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Live
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Dreweatts
Donnington Priory
Newbury, Berkshire
RG14 2JE
United Kingdom
Art Live
This is a live online auction with auctioneer. For details on registration, bidding, viewing & condition reports, click “Important information” link.
Please note: The auction will take place at Dreweatts Donnington Priory, but viewing is at Dreweatts Hambridge Lane. Viewing is by appointment only and as the works are not on display we ask that you specify the lots you are wanting to view in advance, to avoid delay. To book an appointment: email: pictures@dreweatts.com | tel: 44 (0) 1635 553 553. Collection is also from Dreweatts Hambridge Lane: 1 Hambridge Lane, Newbury, Berkshire RG14 5TU
Auction dates
03 Oct 2024 10:30 BST
Viewing dates
By appointment only
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Featured lots
There are 175 lots within this auction
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ANTHONY VANDYKE COPLEY FIELDING (BRITISH 1787-1855)
SHIPPING IN A SWELL
Watercolour
35 x 50cm (13¾ x 19½ in.)
Please note measurements do not include the frame unless otherwise stated .
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MALTESE SCHOOL (19TH CENTURY)
FISHING BOATS AND OTHER CRAFT OFF MALTA
Oil on canvas
Indistinctly signed (lower left)
29 x 60cm (11¼ x 23½ in.)
Please note measurements do not include the frame unless otherwise stated .
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Relined. A small area of loss to the centre of the sky approx. 2mm. Visible retouching in natural light scattered across the sky. Very fine craquelure throughout. Inspection under UV reveals scattered retouching to the sky as mentioned above and a green varnish throughout.
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ENGLISH SCHOOL (19TH CENTURY)
MARKET DAY
Oil on canvas
42 x 33cm (16½ x 12 in.)
Please note measurements do not include the frame unless otherwise stated.
Condition Report:
The painting is relined. UV light reveals numerous extensive retouching in the upper right corner, in the background area, and a few, but minor, scattered retouches on the figures.
Please note Dreweatts are not liable for damage to frames or mounts.
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FRANK BARNARD (BRITISH FL. 1871 - 1883)
THE RAISING OF THE LIGHT
Watercolour, pencil and white heightening
Signed (lower left)
36 x 57cm (14 x 22¼ in.)
Please note the measurements do not include the frame unless stated.
Condition Report:
Some areas of discolouration to the sheet but overall the colours are good. There is a very small white blemish to the upper right framing edge (approx. 4mm). Light undulation to the sheet under the glazed frame. Overall the work appears to be in good condition commensurate with age.
Unexamined out of glazed frame.
Dreweatts is not liable to damage to frames.
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GEORGE ARTHUR FRIPP (BRITISH 1813-1896)
DEER RESTING IN OPEN PASTURES
Watercolour
Signed (lower right)
50 x 70cm (19½ x 27½ in.)
Please note measurements do not include the frame unless otherwise stated .
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OLIVER STOCKMAN (BRITISH 19TH/20TH CENTURY)
NEW COMPANIONS
Oil on canvas
Signed (lower left)
51.5 x 77cm (20¼ x 30¼ in.)
Please note measurements do not include the frame unless otherwise stated .
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Light craquelure throughout. Four small repairs visible verso. An area of retouching visible in natural light just below the ships in the tapestry on the back wall. Inspection under UV reveals area of retouching mentioned previously and very light scattered retouching.
Condition Report Disclaimer
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FOLLOWER OF CARL CONSTANTIN SCHROETER
INTERIOR SCENE OF A SCIENTIST WITH AN APPRENTICE
Oil on canvas
25 x 21cm (9¾ x 8¼ in.)
Please note measurements do not include the frame unless otherwise stated.
Condition Report:
The canvas presents presents visible craquelure across the surface. UV light reveals various infills, where the cracks have expanded the most, most noticeable on the wooden desk and on the walls. To conclude, an uneven varnish is applied across the surface.
Please note Dreweatts are not liable for damage to frames or mounts.
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FOLLOWER OF THOMAS BROOKS
CHANCE ENCOUNTER
Oil on canvas
75 x 62cm (29½ x 24¼ in.)
Provenance:
Carthage, Missouri, private collection
Sale, Charlton Hall, 24 March 2012, lot 396
Please note measurements do not include the frame unless stated.
Condition Report:
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report Disclaimer
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ATTRIBUTED TO LASLETT JOHN POTT (BRITISH 1837-1898)
THE DOTING FATHER
Oil on panel
23 x 19cm (9 x 7¼ in.)
Provenance:
Sale, Sotheby's, Belgravia, 1978
Please note measurements do not include the frame unless otherwise stated .
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Rubbing to the extreme framing edges. Otherwise appears to be in good original condition.
Condition Report Disclaimer
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70
HERBERT MENZIES MARSHALL (BRITISH 1841-1913)
LONDON STREET SCENE WITH ST. PAULS CATHEDRAL BEYOND
Watercolour
Signed and dated 188[?] (lower left)
90.5 x 60cm (35½ x 23½ in.)
