Dreweatts 1759 | Art on a Postcard Summer Auction in aid of The Hepatitis C Trust

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Benoît Dutour, Journey of a Fly on the Ceiling for Five Minutes During a Beautiful Summer Afternoon

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Benoît Dutour Journey of a Fly on the Ceiling for Five Minutes During a Beautiful Summer Afternoon (Yellow), 2022 Crayon and Posca on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About French artist based in Paris. Inspired by the new realists, the humor of Magritte or the conceptual work of Duchamp, I use a wide range of techniques and mediums to offer multiple entry points into my universe. Education self-taught Select Exhibitions/Awards EXHIBITION: 2007 Willinsky & Scotto, Paris 2015 Solo-show "rue de Seine", Paris 2016 Bryan Cave, Paris 2019 Solo-show campus Ferrero (N°1 tennis player in 2003) in Spain 2019 Collective exhibition at gallery N'Oblige, Paris 2019 Series «Tears for Life» in the flagship of the luxury brand Smalto, Paris 2020 Gallery Teodora, Paris INSTALLATION/PERFORMANCE: 2015 Art video « Shooting Stars » at Palais de Tokyo (via Souvenirs From Earth) 2019 Montsouris parc, Nuit Blanche 19 2019 Contribution to the "Amazing Panda" project in collaboration with the "Shanghai Exhibition Center" and Galeries Lafayette in China 2020 Place des Vosges, Nuit Blanche 20 MUSEUM: 2021 Painting « Easter confined » integrates the permanent collection of the MUCEM 2021 Optical Art Museum of Porrentruy, Switzerland PUBLIC AUCTION: 2014 Drouot Paris 2017 France Kurdistan 2021 Drouot Online Paris Gallery Representation Ateliers Saint Honoré, Paris H-Art, France DNA Original Studio, Shanghaï Lynne Consulting, Doha Statement about AOAP Submitted Artwork The painting sent to AOAP is literally a "JOURNEY OF A FLY ON THE CEILING FOR FIVE MINUTES DURING A BEAUTIFUL SUMMER AFTERNOON". What trace will we leave on earth? Probably no better than the course of this fly which turns in circles. The graphic result is however very harmonious and for that alone, life is worth living. Very proud to contribute to an important health cause You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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242

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Benoît Dutour Journey of a Fly on the Ceiling for Five Minutes During a Beautiful Summer Afternoon (Pink), 2022 Crayon and Posca on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About French artist based in Paris. Inspired by the new realists, the humor of Magritte or the conceptual work of Duchamp, I use a wide range of techniques and mediums to offer multiple entry points into my universe. Education self-taught Select Exhibitions/Awards EXHIBITION: 2007 Willinsky & Scotto, Paris 2015 Solo-show "rue de Seine", Paris 2016 Bryan Cave, Paris 2019 Solo-show campus Ferrero (N°1 tennis player in 2003) in Spain 2019 Collective exhibition at gallery N'Oblige, Paris 2019 Series «Tears for Life» in the flagship of the luxury brand Smalto, Paris 2020 Gallery Teodora, Paris INSTALLATION/PERFORMANCE: 2015 Art video « Shooting Stars » at Palais de Tokyo (via Souvenirs From Earth) 2019 Montsouris parc, Nuit Blanche 19 2019 Contribution to the "Amazing Panda" project in collaboration with the "Shanghai Exhibition Center" and Galeries Lafayette in China 2020 Place des Vosges, Nuit Blanche 20 MUSEUM: 2021 Painting « Easter confined » integrates the permanent collection of the MUCEM 2021 Optical Art Museum of Porrentruy, Switzerland PUBLIC AUCTION: 2014 Drouot Paris 2017 France Kurdistan 2021 Drouot Online Paris Gallery Representation Ateliers Saint Honoré, Paris H-Art, France DNA Original Studio, Shanghaï Lynne Consulting, Doha Statement about AOAP Submitted Artwork The painting sent to AOAP is literally a "JOURNEY OF A FLY ON THE CEILING FOR FIVE MINUTES DURING A BEAUTIFUL SUMMER AFTERNOON". What trace will we leave on earth? Probably no better than the course of this fly which turns in circles. The graphic result is however very harmonious and for that alone, life is worth living. Very proud to contribute to an important health cause You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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243

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Benoît Dutour Journey of a Fly on the Ceiling for Five Minutes During a Beautiful Summer Afternoon (Blue), 2022 Crayon and Posca on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About French artist based in Paris. Inspired by the new realists, the humor of Magritte or the conceptual work of Duchamp, I use a wide range of techniques and mediums to offer multiple entry points into my universe. Education self-taught Select Exhibitions/Awards EXHIBITION: 2007 Willinsky & Scotto, Paris 2015 Solo-show "rue de Seine", Paris 2016 Bryan Cave, Paris 2019 Solo-show campus Ferrero (N°1 tennis player in 2003) in Spain 2019 Collective exhibition at gallery N'Oblige, Paris 2019 Series «Tears for Life» in the flagship of the luxury brand Smalto, Paris 2020 Gallery Teodora, Paris INSTALLATION/PERFORMANCE: 2015 Art video « Shooting Stars » at Palais de Tokyo (via Souvenirs From Earth) 2019 Montsouris parc, Nuit Blanche 19 2019 Contribution to the "Amazing Panda" project in collaboration with the "Shanghai Exhibition Center" and Galeries Lafayette in China 2020 Place des Vosges, Nuit Blanche 20 MUSEUM: 2021 Painting « Easter confined » integrates the permanent collection of the MUCEM 2021 Optical Art Museum of Porrentruy, Switzerland PUBLIC AUCTION: 2014 Drouot Paris 2017 France Kurdistan 2021 Drouot Online Paris Gallery Representation Ateliers Saint Honoré, Paris H-Art, France DNA Original Studio, Shanghaï Lynne Consulting, Doha Statement about AOAP Submitted Artwork The painting sent to AOAP is literally a "JOURNEY OF A FLY ON THE CEILING FOR FIVE MINUTES DURING A BEAUTIFUL SUMMER AFTERNOON". What trace will we leave on earth? Probably no better than the course of this fly which turns in circles. The graphic result is however very harmonious and for that alone, life is worth living. Very proud to contribute to an important health cause You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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244

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Simon Pierse Saris on The Beach, 2022 Watercolour on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Simon Pierse is painter in oils and watercolour. He lives in mid-Wales and on the Kent coast. Education Slade School of Fine Art Select Exhibitions/Awards SOLO EXHIBITIONS 2019-20 Shy Green - Ice Blue, Tessa Sidey Gallery, Aberystwyth University 2019 Icebergs & Northern Lights, Alpine Club, London 2018 Tree Portraits and other paintings, Long Gallery, Dunmoochin 2009-10 Life-Line: a drawing retrospective, School of Art Galleries, Aberystwyth 2008-9 Sketches from Gran Paradiso, Alpine Club, London 2008 Paintings in the Long Gallery, Dunmoochin, Melbourne 2004 A Sometimes Cloud, Old Fire Engine House, Ely 1999 Paintings of Ladakh, Oxford Gallery, Oxford 1998 Recent Paintings, Center Gallery, Glen Arbor, Michigan 1997 A Sunburnt Country, Commonwealth Institute, London 1997 Between Two Worlds: Paintings of Ladakh, Y Tabernacl, MOMA, Wales 1996 The Empty Landscape, National Library of Wales, Aberystwyth 1995 Red Sands, Blue Gums, Y Tabernacl, MOMA, Wales 1993 St. Martin's Gallery, Melbourne Gallery Representation Bankside Gallery London; Russell Gallery, London Statement about AOAP Submitted Artwork I visited the fishing village of Mamallapuram, South India. It was during the New Year festival of Pongal and there were crowds of people on the beach, paddling in the surf while they waited for the full moon to rise in the sky against the backdrop of ancient seashore temples. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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245

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180 GBP

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246

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Ange Mullen-Bryan, Where Do Roots Begin?, 2022

247

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Noa IronicAdidas Composition in Blue 1, 2022

