 2017: 'Good Nature', Candida Stevens Fine Art, Chichester, UK 2017: Brighton Print Fair, UK 2017: SKETCH 2017, Rabley Drawing Centre, Marlborough, UK 2017: 'Drawn', RWA Bristol 2016: NEO: Print Prize 2016 2016: 'ICON', Candida Stevens Fine Art 2016: 'The Story in Art', Candida Stevens Fine Art 2016: Small Print International, Leicester Print Studio 2015: 'Pressing Identities' West Yorkshire Print Studio 2015: 'In The Studio' Videoed by the Royal Academy of Arts 2015: 'Encre 39 / 93' Atelier aux Lilas, Paris 2014: Royal Academy Art, Painter / Printmakers show 2014: AAF Battersea, London 2014: 'Multiplied', Christies, London 2014: Royal Academy Summer Exhibition, London 2013: AAF Battersea, London 2013: 'Multiplied', Christies, London 2013: Royal Academy Summer Exhibition, London 2012: Winter Show, Rostra, Bath 2012: AAF, Battersea, London 2012: 'BITE' Artists Making Prints, Mall Galleries, London 2012: Bristol Affordable Art Fair 2012: May Open Studios, Spike Island, Bristol 2012: London Original Print Fair, Royal Academy, London 2012: Group Show; Victoria Art Gallery and Museum, Bath 2011: Affordable Art Fair , Battersea, London 2011: 'BITE' Artists Making Prints, Mall Galleries, London 2011: Small Print Big Impression, U.K 2011: Affordable Art Fair, Bristol, U.K 2011: May Open at SPS 2010: Group Show at the Create Centre , Bristol 2010: Invited Artist at SNAP Gallery Bristol 2010: R.A Summer Exhibition 2009: IMPACT '09 2009: RWA Open Print, Bristol, U.K 2009: Solo show at BIYC Bristol, U.K 2009: May Open at Spike Print Studio, Bristol, U.K 2009: IMPRESS, GPC, Stroud, U.K 2008: S, M,L,XL, Spike Print Studio, U.K 2008: Group Show at RUH, Bath, U.K 2007: BABE, Arnolfini, Bristol, U.K 2007: Spike Print, Spyglass, Bristol 2006: Spike Print, Paintworks, Bristol 2005: Solo show at Bristol Old Vic 2004: May Open, Spike Print , U.K 2003: Christmas Show at Spike Print Studio, U.K 2002: May Open, Spike Print , U.K 2002: Christmas Show at Spike Print Studio, U.K 2000: Group Show at Centre Space Gallery, Bristol, U.K 1998: Degree Show at Angel Islington art Gallery, London Gallery Representation Candida Stevens Fine Art, Chichester, Sussex About the postcard artworks Growing up in India, and having lived in the West, I am interested in the identities ascribed to and taken on by women. 'Eve' is a cheeky take on a popular creation myth (we all know the one!) And 'Free' is an attempt to look at 'The Feminine' , not as gender but as a quality in this largely patriarchal world we live in.