248

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Noa Ironic Adidas Composition in Blue 1, 2022 Acrylic and Gouache on Paper Signed on Front 15 x 10cm (5¾ x 3¾ in.) About Noa Ironic, 28, artist mostly painting, works in Tel Aviv. They have been fully graduated and in the field for 3 years now and are an avid fan of humor in art. Education BFA in fine arts from Shenkar college for art design and engineering Select Exhibitions/Awards Solo exhibitions 2021 Riding your ego, PLAN X, Milan, Italy 2021 Full of myself, Rosenfeld gallery, Tel Aviv, IL 2022 Much Respect, Rosenfeld gallery, Tel Aviv, IL Group Exhibitions 2019 BFA Final show "Horse shit; An analogy of post post post post post modern painting ", Shenkar, Tel Aviv, Israel 2020 Charlottenborg Spring Exhibition, Charlottenborg Kunsthalle Copenhagen, Denmark 2020 ground control, Rosenfeld gallery, Tel Aviv, Israel 2020 fresh paint art fair, Tel Aviv, Israel 2020 Bull in a china shop, tchotchke gallery, NY, US 2021 Nice guys live forever, Moosey art, London, UK 2021 Project Roots, Rosenfeld gallery, Tel Aviv, IL 2021 Radical residency XI, Unit1 gallery workshop, London, UK 2021 House Parte', Carley Packer house takeover, Los Angeles, USA 2021 Lost In Plot, tchotchke gallery, New York, USA 2022 Miscellaneous, Edmond de Rothschild Foundation, Tel Aviv, IL 2022 The Flow, Fir Gallery, Beijing, China Gallery Representation Rosenfeld gallery israel Plan x italy Statement about AOAP Submitted Artwork The postcards I have submitted to this important and wonderful cause are 2 studies of common young Israeli men. Track suits and energy drinks are a staple of small city aesthetic here and in many other places. In my practice I enjoy exploring this kind of imagery. From these studies I have created a full 180\160 cm oil painting, a maze of adidas tracksuit and confused faces. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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Noa Ironic, Adidas Composition in Blue 2, 2022

249

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Noa Ironic Adidas Composition in Blue 2, 2022 Acrylic and Gouache on Paper Signed on Front 15 x 10cm (5¾ x 3¾ in.) About Noa Ironic, 28, artist mostly painting, works in Tel Aviv. They have been fully graduated and in the field for 3 years now and are an avid fan of humor in art. Education BFA in fine arts from Shenkar college for art design and engineering Select Exhibitions/Awards Solo exhibitions 2021 Riding your ego, PLAN X, Milan, Italy 2021 Full of myself, Rosenfeld gallery, Tel Aviv, IL 2022 Much Respect, Rosenfeld gallery, Tel Aviv, IL Group Exhibitions 2019 BFA Final show "Horse shit; An analogy of post post post post post modern painting ", Shenkar, Tel Aviv, Israel 2020 Charlottenborg Spring Exhibition, Charlottenborg Kunsthalle Copenhagen, Denmark 2020 ground control, Rosenfeld gallery, Tel Aviv, Israel 2020 fresh paint art fair, Tel Aviv, Israel 2020 Bull in a china shop, tchotchke gallery, NY, US 2021 Nice guys live forever, Moosey art, London, UK 2021 Project Roots, Rosenfeld gallery, Tel Aviv, IL 2021 Radical residency XI, Unit1 gallery workshop, London, UK 2021 House Parte', Carley Packer house takeover, Los Angeles, USA 2021 Lost In Plot, tchotchke gallery, New York, USA 2022 Miscellaneous, Edmond de Rothschild Foundation, Tel Aviv, IL 2022 The Flow, Fir Gallery, Beijing, China Gallery Representation Rosenfeld gallery israel Plan x italy Statement about AOAP Submitted Artwork The postcards I have submitted to this important and wonderful cause are 2 studies of common young Israeli men. Track suits and energy drinks are a staple of small city aesthetic here and in many other places. In my practice I enjoy exploring this kind of imagery. From these studies I have created a full 180\160 cm oil painting, a maze of adidas tracksuit and confused faces. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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250

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251

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Anthony Daley, Venus Dismantled II, 2022

252

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Anthony Daley, Venus Dismantled III, 2022

253

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Anthony Daley, Venus Dismantled IV, 2022

254

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Fran Giffard, Goldfinch and Bellflower, 2022

255

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120 GBP

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Fran Giffard Goldfinch and Bellflower, 2022 Unique Archival Print Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Fran Giffard paints colourful and bold birds over her personal Moleskine diary pages. Inspired by ornithological natural illustrations, Giffard uses watercolour, ink, gouache, and pencil to depict beautiful, poised, and characterful birds in her unique style. The diary entries detailing her day-to-day life serve as an interesting and informal background to her paintings. Giffard paints species from all over the world, with particular attention to South America, Australia, and Europe. Giffard studied Fine Art Drawing at Camberwell College of Art, graduating in 2010. Since then she has exhibited internationally, as well as throughout the UK. She has had a number of solo exhibitions, most notably: A Valediction, Northcote Gallery, London, 2021 My Valiant, Northcote Gallery, London, 2019 After Audubon, The Zig Zag Building, London, 2018 Treasure, Northcote Gallery, London, 2018 A Devotion, Someth1ng Gallery, London, 2018 Her Nest is Beautiful, Someth1ng Gallery, London, 2016 All My Beautiful Boys, Northcote Gallery Chelsea, 2015 A Myriad of Birds, Masterworks Museum of Art, Bermuda, 2014 A Parliament of Drawings, Northcote Gallery Chelsea, 2013 Sixty-Four Birds, Foyles Book Shop, Charing Cross, 2012 O for Ornithology, Mayfair, 2012 Education BA (hons) Fine Art Drawing, Camberwell College of Art (2010) Foundation Art and Design, Maidstone College of Art (2006) Select Exhibitions/Awards Giffard has exhibited throughout the UK and internationally. Her most notable solo exhibitions are: A Valediction, Northcote Gallery, London, 2021 My Valiant, Northcote Gallery, London, 2019 A Devotion, Someth1ng Gallery, London, 2018 Nest, Someth1ng Gallery, London, 2016 All My Beautiful Boys, Northcote Gallery Chelsea, 2015 A Myriad of Birds, Masterworks Museum of Art, Bermuda, 2014 A Parliament of Drawings, Northcote Gallery Chelsea, 2013 Giffard's paintings are in various private and public collections including that of Sir David Attenborough, The Duchy of Cornwall, The Imperial Healthcare Charity, Fidelity Investments Limited, Jardines Matheson, Masterworks Museum of Art, The Pensions Investment Corporation, Jupiter Asset Management, and Moleskine. Giffard has had artist residencies in Bermuda, and Reunion Island, and shortlisted for The Threadneedle Art Prize, The Discerning Eye, BBC Wildlife Artist of the Year, and the David Shepherd Wildlife Artist of the Year. Gallery Representation Northcote Gallery, London TAG Fine Art, London Statement about AOAP Submitted Artwork These pieces are smaller versions of prints inspired by my Grandfather's stamp collection. His stamps would feature a delicate painting of a fish against a vibrant flat-coloured background, and so I have taken the same idea, but combined it with my paintings of birds. I want each "stamp" print to be a small yet powerful burst of colour and life. Each bird is painted how I "see" them: poised, elegant, and characterful. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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Fran Giffard, Blackbird and Clematis, 2022

256

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Fran Giffard Blackbird and Clematis, 2022 Unique Archival Print Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Fran Giffard paints colourful and bold birds over her personal Moleskine diary pages. Inspired by ornithological natural illustrations, Giffard uses watercolour, ink, gouache, and pencil to depict beautiful, poised, and characterful birds in her unique style. The diary entries detailing her day-to-day life serve as an interesting and informal background to her paintings. Giffard paints species from all over the world, with particular attention to South America, Australia, and Europe. Giffard studied Fine Art Drawing at Camberwell College of Art, graduating in 2010. Since then she has exhibited internationally, as well as throughout the UK. She has had a number of solo exhibitions, most notably: A Valediction, Northcote Gallery, London, 2021 My Valiant, Northcote Gallery, London, 2019 After Audubon, The Zig Zag Building, London, 2018 Treasure, Northcote Gallery, London, 2018 A Devotion, Someth1ng Gallery, London, 2018 Her Nest is Beautiful, Someth1ng Gallery, London, 2016 All My Beautiful Boys, Northcote Gallery Chelsea, 2015 A Myriad of Birds, Masterworks Museum of Art, Bermuda, 2014 A Parliament of Drawings, Northcote Gallery Chelsea, 2013 Sixty-Four Birds, Foyles Book Shop, Charing Cross, 2012 O for Ornithology, Mayfair, 2012 Education BA (hons) Fine Art Drawing, Camberwell College of Art (2010) Foundation Art and Design, Maidstone College of Art (2006) Select Exhibitions/Awards Giffard has exhibited throughout the UK and internationally. Her most notable solo exhibitions are: A Valediction, Northcote Gallery, London, 2021 My Valiant, Northcote Gallery, London, 2019 A Devotion, Someth1ng Gallery, London, 2018 Nest, Someth1ng Gallery, London, 2016 All My Beautiful Boys, Northcote Gallery Chelsea, 2015 A Myriad of Birds, Masterworks Museum of Art, Bermuda, 2014 A Parliament of Drawings, Northcote Gallery Chelsea, 2013 Giffard's paintings are in various private and public collections including that of Sir David Attenborough, The Duchy of Cornwall, The Imperial Healthcare Charity, Fidelity Investments Limited, Jardines Matheson, Masterworks Museum of Art, The Pensions Investment Corporation, Jupiter Asset Management, and Moleskine. Giffard has had artist residencies in Bermuda, and Reunion Island, and shortlisted for The Threadneedle Art Prize, The Discerning Eye, BBC Wildlife Artist of the Year, and the David Shepherd Wildlife Artist of the Year. Gallery Representation Northcote Gallery, London TAG Fine Art, London Statement about AOAP Submitted Artwork These pieces are smaller versions of prints inspired by my Grandfather's stamp collection. His stamps would feature a delicate painting of a fish against a vibrant flat-coloured background, and so I have taken the same idea, but combined it with my paintings of birds. I want each "stamp" print to be a small yet powerful burst of colour and life. Each bird is painted how I "see" them: poised, elegant, and characterful. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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Fran Giffard, Long Tailed Tit and Clematis, 2022

257

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Fran Giffard Long Tailed Tit and Clematis, 2022 Unique Archival Print Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Fran Giffard paints colourful and bold birds over her personal Moleskine diary pages. Inspired by ornithological natural illustrations, Giffard uses watercolour, ink, gouache, and pencil to depict beautiful, poised, and characterful birds in her unique style. The diary entries detailing her day-to-day life serve as an interesting and informal background to her paintings. Giffard paints species from all over the world, with particular attention to South America, Australia, and Europe. Giffard studied Fine Art Drawing at Camberwell College of Art, graduating in 2010. Since then she has exhibited internationally, as well as throughout the UK. She has had a number of solo exhibitions, most notably: A Valediction, Northcote Gallery, London, 2021 My Valiant, Northcote Gallery, London, 2019 After Audubon, The Zig Zag Building, London, 2018 Treasure, Northcote Gallery, London, 2018 A Devotion, Someth1ng Gallery, London, 2018 Her Nest is Beautiful, Someth1ng Gallery, London, 2016 All My Beautiful Boys, Northcote Gallery Chelsea, 2015 A Myriad of Birds, Masterworks Museum of Art, Bermuda, 2014 A Parliament of Drawings, Northcote Gallery Chelsea, 2013 Sixty-Four Birds, Foyles Book Shop, Charing Cross, 2012 O for Ornithology, Mayfair, 2012 Education BA (hons) Fine Art Drawing, Camberwell College of Art (2010) Foundation Art and Design, Maidstone College of Art (2006) Select Exhibitions/Awards Giffard has exhibited throughout the UK and internationally. Her most notable solo exhibitions are: A Valediction, Northcote Gallery, London, 2021 My Valiant, Northcote Gallery, London, 2019 A Devotion, Someth1ng Gallery, London, 2018 Nest, Someth1ng Gallery, London, 2016 All My Beautiful Boys, Northcote Gallery Chelsea, 2015 A Myriad of Birds, Masterworks Museum of Art, Bermuda, 2014 A Parliament of Drawings, Northcote Gallery Chelsea, 2013 Giffard's paintings are in various private and public collections including that of Sir David Attenborough, The Duchy of Cornwall, The Imperial Healthcare Charity, Fidelity Investments Limited, Jardines Matheson, Masterworks Museum of Art, The Pensions Investment Corporation, Jupiter Asset Management, and Moleskine. Giffard has had artist residencies in Bermuda, and Reunion Island, and shortlisted for The Threadneedle Art Prize, The Discerning Eye, BBC Wildlife Artist of the Year, and the David Shepherd Wildlife Artist of the Year. Gallery Representation Northcote Gallery, London TAG Fine Art, London Statement about AOAP Submitted Artwork These pieces are smaller versions of prints inspired by my Grandfather's stamp collection. His stamps would feature a delicate painting of a fish against a vibrant flat-coloured background, and so I have taken the same idea, but combined it with my paintings of birds. I want each "stamp" print to be a small yet powerful burst of colour and life. Each bird is painted how I "see" them: poised, elegant, and characterful. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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Fran Giffard, Hoopoe and Forsythia, 2022

258

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Fran Giffard Hoopoe and Forsythia, 2022 Unique Archival Print Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Fran Giffard paints colourful and bold birds over her personal Moleskine diary pages. Inspired by ornithological natural illustrations, Giffard uses watercolour, ink, gouache, and pencil to depict beautiful, poised, and characterful birds in her unique style. The diary entries detailing her day-to-day life serve as an interesting and informal background to her paintings. Giffard paints species from all over the world, with particular attention to South America, Australia, and Europe. Giffard studied Fine Art Drawing at Camberwell College of Art, graduating in 2010. Since then she has exhibited internationally, as well as throughout the UK. She has had a number of solo exhibitions, most notably: A Valediction, Northcote Gallery, London, 2021 My Valiant, Northcote Gallery, London, 2019 After Audubon, The Zig Zag Building, London, 2018 Treasure, Northcote Gallery, London, 2018 A Devotion, Someth1ng Gallery, London, 2018 Her Nest is Beautiful, Someth1ng Gallery, London, 2016 All My Beautiful Boys, Northcote Gallery Chelsea, 2015 A Myriad of Birds, Masterworks Museum of Art, Bermuda, 2014 A Parliament of Drawings, Northcote Gallery Chelsea, 2013 Sixty-Four Birds, Foyles Book Shop, Charing Cross, 2012 O for Ornithology, Mayfair, 2012 Education BA (hons) Fine Art Drawing, Camberwell College of Art (2010) Foundation Art and Design, Maidstone College of Art (2006) Select Exhibitions/Awards Giffard has exhibited throughout the UK and internationally. Her most notable solo exhibitions are: A Valediction, Northcote Gallery, London, 2021 My Valiant, Northcote Gallery, London, 2019 A Devotion, Someth1ng Gallery, London, 2018 Nest, Someth1ng Gallery, London, 2016 All My Beautiful Boys, Northcote Gallery Chelsea, 2015 A Myriad of Birds, Masterworks Museum of Art, Bermuda, 2014 A Parliament of Drawings, Northcote Gallery Chelsea, 2013 Giffard's paintings are in various private and public collections including that of Sir David Attenborough, The Duchy of Cornwall, The Imperial Healthcare Charity, Fidelity Investments Limited, Jardines Matheson, Masterworks Museum of Art, The Pensions Investment Corporation, Jupiter Asset Management, and Moleskine. Giffard has had artist residencies in Bermuda, and Reunion Island, and shortlisted for The Threadneedle Art Prize, The Discerning Eye, BBC Wildlife Artist of the Year, and the David Shepherd Wildlife Artist of the Year. Gallery Representation Northcote Gallery, London TAG Fine Art, London Statement about AOAP Submitted Artwork These pieces are smaller versions of prints inspired by my Grandfather's stamp collection. His stamps would feature a delicate painting of a fish against a vibrant flat-coloured background, and so I have taken the same idea, but combined it with my paintings of birds. I want each "stamp" print to be a small yet powerful burst of colour and life. Each bird is painted how I "see" them: poised, elegant, and characterful. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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259