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

337

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Chitra P Merchant Eve, 2021 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Chitra Parvathy Merchant grew up in India and currently works as an artist in Bristol, U.K. After completing a B.A Degree in Psychology, she left India to work for a year in an artist's studio in West Africa. Education She came to England in the early nineties and completed a B.A (Hons) Degree in Illustration from U.W.E Bristol ('98) where she was first introduced to printmaking. In 2001 she based herself at Spike Print Studio where she works. Exhibitions/Awards 2005: PGCE, UWE, Bristol, U.K 1999: Post Extn Studies in Illustration, UWE, Bristol, U.K 1998: BA Hons Illustration, UWE, Bristol, U.K 1995: Foundation Studies in Art and Design, Leeds, U.K 1993: BA Psychology, Bangalore, India2021: Upcoming show at Candida Stevens Fine Art, Sussex 2020: Royal Academy Summer / WInter Show , London 2019: Solo show at Hidden Gallery, Bristol 2018: Summer Exhibition, Royal Academy, London 2018: Art Rooms Fair 2017: 'Good Nature', Candida Stevens Fine Art, Chichester, UK 2017: Brighton Print Fair, UK 2017: SKETCH 2017, Rabley Drawing Centre, Marlborough, UK 2017: 'Drawn', RWA Bristol 2016: NEO: Print Prize 2016 2016: 'ICON', Candida Stevens Fine Art 2016: 'The Story in Art', Candida Stevens Fine Art 2016: Small Print International, Leicester Print Studio 2015: 'Pressing Identities' West Yorkshire Print Studio 2015: 'In The Studio' Videoed by the Royal Academy of Arts 2015: 'Encre 39 / 93' Atelier aux Lilas, Paris 2014: Royal Academy Art, Painter / Printmakers show 2014: AAF Battersea, London 2014: 'Multiplied', Christies, London 2014: Royal Academy Summer Exhibition, London 2013: AAF Battersea, London 2013: 'Multiplied', Christies, London 2013: Royal Academy Summer Exhibition, London 2012: Winter Show, Rostra, Bath 2012: AAF, Battersea, London 2012: 'BITE' Artists Making Prints, Mall Galleries, London 2012: Bristol Affordable Art Fair 2012: May Open Studios, Spike Island, Bristol 2012: London Original Print Fair, Royal Academy, London 2012: Group Show; Victoria Art Gallery and Museum, Bath 2011: Affordable Art Fair , Battersea, London 2011: 'BITE' Artists Making Prints, Mall Galleries, London 2011: Small Print Big Impression, U.K 2011: Affordable Art Fair, Bristol, U.K 2011: May Open at SPS 2010: Group Show at the Create Centre , Bristol 2010: Invited Artist at SNAP Gallery Bristol 2010: R.A Summer Exhibition 2009: IMPACT '09 2009: RWA Open Print, Bristol, U.K 2009: Solo show at BIYC Bristol, U.K 2009: May Open at Spike Print Studio, Bristol, U.K 2009: IMPRESS, GPC, Stroud, U.K 2008: S, M,L,XL, Spike Print Studio, U.K 2008: Group Show at RUH, Bath, U.K 2007: BABE, Arnolfini, Bristol, U.K 2007: Spike Print, Spyglass, Bristol 2006: Spike Print, Paintworks, Bristol 2005: Solo show at Bristol Old Vic 2004: May Open, Spike Print , U.K 2003: Christmas Show at Spike Print Studio, U.K 2002: May Open, Spike Print , U.K 2002: Christmas Show at Spike Print Studio, U.K 2000: Group Show at Centre Space Gallery, Bristol, U.K 1998: Degree Show at Angel Islington art Gallery, London Gallery Representation Candida Stevens Fine Art, Chichester, Sussex About the postcard artworks Growing up in India, and having lived in the West, I am interested in the identities ascribed to and taken on by women. 'Eve' is a cheeky take on a popular creation myth (we all know the one!) And 'Free' is an attempt to look at 'The Feminine' , not as gender but as a quality in this largely patriarchal world we live in.