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260

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Rod Kitson, Need an Axe to Break the Ice, 2022

261

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262

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263

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264

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Anton Kannemeyer, The De-Platformed Blues 1, 2022

267

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Anton Kannemeyer The De-Platformed Blues 1, 2022 Acrylic, Pen and Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Anton Kannemeyer is a satirical artist and co-founding editor of "Bitterkomix", an anti-apartheid and socio-political comic magazine in South Africa. Anton lectured at three universities in South Africa as senior lecturer for 15 years, and became a full time gallery artist in 2006. Education 1991: BA Fine Arts (Graphic Design) at the University of Stellenbosch, South Africa. 1993: Honnours in BA Fine Arts (Illustration) cum laude at the University of Stellenbosch. 1997: MA in Fine Arts cum laude at the University of Stellenbosch, South Africa. Select Exhibitions/Awards Anton has exhibited his work extensively in South Africa, Europe and the USA (sixteen solo exhibitions in Johannesburg, New York, Paris, Vienna, Lisbon and Cape Town). He is represented by galeries in New York, Paris, and Vienna. His work has been published in numerous publications and catalogues around the world, and is held in many permanent art collections, including the Museum of Modern Art in New York. His book, "Pappa in Afrika", won the best international graphic novel award at the Amadora BD Festival in Portugal in 2015. Gallery Representation Huberty & Breyne, Paris, Jack Shainman, New York and Ernst Hilger, Vienna. Statement about AOAP Submitted Artwork Anton Kannemeyer has lately been criticized for his satirical works dealing with race. The exact same works were praised in articles in "The New York Times", "Art in America", "Modern Painters", "Art South Africa", etc. in the past. His work has always been anti-racist, yet after a series of attacks in social media in 2020, it has become impossible for him to show his work in South Africa - no gallery dares to exhibit his political work anymore. The liberal media, academics and journalists that used to support him, are all very quiet today, afraid of a backlash on social media. There is, according to him, a strong reaction against satire and irony today, and especially against controversial art. The submitted artworks are satirical, showing a "white man" in the position of the traditional American blues guitarist, a metaphor for the loss of political power. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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Anton Kannemeyer, The De-Platformed Blues 2, 2022

268

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Anton Kannemeyer The De-Platformed Blues 2, 2022 Acrylic, Pen and Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Anton Kannemeyer is a satirical artist and co-founding editor of "Bitterkomix", an anti-apartheid and socio-political comic magazine in South Africa. Anton lectured at three universities in South Africa as senior lecturer for 15 years, and became a full time gallery artist in 2006. Education 1991: BA Fine Arts (Graphic Design) at the University of Stellenbosch, South Africa. 1993: Honnours in BA Fine Arts (Illustration) cum laude at the University of Stellenbosch. 1997: MA in Fine Arts cum laude at the University of Stellenbosch, South Africa. Select Exhibitions/Awards Anton has exhibited his work extensively in South Africa, Europe and the USA (sixteen solo exhibitions in Johannesburg, New York, Paris, Vienna, Lisbon and Cape Town). He is represented by galeries in New York, Paris, and Vienna. His work has been published in numerous publications and catalogues around the world, and is held in many permanent art collections, including the Museum of Modern Art in New York. His book, "Pappa in Afrika", won the best international graphic novel award at the Amadora BD Festival in Portugal in 2015. Gallery Representation Huberty & Breyne, Paris, Jack Shainman, New York and Ernst Hilger, Vienna. Statement about AOAP Submitted Artwork Anton Kannemeyer has lately been criticized for his satirical works dealing with race. The exact same works were praised in articles in "The New York Times", "Art in America", "Modern Painters", "Art South Africa", etc. in the past. His work has always been anti-racist, yet after a series of attacks in social media in 2020, it has become impossible for him to show his work in South Africa - no gallery dares to exhibit his political work anymore. The liberal media, academics and journalists that used to support him, are all very quiet today, afraid of a backlash on social media. There is, according to him, a strong reaction against satire and irony today, and especially against controversial art. The submitted artworks are satirical, showing a "white man" in the position of the traditional American blues guitarist, a metaphor for the loss of political power. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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Anton Kannemeyer, The De-Platformed Blues 3, 2022

269

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Anton Kannemeyer The De-Platformed Blues 3, 2022 Acrylic, Pen and Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Anton Kannemeyer is a satirical artist and co-founding editor of "Bitterkomix", an anti-apartheid and socio-political comic magazine in South Africa. Anton lectured at three universities in South Africa as senior lecturer for 15 years, and became a full time gallery artist in 2006. Education 1991: BA Fine Arts (Graphic Design) at the University of Stellenbosch, South Africa. 1993: Honnours in BA Fine Arts (Illustration) cum laude at the University of Stellenbosch. 1997: MA in Fine Arts cum laude at the University of Stellenbosch, South Africa. Select Exhibitions/Awards Anton has exhibited his work extensively in South Africa, Europe and the USA (sixteen solo exhibitions in Johannesburg, New York, Paris, Vienna, Lisbon and Cape Town). He is represented by galeries in New York, Paris, and Vienna. His work has been published in numerous publications and catalogues around the world, and is held in many permanent art collections, including the Museum of Modern Art in New York. His book, "Pappa in Afrika", won the best international graphic novel award at the Amadora BD Festival in Portugal in 2015. Gallery Representation Huberty & Breyne, Paris, Jack Shainman, New York and Ernst Hilger, Vienna. Statement about AOAP Submitted Artwork Anton Kannemeyer has lately been criticized for his satirical works dealing with race. The exact same works were praised in articles in "The New York Times", "Art in America", "Modern Painters", "Art South Africa", etc. in the past. His work has always been anti-racist, yet after a series of attacks in social media in 2020, it has become impossible for him to show his work in South Africa - no gallery dares to exhibit his political work anymore. The liberal media, academics and journalists that used to support him, are all very quiet today, afraid of a backlash on social media. There is, according to him, a strong reaction against satire and irony today, and especially against controversial art. The submitted artworks are satirical, showing a "white man" in the position of the traditional American blues guitarist, a metaphor for the loss of political power. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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Anton Kannemeyer, The De-Platformed Blues 4, 2022

270

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Anton Kannemeyer The De-Platformed Blues 4, 2022 Acrylic, Pen and Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Anton Kannemeyer is a satirical artist and co-founding editor of "Bitterkomix", an anti-apartheid and socio-political comic magazine in South Africa. Anton lectured at three universities in South Africa as senior lecturer for 15 years, and became a full time gallery artist in 2006. Education 1991: BA Fine Arts (Graphic Design) at the University of Stellenbosch, South Africa. 1993: Honnours in BA Fine Arts (Illustration) cum laude at the University of Stellenbosch. 1997: MA in Fine Arts cum laude at the University of Stellenbosch, South Africa. Select Exhibitions/Awards Anton has exhibited his work extensively in South Africa, Europe and the USA (sixteen solo exhibitions in Johannesburg, New York, Paris, Vienna, Lisbon and Cape Town). He is represented by galeries in New York, Paris, and Vienna. His work has been published in numerous publications and catalogues around the world, and is held in many permanent art collections, including the Museum of Modern Art in New York. His book, "Pappa in Afrika", won the best international graphic novel award at the Amadora BD Festival in Portugal in 2015. Gallery Representation Huberty & Breyne, Paris, Jack Shainman, New York and Ernst Hilger, Vienna. Statement about AOAP Submitted Artwork Anton Kannemeyer has lately been criticized for his satirical works dealing with race. The exact same works were praised in articles in "The New York Times", "Art in America", "Modern Painters", "Art South Africa", etc. in the past. His work has always been anti-racist, yet after a series of attacks in social media in 2020, it has become impossible for him to show his work in South Africa - no gallery dares to exhibit his political work anymore. The liberal media, academics and journalists that used to support him, are all very quiet today, afraid of a backlash on social media. There is, according to him, a strong reaction against satire and irony today, and especially against controversial art. The submitted artworks are satirical, showing a "white man" in the position of the traditional American blues guitarist, a metaphor for the loss of political power. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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271

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110 GBP

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272

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Catherine Anyango Grunewald Riot, 2022 Pencil on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Catherine Anyango Grünewald is a Swedish/Kenyan artist. She lives and works in Sweden, having moved from London where she taught for ten years at the Royal College of Art. Her work uses drawing, film, sculpture and mise-en-scene devices to look at physical or domestic environments being disrupted by emotional, intangible phenomena. Her research focuses on drawing and the materiality of drawing tools to explore meaning, exploiting the physical properties of soap, pencil and eraser on paper to convey sensitive and complex themes. She exploits an excess of mark-making that scars her paper surface, paying homage to her subject whilst representing the violated body and providing evidence of her own artistic process. Her drawings are presented in series, in animations and in graphic novels. The process and labour invested in the work is a direct homage to the subjects, victims of violent domestic or institutional crimes. Education University College London 2006 - 2007 (Masters in English Literature: Issues in Modern Culture) The Royal College of Art 2004 - 2006 (Masters in Visual Communication) pass with distinction Central St Martins 2001 - 2004 (BA Hons Graphic Design and Illustration) - First Class Honours Central St Martins 2000 - 2001 (Foundation) -Distinction Select Exhibitions/Awards 2017 Graphic Witness, The Drawing Room, London 284 2016 Exhibited, A+: 100 years of Graphic Communication by Women, Central Saint Martins College of Art and Design, London UK Exhibited, Prison Drawing Project 2016, Dean Road Prison, Scarborough, UK Exhibited, Crying Out Loud: Ladies Room, Edwardian Cloakroom, Bristol Exhibited, Comix Creatrix - Women making Comics, House of Illustration, curated by Paul Gravett and Olivia Ahmad Exhibited, Parts & Labor, Animate Projects, Derby QUAD Exhibited, Wiener Festwochen 2016, curated by Lisl Ponger, Vienna, Austria Exhibited, 3 881 days, Blank Lab Gallery, Cape Town Art Week, Cape Town Gallery Representation Riflemaker Gallery, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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Catherine Anyango Grunewald, Clean Yourself Up, 2022

273

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Catherine Anyango Grunewald Clean Yourself Up, 2022 Pencil and Charcoal on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Catherine Anyango Grünewald is a Swedish/Kenyan artist. She lives and works in Sweden, having moved from London where she taught for ten years at the Royal College of Art. Her work uses drawing, film, sculpture and mise-en-scene devices to look at physical or domestic environments being disrupted by emotional, intangible phenomena. Her research focuses on drawing and the materiality of drawing tools to explore meaning, exploiting the physical properties of soap, pencil and eraser on paper to convey sensitive and complex themes. She exploits an excess of mark-making that scars her paper surface, paying homage to her subject whilst representing the violated body and providing evidence of her own artistic process. Her drawings are presented in series, in animations and in graphic novels. The process and labour invested in the work is a direct homage to the subjects, victims of violent domestic or institutional crimes. Education University College London 2006 - 2007 (Masters in English Literature: Issues in Modern Culture) The Royal College of Art 2004 - 2006 (Masters in Visual Communication) pass with distinction Central St Martins 2001 - 2004 (BA Hons Graphic Design and Illustration) - First Class Honours Central St Martins 2000 - 2001 (Foundation) -Distinction Select Exhibitions/Awards 2017 Graphic Witness, The Drawing Room, London 284 2016 Exhibited, A+: 100 years of Graphic Communication by Women, Central Saint Martins College of Art and Design, London UK Exhibited, Prison Drawing Project 2016, Dean Road Prison, Scarborough, UK Exhibited, Crying Out Loud: Ladies Room, Edwardian Cloakroom, Bristol Exhibited, Comix Creatrix - Women making Comics, House of Illustration, curated by Paul Gravett and Olivia Ahmad Exhibited, Parts & Labor, Animate Projects, Derby QUAD Exhibited, Wiener Festwochen 2016, curated by Lisl Ponger, Vienna, Austria Exhibited, 3 881 days, Blank Lab Gallery, Cape Town Art Week, Cape Town Gallery Representation Riflemaker Gallery, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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274

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80 GBP

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275

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190 GBP

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276

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Olly Fathers Mini Offcuts 1, 2022 Various Wood Veneers on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Olly Fathers is an artist based in Brixton, London. His work explores the relations between abstract shapes, different materials, and forms. Creating well finished, often playful pieces that encourage the viewer to take a closer look to understand the balance and precision involved. With a strict eye for detail, Olly takes great satisfaction in the making process and this often becomes influential in the outcome of his work. With a keen interest in woodwork, both as a skill and its use in Art and Design, Olly has developed a desire to use wood in his practice and creates pieces using a range of different types and species. These works take inspiration from architecture, design, and culture including early computer technology and graphics. These pieces use incredibly intricately cut wood veneers brought together using self-taught marquetry techniques. Olly creates beautifully finished pieces, with contrasting natural and dyed coloured wood which causes the shapes to appear raised out the surface, in a Tromp L'oeil effect. Education 2006 - 2007 Byam Shaw Saint Martins, Foundation Diploma 2007 - 2010 Wimbledon College of Art, BA Fine Art (Painting) Select Exhibitions/Awards 2020 Objects of Art, The Skateboards, House of Vans, London, online 2020 Perfectionism A Trick of the Eye IV, curated by Rebecca Pelly-Fry for Open Art Advisory, NY, Online exhibition. 2020 Solo show - Form Block Form, Bearspace gallery, London 2019 Harder Edge, Hospital Club & Saatchi Gallery, London 2018 Jealous Needs You, Jealous Gallery & Saatchi Gallery, London 2018 Micromegas, Saatchi Gallery, London 2017 Jealous gallery rooftop mural, London 2017 Ecstatic Rays, Saatchi Gallery, London 2017 Concrete Dance, Bunker Barmbek, Hamburg, Germany 2016 Traces of minimalism, Helium Cowboy Gallery, Hamburg, Germany 2015 Pure Evil Gallery, Shoreditch, London 2015 We built this city, pop up art exhibition, Carnaby Street, London 2015 O3 Gallery, Oxford, Trigonometry 2015 Embassy Tea Gallery, Capsule, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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277

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Olly Fathers Mini Offcuts 2, 2022 Various Wood Veneers on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Olly Fathers is an artist based in Brixton, London. His work explores the relations between abstract shapes, different materials, and forms. Creating well finished, often playful pieces that encourage the viewer to take a closer look to understand the balance and precision involved. With a strict eye for detail, Olly takes great satisfaction in the making process and this often becomes influential in the outcome of his work. With a keen interest in woodwork, both as a skill and its use in Art and Design, Olly has developed a desire to use wood in his practice and creates pieces using a range of different types and species. These works take inspiration from architecture, design, and culture including early computer technology and graphics. These pieces use incredibly intricately cut wood veneers brought together using self-taught marquetry techniques. Olly creates beautifully finished pieces, with contrasting natural and dyed coloured wood which causes the shapes to appear raised out the surface, in a Tromp L'oeil effect. Education 2006 - 2007 Byam Shaw Saint Martins, Foundation Diploma 2007 - 2010 Wimbledon College of Art, BA Fine Art (Painting) Select Exhibitions/Awards 2020 Objects of Art, The Skateboards, House of Vans, London, online 2020 Perfectionism A Trick of the Eye IV, curated by Rebecca Pelly-Fry for Open Art Advisory, NY, Online exhibition. 2020 Solo show - Form Block Form, Bearspace gallery, London 2019 Harder Edge, Hospital Club & Saatchi Gallery, London 2018 Jealous Needs You, Jealous Gallery & Saatchi Gallery, London 2018 Micromegas, Saatchi Gallery, London 2017 Jealous gallery rooftop mural, London 2017 Ecstatic Rays, Saatchi Gallery, London 2017 Concrete Dance, Bunker Barmbek, Hamburg, Germany 2016 Traces of minimalism, Helium Cowboy Gallery, Hamburg, Germany 2015 Pure Evil Gallery, Shoreditch, London 2015 We built this city, pop up art exhibition, Carnaby Street, London 2015 O3 Gallery, Oxford, Trigonometry 2015 Embassy Tea Gallery, Capsule, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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278