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

338

Quantity

1

50 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bea Denton Out of Darkness i, 2021 Digital Print on Hahnemühle Signed verso 15 x 10cm (5¾ x 3¾ in.) Bea Denton's practice explores ideas around death and loss, faith and ritual. Photography, printmaking, found materials and lost images are intrinsic to her creative process. Pushing the boundaries of the technical and physical limitations of photography, her work transcends its realist conventions to achieve a deeper resonance. Denton is a collector and archivist of anonymous lives, departed and reincarnated, in pursuit of an essence in the image: the 'soul'. In her examination of faith and death, Denton attempts to find meaning and dimension through the imprint of time, light and phenomena. In a circuitous process, found images are penetrated, interrogated and excavated through alternate layers of photography, projection, recaptured from the lens of a Camera Obscura, from there back to photography and finally to print. The resulting enigmatic, dislocated images challenge a traditional idea of photography as a faithful record of reality, and instead explore the nature of perception, belief and memory. Education Denton graduated from UAL with Distinction in MA Fine Art Printmaking. Exhibitions/Awards She has exhibited widely, including publicly-sited work. She won the 2009 Creekside Open prize selected by Jenni Lomax; the 2007 Deptford X MacDonald Egan Award for Public Art, and the 2002 Ardizzone Prize (Major) for Printmaking. Denton has taught at AUB, UAL and in Brazil and China, and is a Trustee for Lewisham Education Arts Network (LEAN). www.beadenton.com / Instagram: Bea_Denton_Art MA Fine Art Printmaking (Distinction) / University of the Arts London Selected Exhibitions 2020 A Personal Perspective curated by Liz May / APT Gallery, London RA Summer/Winter Exhibition 2020 Woolwich Contemporary Print Fair National Brain Appeal - Everyday Things 2019 Creekside Open 2019 curated by Sacha Craddock RA Summer Exhibition 2019 National Brain Appeal - A Letter in Mind 2018 RE Masters / Bankside Gallery, London 2016 Ladies and Gentlemen / The Bawden Kingston tile project / Kingston Guildhall and Morley College 2014 PBA Gallery / Featured Artist / London 2012 Occupy My Time / Past and Present RA Summer Exhibition 2012 2009 Creekside Open 2009 selected by Jenni Lomax (Award winner) 2008 Cupboard Love / Site specific work / Greenwich Foot Tunnel (south side), London Electric Blue / Bargehouse Gallery (Oxo Tower), London RA Summer Exhibition 2008 2007 Via Dolorosa / site specific installation / Ha'Penny Hatch Bridge, Deptford (Winner - McDonald Egan Award for Public Art) 100% Glass / Three White Walls Gallery, Birmingham On Earth as it is... / Solo show / Bearspace and Renewal Gallery, London 2006 WhereNow / Six of One group of artists / APT Gallery, London 2005 Sculpture in Gardens / Godington House, Kent 2004 Glass Inspiration / British Glass / Burgdorf, Switzerland Where / Six of One group of artists / The Menier Gallery, London British Glass Biennale / International Festival of Glass Challenge the Nail / Salon Des Arts, London 2003 Art in Heaven / The Meeting House, Sussex University Campus Prints inspired by Poetry / 20:21 Visual Arts Centre, N. Lincolnshire Impact 2003 / Do-Don't/Can-Can't Michaelis School of Fine Art at the University of Cape Town / Rhodes University School of Fine Art, South Africa 2001 Imagining the body; The Figure as a container of experience / Kala Bhavana, Shantiniketan India, The National Art School Sydney Australia and Camberwell College of Art Awards 2002 The Ardizzone Prize (Major) for Printmaking 2007 The MacDonald Egan Award for Public Art (Via Dolorosa) 2009 Creekside Open 2009 Prize selected and awarded by Jenni Lomax Teaching 2019 Head of School, Preparation for Higher Education, Arts University Bournemouth 2018 Programme Leader, FE Programmes / Escola Britânica de Artes Criativas, Brazil 2017 Curriculum Coordinator / Pathway Leader (Fine Art) Central Saint Martins. About the postcard artworks In this work for Art On A Postcard, I have considered resilience inherent in women, exemplified by The Virgin Mary, whose part in the birth of Christ was distinguished by steadfastness, strength, grief and absolute faith. The ephemeral shadow of her stone effigy captured by half-light alludes to these characteristics of resilience; an image revealed by the brilliance of light seeping into darkness, and fixing its place in the soul."