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Olly Fathers Mini Offcuts 3, 2022 Various Wood Veneers on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Olly Fathers is an artist based in Brixton, London. His work explores the relations between abstract shapes, different materials, and forms. Creating well finished, often playful pieces that encourage the viewer to take a closer look to understand the balance and precision involved. With a strict eye for detail, Olly takes great satisfaction in the making process and this often becomes influential in the outcome of his work. With a keen interest in woodwork, both as a skill and its use in Art and Design, Olly has developed a desire to use wood in his practice and creates pieces using a range of different types and species. These works take inspiration from architecture, design, and culture including early computer technology and graphics. These pieces use incredibly intricately cut wood veneers brought together using self-taught marquetry techniques. Olly creates beautifully finished pieces, with contrasting natural and dyed coloured wood which causes the shapes to appear raised out the surface, in a Tromp L'oeil effect. Education 2006 - 2007 Byam Shaw Saint Martins, Foundation Diploma 2007 - 2010 Wimbledon College of Art, BA Fine Art (Painting) Select Exhibitions/Awards 2020 Objects of Art, The Skateboards, House of Vans, London, online 2020 Perfectionism A Trick of the Eye IV, curated by Rebecca Pelly-Fry for Open Art Advisory, NY, Online exhibition. 2020 Solo show - Form Block Form, Bearspace gallery, London 2019 Harder Edge, Hospital Club & Saatchi Gallery, London 2018 Jealous Needs You, Jealous Gallery & Saatchi Gallery, London 2018 Micromegas, Saatchi Gallery, London 2017 Jealous gallery rooftop mural, London 2017 Ecstatic Rays, Saatchi Gallery, London 2017 Concrete Dance, Bunker Barmbek, Hamburg, Germany 2016 Traces of minimalism, Helium Cowboy Gallery, Hamburg, Germany 2015 Pure Evil Gallery, Shoreditch, London 2015 We built this city, pop up art exhibition, Carnaby Street, London 2015 O3 Gallery, Oxford, Trigonometry 2015 Embassy Tea Gallery, Capsule, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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279

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Olly Fathers Mini Offcuts 4, 2022 Various Wood Veneers on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Olly Fathers is an artist based in Brixton, London. His work explores the relations between abstract shapes, different materials, and forms. Creating well finished, often playful pieces that encourage the viewer to take a closer look to understand the balance and precision involved. With a strict eye for detail, Olly takes great satisfaction in the making process and this often becomes influential in the outcome of his work. With a keen interest in woodwork, both as a skill and its use in Art and Design, Olly has developed a desire to use wood in his practice and creates pieces using a range of different types and species. These works take inspiration from architecture, design, and culture including early computer technology and graphics. These pieces use incredibly intricately cut wood veneers brought together using self-taught marquetry techniques. Olly creates beautifully finished pieces, with contrasting natural and dyed coloured wood which causes the shapes to appear raised out the surface, in a Tromp L'oeil effect. Education 2006 - 2007 Byam Shaw Saint Martins, Foundation Diploma 2007 - 2010 Wimbledon College of Art, BA Fine Art (Painting) Select Exhibitions/Awards 2020 Objects of Art, The Skateboards, House of Vans, London, online 2020 Perfectionism A Trick of the Eye IV, curated by Rebecca Pelly-Fry for Open Art Advisory, NY, Online exhibition. 2020 Solo show - Form Block Form, Bearspace gallery, London 2019 Harder Edge, Hospital Club & Saatchi Gallery, London 2018 Jealous Needs You, Jealous Gallery & Saatchi Gallery, London 2018 Micromegas, Saatchi Gallery, London 2017 Jealous gallery rooftop mural, London 2017 Ecstatic Rays, Saatchi Gallery, London 2017 Concrete Dance, Bunker Barmbek, Hamburg, Germany 2016 Traces of minimalism, Helium Cowboy Gallery, Hamburg, Germany 2015 Pure Evil Gallery, Shoreditch, London 2015 We built this city, pop up art exhibition, Carnaby Street, London 2015 O3 Gallery, Oxford, Trigonometry 2015 Embassy Tea Gallery, Capsule, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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Chike Azuonye, The Search for Answer, 2022

280

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Chike Azuonye The Search for Answer, 2022 Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About My name is Chike Azuonye, a Nigeria-born British artist living and working in London, and have been active in the London art scene since the late 1980s. I am a graduate of Fine and Applied Arts from the University of Nigeria. I have a diploma in digital origination from the University of the Arts London. Also, I am a qualified artist working in schools. I have had several solo exhibitions and many group exhibitions both in London and abroad. My paintings are in public and private collections in Nigeria, UK, France, Finland and Italy. My paintings are remarkable for their depths of expression and thought. I believe that art is life, a celebration and made to be enjoyed and appreciated. My artworks go beyond the aesthetic and delve deep into the narrative of my African roots, as well as my philosophical leaning and pursuits. I am eclectic in my approach to painting, and challenge myself with the mastery of various artistic media, such as acrylic, oil, pastel, charcoal and watercolour, even though I paint mainly in oil and acrylic." Education University of Nigeria, Nsukka 1987 University of the Arts London 2005 University of London (Institute of Education) Artists in Schools Programme 1995 Select Exhibitions/Awards 2021/2022: Nigeria Art Society UK - "Legacies of Biafra" Touring Exhibition-Gallery Oldham, 2021: Combat Stress Secret Postcard Auction, Bohnams London 2018: Nigeria Art Society UK - "Legacies of Biafra" Art Exhibition, The Brunei Gallery SOAS 2017: Nigeria Art Society UK - "Ariya" Art Exhibition, WAC Gallery, London 2016: Nigeria Art Society UK - "Aurora" Art Exhibition, WAC Gallery, London Statement about AOAP Submitted Artwork It is said that "it takes two to tango." In every endeavour in life, two factors are at work to produce something further. This painting "The Search for Answers" looks at how to resolve a complex question and finding an answer. The problem posed by Hepatitis C today is very serious and poses a lot of questions about finding a lasting cure, but with our combined efforts, a solution will be found one day. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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281