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

339

Quantity

1

50 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bea Denton Out of Darkness ii, 2021 Digital Print on Hahnemühle Signed verso 15 x 10cm (5¾ x 3¾ in.) Bea Denton's practice explores ideas around death and loss, faith and ritual. Photography, printmaking, found materials and lost images are intrinsic to her creative process. Pushing the boundaries of the technical and physical limitations of photography, her work transcends its realist conventions to achieve a deeper resonance. Denton is a collector and archivist of anonymous lives, departed and reincarnated, in pursuit of an essence in the image: the 'soul'. In her examination of faith and death, Denton attempts to find meaning and dimension through the imprint of time, light and phenomena. In a circuitous process, found images are penetrated, interrogated and excavated through alternate layers of photography, projection, recaptured from the lens of a Camera Obscura, from there back to photography and finally to print. The resulting enigmatic, dislocated images challenge a traditional idea of photography as a faithful record of reality, and instead explore the nature of perception, belief and memory. Education Denton graduated from UAL with Distinction in MA Fine Art Printmaking. Exhibitions/Awards She has exhibited widely, including publicly-sited work. She won the 2009 Creekside Open prize selected by Jenni Lomax; the 2007 Deptford X MacDonald Egan Award for Public Art, and the 2002 Ardizzone Prize (Major) for Printmaking. Denton has taught at AUB, UAL and in Brazil and China, and is a Trustee for Lewisham Education Arts Network (LEAN). www.beadenton.com / Instagram: Bea_Denton_Art MA Fine Art Printmaking (Distinction) / University of the Arts London Selected Exhibitions 2020 A Personal Perspective curated by Liz May / APT Gallery, London RA Summer/Winter Exhibition 2020 Woolwich Contemporary Print Fair National Brain Appeal - Everyday Things 2019 Creekside Open 2019 curated by Sacha Craddock RA Summer Exhibition 2019 National Brain Appeal - A Letter in Mind 2018 RE Masters / Bankside Gallery, London 2016 Ladies and Gentlemen / The Bawden Kingston tile project / Kingston Guildhall and Morley College 2014 PBA Gallery / Featured Artist / London 2012 Occupy My Time / Past and Present RA Summer Exhibition 2012 2009 Creekside Open 2009 selected by Jenni Lomax (Award winner) 2008 Cupboard Love / Site specific work / Greenwich Foot Tunnel (south side), London Electric Blue / Bargehouse Gallery (Oxo Tower), London RA Summer Exhibition 2008 2007 Via Dolorosa / site specific installation / Ha'Penny Hatch Bridge, Deptford (Winner - McDonald Egan Award for Public Art) 100% Glass / Three White Walls Gallery, Birmingham On Earth as it is... / Solo show / Bearspace and Renewal Gallery, London 2006 WhereNow / Six of One group of artists / APT Gallery, London 2005 Sculpture in Gardens / Godington House, Kent 2004 Glass Inspiration / British Glass / Burgdorf, Switzerland Where / Six of One group of artists / The Menier Gallery, London British Glass Biennale / International Festival of Glass Challenge the Nail / Salon Des Arts, London 2003 Art in Heaven / The Meeting House, Sussex University Campus Prints inspired by Poetry / 20:21 Visual Arts Centre, N. Lincolnshire Impact 2003 / Do-Don't/Can-Can't Michaelis School of Fine Art at the University of Cape Town / Rhodes University School of Fine Art, South Africa 2001 Imagining the body; The Figure as a container of experience / Kala Bhavana, Shantiniketan India, The National Art School Sydney Australia and Camberwell College of Art Awards 2002 The Ardizzone Prize (Major) for Printmaking 2007 The MacDonald Egan Award for Public Art (Via Dolorosa) 2009 Creekside Open 2009 Prize selected and awarded by Jenni Lomax Teaching 2019 Head of School, Preparation for Higher Education, Arts University Bournemouth 2018 Programme Leader, FE Programmes / Escola Britânica de Artes Criativas, Brazil 2017 Curriculum Coordinator / Pathway Leader (Fine Art) Central Saint Martins. About the postcard artworks In this work for Art On A Postcard, I have considered resilience inherent in women, exemplified by The Virgin Mary, whose part in the birth of Christ was distinguished by steadfastness, strength, grief and absolute faith. The ephemeral shadow of her stone effigy captured by half-light alludes to these characteristics of resilience; an image revealed by the brilliance of light seeping into darkness, and fixing its place in the soul."

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

340

Quantity

1

50 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bea Denton Out of Darkness iii, 2021 Digital Print on Hahnemühle Signed verso 15 x 10cm (5¾ x 3¾ in.) Bea Denton's practice explores ideas around death and loss, faith and ritual. Photography, printmaking, found materials and lost images are intrinsic to her creative process. Pushing the boundaries of the technical and physical limitations of photography, her work transcends its realist conventions to achieve a deeper resonance. Denton is a collector and archivist of anonymous lives, departed and reincarnated, in pursuit of an essence in the image: the 'soul'. In her examination of faith and death, Denton attempts to find meaning and dimension through the imprint of time, light and phenomena. In a circuitous process, found images are penetrated, interrogated and excavated through alternate layers of photography, projection, recaptured from the lens of a Camera Obscura, from there back to photography and finally to print. The resulting enigmatic, dislocated images challenge a traditional idea of photography as a faithful record of reality, and instead explore the nature of perception, belief and memory. Education Denton graduated from UAL with Distinction in MA Fine Art Printmaking. Exhibitions/Awards She has exhibited widely, including publicly-sited work. She won the 2009 Creekside Open prize selected by Jenni Lomax; the 2007 Deptford X MacDonald Egan Award for Public Art, and the 2002 Ardizzone Prize (Major) for Printmaking. Denton has taught at AUB, UAL and in Brazil and China, and is a Trustee for Lewisham Education Arts Network (LEAN). www.beadenton.com / Instagram: Bea_Denton_Art MA Fine Art Printmaking (Distinction) / University of the Arts London Selected Exhibitions 2020 A Personal Perspective curated by Liz May / APT Gallery, London RA Summer/Winter Exhibition 2020 Woolwich Contemporary Print Fair National Brain Appeal - Everyday Things 2019 Creekside Open 2019 curated by Sacha Craddock RA Summer Exhibition 2019 National Brain Appeal - A Letter in Mind 2018 RE Masters / Bankside Gallery, London 2016 Ladies and Gentlemen / The Bawden Kingston tile project / Kingston Guildhall and Morley College 2014 PBA Gallery / Featured Artist / London 2012 Occupy My Time / Past and Present RA Summer Exhibition 2012 2009 Creekside Open 2009 selected by Jenni Lomax (Award winner) 2008 Cupboard Love / Site specific work / Greenwich Foot Tunnel (south side), London Electric Blue / Bargehouse Gallery (Oxo Tower), London RA Summer Exhibition 2008 2007 Via Dolorosa / site specific installation / Ha'Penny Hatch Bridge, Deptford (Winner - McDonald Egan Award for Public Art) 100% Glass / Three White Walls Gallery, Birmingham On Earth as it is... / Solo show / Bearspace and Renewal Gallery, London 2006 WhereNow / Six of One group of artists / APT Gallery, London 2005 Sculpture in Gardens / Godington House, Kent 2004 Glass Inspiration / British Glass / Burgdorf, Switzerland Where / Six of One group of artists / The Menier Gallery, London British Glass Biennale / International Festival of Glass Challenge the Nail / Salon Des Arts, London 2003 Art in Heaven / The Meeting House, Sussex University Campus Prints inspired by Poetry / 20:21 Visual Arts Centre, N. Lincolnshire Impact 2003 / Do-Don't/Can-Can't Michaelis School of Fine Art at the University of Cape Town / Rhodes University School of Fine Art, South Africa 2001 Imagining the body; The Figure as a container of experience / Kala Bhavana, Shantiniketan India, The National Art School Sydney Australia and Camberwell College of Art Awards 2002 The Ardizzone Prize (Major) for Printmaking 2007 The MacDonald Egan Award for Public Art (Via Dolorosa) 2009 Creekside Open 2009 Prize selected and awarded by Jenni Lomax Teaching 2019 Head of School, Preparation for Higher Education, Arts University Bournemouth 2018 Programme Leader, FE Programmes / Escola Britânica de Artes Criativas, Brazil 2017 Curriculum Coordinator / Pathway Leader (Fine Art) Central Saint Martins. About the postcard artworks In this work for Art On A Postcard, I have considered resilience inherent in women, exemplified by The Virgin Mary, whose part in the birth of Christ was distinguished by steadfastness, strength, grief and absolute faith. The ephemeral shadow of her stone effigy captured by half-light alludes to these characteristics of resilience; an image revealed by the brilliance of light seeping into darkness, and fixing its place in the soul."

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

429

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

430

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

431

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Tamsin Relly I Am Plant I, 2021 Water-Based Monotype on Somerset 300gsm Paper Signed verso 15 x 20cm (5¾ x 7¾ in.) Tamsin Relly's multi-disciplinary practice includes painting, printmaking and photography. Her work reflects on the increasingly disrupted environmental conditions of a shifting global climate and explores the preservation of arboreal and botanical environments through conservation, urban parks and memory - be it personal, collective or held within the land. Relly was born in Cape Town, South Africa in 1981. She completed her Masters in Fine Art at City & Guilds of London Art School in 2011 and currently lives and works in South East London. Exhibitions Solo Exhibitions: Imagining the Amazon, The Collective, House of St Barnabas, London (2017), Forest Memory, Brocket Galley, London (2017), Jungle Snow, The Place Downstairs, London(2014). Tipping Point, ASC Gallery, London, (2012). Selected Group Exhibitions: Polar Worlds, National Maritime Museum, London (2020), Drawing Closer, Oliver Projects, London (2020), Summer Exhibition, Royal Academy of Arts, London (2020). Site Works, Experimental Gallery, Cornell University, New York (2019). Hospital Rooms & Eilleen Skellern I, Griffin Gallery, London (2019). Art for the Barbican, The Barbican Centre, London (2018) Paper Cuts, Kristian Day / Saatchi Gallery, London (2018), Dentons Art Prize, Dentons Law Firm, London (2016), Arcadia, SMITH Gallery, Cape Town (2016). Traces, Honore, Gallery Rue Visconti, Paris (2014), Painter Printmakers, Royal Academy of Arts, London (2014). Collections The National Maritime Museum, London. Simmons Contemporary, London. Dentons, London. Hogan Lovells, London. Yellowwoods Art, Cape Town, South Africa. Ellerman House, Cape Town, South Africa. About the postcard artwork This series monotypes, 'I Am Stardust, I Am Plant', reflects on the interdependence between all life forms, and the reciprocal relationship we have with our environment and planet. The varying shapes of the prints trace the outlines of windows and mirrors found in my home and studio.