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100 GBP

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282

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283

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70 GBP

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David Wightman Ariel, 2022 Unique Archival Ink Print on Somerset Satin 330gsm Paper with Deckled Edges Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About David Wightman (b. 1980, Stockport, Greater Manchester, UK) is a British painter and printmaker based in London, UK. He creates beautiful paintings and prints of fictional landscapes. Education MA (RCA) Painting, Royal College of Art, London (2001-2003) BA (Hons) Fine Art, Middlesex University, London (1998-2001) Select Exhibitions/Awards David Wightman's recent solo exhibitions include Ariel, Grove Square Galleries, London (2022), My Atalanta, Long & Ryle, London (2020), In Arcadia, Duran|Mashaal Gallery, Montréal (2018), EMPIRE, Long & Ryle, London (2016), New paintings + Akris collaboration, Akris, 30 Old Bond Street, London (2014), Redux, 10 Gresham Street and Halcyon Gallery (2014), Hero, commission for House Arts Festival (2013), Paramour, Halcyon Gallery, London (2012), Homage to Loreleia, Berwick Gymnasium Gallery, Berwick-upon-Tweed, Northumberland (2011), Secret Name, Sumarria Lunn, London (2010), Behemoth, Cornerhouse, Manchester (2009). In 2014, Wightman collaborated with the fashion label Akris for their Fall / Winter 2014/15 collection. His work has featured in Harper's Bazaar, The Guardian, The Times, The Telegraph, The Financial Times, The World of Interiors, BBC News, BBC North West, and Money Week. Gallery Representation Grove Square Galleries, UK / Galerie de Bellefeuille, Canada Statement about AOAP Submitted Artwork My two postcards represent idealised landscapes that explore escapism and beauty. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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David Wightman Ariel II, 2022 Unique Archival Ink Print on Somerset Satin 330gsm Paper with Deckled Edges Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About David Wightman (b. 1980, Stockport, Greater Manchester, UK) is a British painter and printmaker based in London, UK. He creates beautiful paintings and prints of fictional landscapes. Education MA (RCA) Painting, Royal College of Art, London (2001-2003) BA (Hons) Fine Art, Middlesex University, London (1998-2001) Select Exhibitions/Awards David Wightman's recent solo exhibitions include Ariel, Grove Square Galleries, London (2022), My Atalanta, Long & Ryle, London (2020), In Arcadia, Duran|Mashaal Gallery, Montréal (2018), EMPIRE, Long & Ryle, London (2016), New paintings + Akris collaboration, Akris, 30 Old Bond Street, London (2014), Redux, 10 Gresham Street and Halcyon Gallery (2014), Hero, commission for House Arts Festival (2013), Paramour, Halcyon Gallery, London (2012), Homage to Loreleia, Berwick Gymnasium Gallery, Berwick-upon-Tweed, Northumberland (2011), Secret Name, Sumarria Lunn, London (2010), Behemoth, Cornerhouse, Manchester (2009). In 2014, Wightman collaborated with the fashion label Akris for their Fall / Winter 2014/15 collection. His work has featured in Harper's Bazaar, The Guardian, The Times, The Telegraph, The Financial Times, The World of Interiors, BBC News, BBC North West, and Money Week. Gallery Representation Grove Square Galleries, UK / Galerie de Bellefeuille, Canada Statement about AOAP Submitted Artwork My two postcards represent idealised landscapes that explore escapism and beauty. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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Alexander James Henry, 2022 Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Alexander James is a British born multimedia artist. His practice spans diverse media, including painting, sculpture, video and installation. Alexander James graduated with a Bachelor of Arts degree from Camberwell College of Arts in London where he studied illustration from 2012 to 2015. He has exhibited his works in London, Berlin, Paris and New York. Education 2012 - 2015 Camberwell College of Arts, Illustration, London, UK. 2011-2012 Leeds College of Art, Art Foundation Course, Yorkshire, UK. Select Exhibitions/Awards Recent exhibitions include: Analogous, Daniel Benjamin Gallery, London, 2022 (Duo); Love is the Devil: Studies after Francis Bacon, Marborough Gallery, London, 2022 (Group); Grand Opening, Super Zoom, Paris, 2022 (Group); Before the Night Was Through, Be Advisors, 2022 (Solo); Its Not Just a Portrait, Badr El Jundi Gallery, 2021 (group), Benahavis; A'NICA residency, Milan, 2021; Dancing on Lava In A Moment of Decadence, Roman Road, London, 2020 (solo); Look What The Cat Dragged In, Roman Road, London, 2020 (solo); Elms Painting Rooms, London, 2020 (Group); I Loved Your Gestures, Galerie Joseph, Paris, 2019 (Solo); Sharper Than Razor Blades, Softer Than Leather, The Face Apartment, NY, 2019 (Solo); Winter Show, Harlesden High Street Gallery, London, 2019 (Group); Deccan Traps, Aindrea Contemporary, London, 2019 (Group); Art Without Borders, Zilliard Art, Herrick Gallery, London, 2019 (Group); Inhabiting the Dome, Working Projects, Whiteleys, London, 2019 (Group); Hyperbolised Tropic, Outset Art Foundation, 39 Baker Street, London, 2018 (Group); I, Science, The Blyth Gallery Imperial College, London, 2018 (Group) You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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Alanna Hernandez Strike 2, 2022 Coloured Pencil on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Alanna is an artist and educator living in Midcoast Maine. She creates abstract colored pencil works about trauma and human relationships, and how the effects of these are felt in our bodies. Education B.A. University of Massachusetts Amherst, 2010 Select Exhibitions/Awards 2022 INSIDE DRAFTSWOMEN, group exhibition curated by Christine Brey, Feinkunst Kruger, Hamburg, Germany. 2022 DRAWING WITHIN, solo exhibition, Interloc Projects, Rockland, ME 2021 LAUNDRY DAY 3, community exhibition and auction, New Systems Exhibitions, Portland, ME. 2021 IN COLOR, juried exhibition, Cape Cod Cultural Center, South Yarmouth MA 2019 Archipelago, The Island Institute Store, Rockland ME 2018 PLAY: ART INSPIRED BY CHILDRENS' ART, juried exhibition, The Harlow Gallery, Hallowell, ME 2018 HEALING NATURE: HUMAN VISION, ART, & THE ENVIRONMENT, juried exhibtion, Cape Cod Museum of Art, Dennis, MA Statement about AOAP Submitted Artwork Alanna is an artist and educator living in Midcoast Maine. She creates abstract work about trauma and human relationships; and how the effects of these are felt in our bodies. She uses abstract ribbon forms that are interrupted, or intruded upon, by external objects to explore bodily feelings like hurt, tenderness, and protection. Her work also explores how we adjust to, or conceal the wounds we receive from trauma. How do we make space in our bodies for these wounds, and our strong emotions? Her process of drawing with colored pencils on wood is disciplined and meditative. It invites the viewer to similarly slow down, and notice. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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Alanna Hernandez Membrane 3, 2022 Coloured Pencil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Alanna is an artist and educator living in Midcoast Maine. She creates abstract colored pencil works about trauma and human relationships, and how the effects of these are felt in our bodies. Education B.A. University of Massachusetts Amherst, 2010 Select Exhibitions/Awards 2022 INSIDE DRAFTSWOMEN, group exhibition curated by Christine Brey, Feinkunst Kruger, Hamburg, Germany. 2022 DRAWING WITHIN, solo exhibition, Interloc Projects, Rockland, ME 2021 LAUNDRY DAY 3, community exhibition and auction, New Systems Exhibitions, Portland, ME. 2021 IN COLOR, juried exhibition, Cape Cod Cultural Center, South Yarmouth MA 2019 Archipelago, The Island Institute Store, Rockland ME 2018 PLAY: ART INSPIRED BY CHILDRENS' ART, juried exhibition, The Harlow Gallery, Hallowell, ME 2018 HEALING NATURE: HUMAN VISION, ART, & THE ENVIRONMENT, juried exhibtion, Cape Cod Museum of Art, Dennis, MA Statement about AOAP Submitted Artwork Alanna is an artist and educator living in Midcoast Maine. She creates abstract work about trauma and human relationships; and how the effects of these are felt in our bodies. She uses abstract ribbon forms that are interrupted, or intruded upon, by external objects to explore bodily feelings like hurt, tenderness, and protection. Her work also explores how we adjust to, or conceal the wounds we receive from trauma. How do we make space in our bodies for these wounds, and our strong emotions? Her process of drawing with colored pencils on wood is disciplined and meditative. It invites the viewer to similarly slow down, and notice. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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Charlie Chesterman, Trees With Fireworks 1, 2022

296

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Charlie Chesterman Trees With Fireworks 1, 2022 Oil, Collage and Glitter on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Charlie Chesterman (b.1996, UK) lives and works in South London. He explores through his works aspects of popular culture and everyday life to satirise contemporary rituals or occurrences. The narrative of the work tends to celebrate a subject while simultaneously condemning it. Chesterman has increasingly approached paintings as reliefs, collage can be used not only as an addition to a piece, but simultaneously as a withdrawal of what was previously underneath, a hierarchy of layering. The use of rich and generous oil paint in areas often represents the greed of the subjects. Chesterman is captivated by dramatic visual art, works that employ immediate impact. Education 2016-2019 Central Saint Martins 2015-2016 Leeds College of Art Select Exhibitions/Awards Solo exhibitions 2018 Recent Works, Chelsea Arts Club, Chelsea, London. Group exhibitions 2017 MUD, Doomed Gallery, Dalston, London. LIL, Safe house, Peckham, London. 2018 I'm not here, Camden Arts Centre, London. Untitiled (Close to Now), at the Lever Gallery, Clerkenwell, London. 2019: Talking Point, Lethaby Gallery, Kings Cross, London. Degree Show One, Central Saint Martins, Kings Cross, London. Aucart lab, Baker Street, London. Murmurations, Candid Arts Trust, Islington, London. Floorrmagazine Online Exhibition, EXH 1, https://www.floorronlineexhibition.com/exh-01 Clyde & Co Art Award, Aldgate, London. Young Contemporaries, Aubergine Gallery, Wimbledon, London. Statement about AOAP Submitted Artwork I see my paintings as inquests into extravagance, for these postcards I wanted to return to the subject of fireworks. Fireworks are consistently replacing and covering each other in the exact same place. The process of my work is quite similar in which there is a consistent layering of paint and collage until the display is finished. Most importantly fireworks are a celebration and I wanted to celebrate a great initiative. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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Charlie Chesterman, Trees With Fireworks 2, 2022