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

432

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Tamsin Relly I Am Plant II, 2021 Water-Based Monotype on Somerset 300gsm Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Tamsin Relly's multi-disciplinary practice includes painting, printmaking and photography. Her work reflects on the increasingly disrupted environmental conditions of a shifting global climate and explores the preservation of arboreal and botanical environments through conservation, urban parks and memory - be it personal, collective or held within the land. Relly was born in Cape Town, South Africa in 1981. She completed her Masters in Fine Art at City & Guilds of London Art School in 2011 and currently lives and works in South East London. Exhibitions Solo Exhibitions: Imagining the Amazon, The Collective, House of St Barnabas, London (2017), Forest Memory, Brocket Galley, London (2017), Jungle Snow, The Place Downstairs, London(2014). Tipping Point, ASC Gallery, London, (2012). Selected Group Exhibitions: Polar Worlds, National Maritime Museum, London (2020), Drawing Closer, Oliver Projects, London (2020), Summer Exhibition, Royal Academy of Arts, London (2020). Site Works, Experimental Gallery, Cornell University, New York (2019). Hospital Rooms & Eilleen Skellern I, Griffin Gallery, London (2019). Art for the Barbican, The Barbican Centre, London (2018) Paper Cuts, Kristian Day / Saatchi Gallery, London (2018), Dentons Art Prize, Dentons Law Firm, London (2016), Arcadia, SMITH Gallery, Cape Town (2016). Traces, Honore, Gallery Rue Visconti, Paris (2014), Painter Printmakers, Royal Academy of Arts, London (2014). Collections The National Maritime Museum, London. Simmons Contemporary, London. Dentons, London. Hogan Lovells, London. Yellowwoods Art, Cape Town, South Africa. Ellerman House, Cape Town, South Africa. About the postcard artwork This series monotypes, 'I Am Stardust, I Am Plant', reflects on the interdependence between all life forms, and the reciprocal relationship we have with our environment and planet. The varying shapes of the prints trace the outlines of windows and mirrors found in my home and studio.

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

433

Quantity

1

50 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Tamsin Relly I Am Stardust I, 2021 Water-Based Monotype on Somerset 300gsm Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Tamsin Relly's multi-disciplinary practice includes painting, printmaking and photography. Her work reflects on the increasingly disrupted environmental conditions of a shifting global climate and explores the preservation of arboreal and botanical environments through conservation, urban parks and memory - be it personal, collective or held within the land. Relly was born in Cape Town, South Africa in 1981. She completed her Masters in Fine Art at City & Guilds of London Art School in 2011 and currently lives and works in South East London. Exhibitions Solo Exhibitions: Imagining the Amazon, The Collective, House of St Barnabas, London (2017), Forest Memory, Brocket Galley, London (2017), Jungle Snow, The Place Downstairs, London(2014). Tipping Point, ASC Gallery, London, (2012). Selected Group Exhibitions: Polar Worlds, National Maritime Museum, London (2020), Drawing Closer, Oliver Projects, London (2020), Summer Exhibition, Royal Academy of Arts, London (2020). Site Works, Experimental Gallery, Cornell University, New York (2019). Hospital Rooms & Eilleen Skellern I, Griffin Gallery, London (2019). Art for the Barbican, The Barbican Centre, London (2018) Paper Cuts, Kristian Day / Saatchi Gallery, London (2018), Dentons Art Prize, Dentons Law Firm, London (2016), Arcadia, SMITH Gallery, Cape Town (2016). Traces, Honore, Gallery Rue Visconti, Paris (2014), Painter Printmakers, Royal Academy of Arts, London (2014). Collections The National Maritime Museum, London. Simmons Contemporary, London. Dentons, London. Hogan Lovells, London. Yellowwoods Art, Cape Town, South Africa. Ellerman House, Cape Town, South Africa. About the postcard artwork This series monotypes, 'I Am Stardust, I Am Plant', reflects on the interdependence between all life forms, and the reciprocal relationship we have with our environment and planet. The varying shapes of the prints trace the outlines of windows and mirrors found in my home and studio.

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

434

Quantity

1

60 GBP

Opening bid

60 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Tamsin Relly I Am Stardust II, 2021 Water-Based Monotype on Somerset 300gsm Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Tamsin Relly's multi-disciplinary practice includes painting, printmaking and photography. Her work reflects on the increasingly disrupted environmental conditions of a shifting global climate and explores the preservation of arboreal and botanical environments through conservation, urban parks and memory - be it personal, collective or held within the land. Relly was born in Cape Town, South Africa in 1981. She completed her Masters in Fine Art at City & Guilds of London Art School in 2011 and currently lives and works in South East London. Exhibitions Solo Exhibitions: Imagining the Amazon, The Collective, House of St Barnabas, London (2017), Forest Memory, Brocket Galley, London (2017), Jungle Snow, The Place Downstairs, London(2014). Tipping Point, ASC Gallery, London, (2012). Selected Group Exhibitions: Polar Worlds, National Maritime Museum, London (2020), Drawing Closer, Oliver Projects, London (2020), Summer Exhibition, Royal Academy of Arts, London (2020). Site Works, Experimental Gallery, Cornell University, New York (2019). Hospital Rooms & Eilleen Skellern I, Griffin Gallery, London (2019). Art for the Barbican, The Barbican Centre, London (2018) Paper Cuts, Kristian Day / Saatchi Gallery, London (2018), Dentons Art Prize, Dentons Law Firm, London (2016), Arcadia, SMITH Gallery, Cape Town (2016). Traces, Honore, Gallery Rue Visconti, Paris (2014), Painter Printmakers, Royal Academy of Arts, London (2014). Collections The National Maritime Museum, London. Simmons Contemporary, London. Dentons, London. Hogan Lovells, London. Yellowwoods Art, Cape Town, South Africa. Ellerman House, Cape Town, South Africa. About the postcard artwork This series monotypes, 'I Am Stardust, I Am Plant', reflects on the interdependence between all life forms, and the reciprocal relationship we have with our environment and planet. The varying shapes of the prints trace the outlines of windows and mirrors found in my home and studio.

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

Angela A'Court, From Here To There, 2021

451

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Angela A'Court From Here To There, 2021 Screenprint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "I am an artist and printmaker who works predominantly in soft pastel, whether painting, printing, collaging or paper making. Originally from London, New York has been home for the last thirteen years, with a recent break of eighteen months spent in Tokyo. My evolution has been influenced by living in and experiencing different cultures, which have offered up a visual and emotional dimension to the work. As an onlooker, I have observed in each the routines and customs that provide a structure for day to day interactions and our need for connection. I am interested in re-defining soft pastel as a modern medium for reflecting contemporary life by distilling and exalting its intrinsic immediacy and tactile distinctiveness. I move slowly in the studio, so that ideas can free-float. There is a rhythm and pace here that enables me to feel my way around a painting. With a sensibility rather than an single idea, I'll begin painting so that randomness and equilibrium work along side each other. My working process is an explorative, intuitive mix borrowed from several disciplines, combining and alternating pastel with print or collage. My information comes from careful observation, from reflecting on a familiar scene and drawing a narrative from it. The scenes are not staged but usually stumbled upon, perhaps a friend's window sill, kitchen table or a glimpse of two people engaged in conversation. It is the overlooked aspects of everyday life that draw me in, a stolen glance of another's day to day and the rhythm of routine that we all share. My experience in Japan is evident in my more recent work. Prompted by curiosity and a need to adapt to a different culture, I tentatively explore the surrounding new, in contrast with older recollections. I place a beloved cup next to a chicken wire lantern, unearthed at a Japanese flea market, and a new conversation begins. It's about absorbing change and finding a way through, using the spaces in between. The resolution comes in recognizing when a balance is found and there is a connection between the contrary: the new and old, the unfamiliar and familiar. I gather my visual language from the grace of everyday ordinariness, private worlds, unguarded moments, the unsaid - the trace of human presence. I paint what makes me curious and seek to render the truest emotional response that made me first stop and take note."

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

452

Quantity

1

50 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Angela A'Court Tokyo Days, 2021 Screenprint on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) "I am an artist and printmaker who works predominantly in soft pastel, whether painting, printing, collaging or paper making. Originally from London, New York has been home for the last thirteen years, with a recent break of eighteen months spent in Tokyo. My evolution has been influenced by living in and experiencing different cultures, which have offered up a visual and emotional dimension to the work. As an onlooker, I have observed in each the routines and customs that provide a structure for day to day interactions and our need for connection. I am interested in re-defining soft pastel as a modern medium for reflecting contemporary life by distilling and exalting its intrinsic immediacy and tactile distinctiveness. I move slowly in the studio, so that ideas can free-float. There is a rhythm and pace here that enables me to feel my way around a painting. With a sensibility rather than an single idea, I'll begin painting so that randomness and equilibrium work along side each other. My working process is an explorative, intuitive mix borrowed from several disciplines, combining and alternating pastel with print or collage. My information comes from careful observation, from reflecting on a familiar scene and drawing a narrative from it. The scenes are not staged but usually stumbled upon, perhaps a friend's window sill, kitchen table or a glimpse of two people engaged in conversation. It is the overlooked aspects of everyday life that draw me in, a stolen glance of another's day to day and the rhythm of routine that we all share. My experience in Japan is evident in my more recent work. Prompted by curiosity and a need to adapt to a different culture, I tentatively explore the surrounding new, in contrast with older recollections. I place a beloved cup next to a chicken wire lantern, unearthed at a Japanese flea market, and a new conversation begins. It's about absorbing change and finding a way through, using the spaces in between. The resolution comes in recognizing when a balance is found and there is a connection between the contrary: the new and old, the unfamiliar and familiar. I gather my visual language from the grace of everyday ordinariness, private worlds, unguarded moments, the unsaid - the trace of human presence. I paint what makes me curious and seek to render the truest emotional response that made me first stop and take note."