297

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Charlie Chesterman Trees With Fireworks 2, 2022 Oil, Glitter, Acrylic, Glue and Collage on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Charlie Chesterman (b.1996, UK) lives and works in South London. He explores through his works aspects of popular culture and everyday life to satirise contemporary rituals or occurrences. The narrative of the work tends to celebrate a subject while simultaneously condemning it. Chesterman has increasingly approached paintings as reliefs, collage can be used not only as an addition to a piece, but simultaneously as a withdrawal of what was previously underneath, a hierarchy of layering. The use of rich and generous oil paint in areas often represents the greed of the subjects. Chesterman is captivated by dramatic visual art, works that employ immediate impact. Education 2016-2019 Central Saint Martins 2015-2016 Leeds College of Art Select Exhibitions/Awards Solo exhibitions 2018 Recent Works, Chelsea Arts Club, Chelsea, London. Group exhibitions 2017 MUD, Doomed Gallery, Dalston, London. LIL, Safe house, Peckham, London. 2018 I'm not here, Camden Arts Centre, London. Untitiled (Close to Now), at the Lever Gallery, Clerkenwell, London. 2019: Talking Point, Lethaby Gallery, Kings Cross, London. Degree Show One, Central Saint Martins, Kings Cross, London. Aucart lab, Baker Street, London. Murmurations, Candid Arts Trust, Islington, London. Floorrmagazine Online Exhibition, EXH 1, https://www.floorronlineexhibition.com/exh-01 Clyde & Co Art Award, Aldgate, London. Young Contemporaries, Aubergine Gallery, Wimbledon, London. Statement about AOAP Submitted Artwork I see my paintings as inquests into extravagance, for these postcards I wanted to return to the subject of fireworks. Fireworks are consistently replacing and covering each other in the exact same place. The process of my work is quite similar in which there is a consistent layering of paint and collage until the display is finished. Most importantly fireworks are a celebration and I wanted to celebrate a great initiative. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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Charlie Chesterman, Trees With Fireworks 3, 2022

298

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Charlie Chesterman Trees With Fireworks 3, 2022 Oil, Glitter, Collage and Acrylic on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Charlie Chesterman (b.1996, UK) lives and works in South London. He explores through his works aspects of popular culture and everyday life to satirise contemporary rituals or occurrences. The narrative of the work tends to celebrate a subject while simultaneously condemning it. Chesterman has increasingly approached paintings as reliefs, collage can be used not only as an addition to a piece, but simultaneously as a withdrawal of what was previously underneath, a hierarchy of layering. The use of rich and generous oil paint in areas often represents the greed of the subjects. Chesterman is captivated by dramatic visual art, works that employ immediate impact. Education 2016-2019 Central Saint Martins 2015-2016 Leeds College of Art Select Exhibitions/Awards Solo exhibitions 2018 Recent Works, Chelsea Arts Club, Chelsea, London. Group exhibitions 2017 MUD, Doomed Gallery, Dalston, London. LIL, Safe house, Peckham, London. 2018 I'm not here, Camden Arts Centre, London. Untitiled (Close to Now), at the Lever Gallery, Clerkenwell, London. 2019: Talking Point, Lethaby Gallery, Kings Cross, London. Degree Show One, Central Saint Martins, Kings Cross, London. Aucart lab, Baker Street, London. Murmurations, Candid Arts Trust, Islington, London. Floorrmagazine Online Exhibition, EXH 1, https://www.floorronlineexhibition.com/exh-01 Clyde & Co Art Award, Aldgate, London. Young Contemporaries, Aubergine Gallery, Wimbledon, London. Statement about AOAP Submitted Artwork I see my paintings as inquests into extravagance, for these postcards I wanted to return to the subject of fireworks. Fireworks are consistently replacing and covering each other in the exact same place. The process of my work is quite similar in which there is a consistent layering of paint and collage until the display is finished. Most importantly fireworks are a celebration and I wanted to celebrate a great initiative. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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Charlie Chesterman, Trees With Fireworks 4, 2022

299

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Charlie Chesterman Trees With Fireworks 4, 2022 Oil, Glitter and Collage on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Charlie Chesterman (b.1996, UK) lives and works in South London. He explores through his works aspects of popular culture and everyday life to satirise contemporary rituals or occurrences. The narrative of the work tends to celebrate a subject while simultaneously condemning it. Chesterman has increasingly approached paintings as reliefs, collage can be used not only as an addition to a piece, but simultaneously as a withdrawal of what was previously underneath, a hierarchy of layering. The use of rich and generous oil paint in areas often represents the greed of the subjects. Chesterman is captivated by dramatic visual art, works that employ immediate impact. Education 2016-2019 Central Saint Martins 2015-2016 Leeds College of Art Select Exhibitions/Awards Solo exhibitions 2018 Recent Works, Chelsea Arts Club, Chelsea, London. Group exhibitions 2017 MUD, Doomed Gallery, Dalston, London. LIL, Safe house, Peckham, London. 2018 I'm not here, Camden Arts Centre, London. Untitiled (Close to Now), at the Lever Gallery, Clerkenwell, London. 2019: Talking Point, Lethaby Gallery, Kings Cross, London. Degree Show One, Central Saint Martins, Kings Cross, London. Aucart lab, Baker Street, London. Murmurations, Candid Arts Trust, Islington, London. Floorrmagazine Online Exhibition, EXH 1, https://www.floorronlineexhibition.com/exh-01 Clyde & Co Art Award, Aldgate, London. Young Contemporaries, Aubergine Gallery, Wimbledon, London. Statement about AOAP Submitted Artwork I see my paintings as inquests into extravagance, for these postcards I wanted to return to the subject of fireworks. Fireworks are consistently replacing and covering each other in the exact same place. The process of my work is quite similar in which there is a consistent layering of paint and collage until the display is finished. Most importantly fireworks are a celebration and I wanted to celebrate a great initiative. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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300

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320 GBP

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Ishbel Myerscough Me, 2022 Oil Paint on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ishbel Myerscough is recognised for her highly detailed and meticulously observed portrayal of her subject matter, which over the past three decades has primarily included herself, her close friend and fellow artist Chantal Joffe, and their families. Myerscough combines a focused study of youth and coming-of-age with adult experiences of parenthood, desire and bereavement, evoking the complex cycle of human experience. Myerscough studied at Glasgow and the Slade Schools of Art, and works in London. In 1995 she won the National Portrait Gallery's annual BP Portrait Award competition and as a result was commissioned to paint Helen Mirren's portrait for the collection and subsequently Sir Willard White. Her portrait Two Girls (1991), was displayed in the exhibition Self at the Turner Contemporary, Margate, UK in 2015 and at the National Portrait Gallery, London, until November 2016. Her work was presented in a joint display Friendship Portraits: Chantal Joffe and Ishbel Myerscough at the National Portrait Gallery in 2015, capturing their very particular artistic collaboration; and was included in the exhibitions Only Connect, Royal Academy of Arts, Keeper's House, London; and Relating Narratives - A Common World of Women, The Horse Hospital, London, 2018. Education 1987-91 Glasgow School of Art 1993-95 Slade School of Art, London Select Exhibitions/Awards 2020 Grief, Longing and Love, Flowers Gallery, Cork Street, London 2016 Up Close, Flowers, New York 2011 Life, Flowers Central, London 2000 Drawings, Anthony Mould Contemporary, London Ishbel Myerscough, Anthony Mould, Cork Street, London 1996 A Second View, Anthony Mould Contemporary, London 1992 A First View, Anthony Mould Contemporary, London 1995-6 Robert and Susan Summers Residency, Connecticut, USA 1995 Hopkins Rootstein Foundation Travel Scholarship to New York National Portrait Gallery, BP Portrait Award, First prize You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

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