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

Julia Peintner, Woman as Greenhouse, 2021

454

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Julia Peintner Woman as Greenhouse, 2021 Linocut Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "Julia Peintner graduated from Central Saint Martins in 2015 and has since been working as a printmaker and painter in London. Drawing, painting and printmaking coexist in her practice. She works from imagination and sourced image material and analog photos. Her figurative images reference magic realism and show universal experiences and symbolic motifs. The subject matter is the figure in contemporary everyday life as seen through a mythological lens, giving the work a sense of the surreal and mystical. Peintner's work explores various themes, such as the figure in nature and the elements, the female body and figure in transformation, the ambivalence and of life in a city and identity in flux, dreams and the visible and invisible to the eye. Education Central Saint Martins, 2012-2015 Exhibitions She has exhibited in the UK and US as well as in Japan after being a resident at Studio Kura residency in 2015 and in 2017 with a focus on Japanese printmaking. Peintner has been working for Blackbird Editions and as Eileen Cooper's studio assistant since 2016. 2020 36th Annual Open, Southwark Park Galleries, London, UK - With Love, digital exhibition curated by Paint_Talk, UK - ING Discerning Eye, London, UK - Summer Exhibition, Royal Academy, London, UK 2019 Studio Stories - Works on paper, Boecho Gallery, London, UK - National Original Print Exhibition, Bankside Gallery, London, UK 2018 - 9 Artists, Thin House, London, UK - Summer Exhibition, Royal Academy, London, UK 2017 - Studio Kura Gallery, Fukuoka, Japan - Summer Exhibition, Royal Academy, London, UK 2015 - Painting International, Hechima Gallery, Kofu, Japan - A Room in Japan, Studio Kura Gallery, Fukuoka, Japan - Degree Show, Central Saint Martins, London, UK - Print/4, Arcane Gallery, London, UK - Post Internet Is Dead!, Fisher Gallery, Oberlin, Ohio, USA"

Bid

Mar 11

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

Julia Peintner, Woman as Facehouse, 2021

455

Quantity

1

0 GBP

Opening bid

50 GBP

Max bid

GBP

Estimate

1,000 - 1,000 GBP

Julia Peintner Woman as Facehouse, 2021 Linocut Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "Julia Peintner graduated from Central Saint Martins in 2015 and has since been working as a printmaker and painter in London. Drawing, painting and printmaking coexist in her practice. She works from imagination and sourced image material and analog photos. Her figurative images reference magic realism and show universal experiences and symbolic motifs. The subject matter is the figure in contemporary everyday life as seen through a mythological lens, giving the work a sense of the surreal and mystical. Peintner's work explores various themes, such as the figure in nature and the elements, the female body and figure in transformation, the ambivalence and of life in a city and identity in flux, dreams and the visible and invisible to the eye. Education Central Saint Martins, 2012-2015 Exhibitions She has exhibited in the UK and US as well as in Japan after being a resident at Studio Kura residency in 2015 and in 2017 with a focus on Japanese printmaking. Peintner has been working for Blackbird Editions and as Eileen Cooper's studio assistant since 2016. 2020 36th Annual Open, Southwark Park Galleries, London, UK - With Love, digital exhibition curated by Paint_Talk, UK - ING Discerning Eye, London, UK - Summer Exhibition, Royal Academy, London, UK 2019 Studio Stories - Works on paper, Boecho Gallery, London, UK - National Original Print Exhibition, Bankside Gallery, London, UK 2018 - 9 Artists, Thin House, London, UK - Summer Exhibition, Royal Academy, London, UK 2017 - Studio Kura Gallery, Fukuoka, Japan - Summer Exhibition, Royal Academy, London, UK 2015 - Painting International, Hechima Gallery, Kofu, Japan - A Room in Japan, Studio Kura Gallery, Fukuoka, Japan - Degree Show, Central Saint Martins, London, UK - Print/4, Arcane Gallery, London, UK - Post Internet Is Dead!, Fisher Gallery, Oberlin, Ohio, USA"

Bid

Mar 11

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