Unframed
Provenance:
Direct from Angela Conner's studio collection
Condition Report:
Staining throughout. Some rubbing to the extreme edges. Some light scratches to the sheet surface. Unframed.
Condition Report Disclaimer
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BRITISH SCHOOL (LATE 19TH/EARLY 20TH CENTURY)
CHILDREN PLAYING BESIDE A BRIDGE
Oil on canvas
49.5 x 66cm (19¼ x 25 in.)
Please note measurements do not include the frame unless otherwise stated .
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Paint thinning in areas, where weave is visible scattered across the surface. Fine craquelure scattered throughout. Possible water damage to the lower half of the picture which appears blurred. Surface scratches and abrasions scattered.
Condition Report Disclaimer
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BRITISH SCHOOL (19TH CENTURY)
FIGURES MEETING OUTSIDE A COTTAGE, BESIDE A RIVER
Oil on canvas
51 x 76cm (20 x 29¾ in.)
Provenance:
Mandell's Gallery, London
Please note measurements do not include the frame unless otherwise stated .
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Relined. Light surface dirt throughout. Some yellowing visible in the sky, possibly from an old varnish. Light craquelure scattered throughout. Rubbing to the extreme edges with some associated loss most notable to the lower left corner.
Condition Report Disclaimer
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ATTRIBUTED TO GIUSEPPE MAZZOLINI (ITALIAN 1806-1876)
BOY HOLDING A TURKEY
Oil on canvas, oval
50 x 41cm (19½ x 16 in.)
Provenance:
Sale, Dreweatts, 30 June 2010, lot 233
Please note measurements do not include the frame unless otherwise stated .
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Stretcher mark visible to the upper edge. Light craquelure throughout. Some rubbing to the framing edges and some pin holes visible to the right edge.
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ATTRIBUTED TO SAMUEL LAURENCE (BRITISH 1812-1884)
PORTRAIT OF A MAN, TRADITIONALLY IDENTIFIED AS JOHN CONSTABLE
Black and white chalk on brown paper
30 x 24.5cm (11¾ x 9½ in.)
Please note measurements do not include the frame unless otherwise stated.
Condition Report:
Please note Dreweatts are not liable for damage to frames or mounts.
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ENGLISH SCHOOL (19TH CENTURY)
A HUNTSMAN WITH THE DAY'S BAG
Oil on canvas
39.5 x 29cm (15½ x 11¼ in.)
Provenance:
Sale, Christie's, London, 23 January 2003, lot 72
Please note measurements do not include the frame unless otherwise stated.
Condition Report:
The canvas is relined and a few sections on the scarf fluoresceunder UV light. No visible craquelure is present.
Please note Dreweatts are not liable for damage to frames or mounts.
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THOMAS SMYTHE (BRITISH 1825-1906)
CATTLE AT A RIVERSIDE
Oil on canvas
Signed (lower left)
50.5 x 76cm (19¾ x 29¾ in.)
Please note measurements do not include the frame unless otherwise stated .
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Relined. Light surface dirt throughout. Some possible discolouration caused by yellowing varnish. Inspection under UV reveals a thick green varnish and scattered retouching throughout.
Condition Report Disclaimer
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FOLLOWER OF EDWARD CHARLES WILLIAMS
COTTAGE BESIDE A RIVER
Oil on canvas
Bears strengthened signature and dated 15 (lower left)
46 x 67cm (18 x 26¼ in.)
Please note measurements do not include the frame unless otherwise stated .
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BRITISH SCHOOL (19TH CENTURY)
FIGURES ON A MOUNTAIN PASS
Watercolour
20 x 26cm (7¾ x 10 in.)
Please note measurements do not include the frame unless otherwise stated .
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JOHN GEORGE SOWERBY (BRITISH 1849-1914)
RIVER LANDSCAPE
Watercolour
Signed and dated 95 (lower right)
27.5 x 44cm (10¾ x 17¼ in.)
Provenance:
Sale, Christie's 29 June 1988, lot 128
Please note measurements do not include the frame unless otherwise stated .
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Framed and unglazed. Light discolouration throughout.
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EDMUND MORISON WIMPERIS (BRITISH 1835-1900)
SHEEP RESTING BESIDE A GATE IN A COUNTRY LANDSCAPE, NEAR ARUNDEL
Watercolour
Signed with initials and dated 77 (lower right)
36 x 61.5cm (14 x 24 in.)
Please note measurements do not include the frame unless otherwise stated .
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Unexamined out of glazed frame. Bleaching scattered across the sky. Light discolouration caused by fading commensurate with age.
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λ JOZEF KIVETS (AUSTRALIAN B.1946)
ROMANTIC SCENE WITH SHEPHERD AND SHEEP
Oil on board
Signed (lower right); further titled and signed (verso)
58.5 x 88.5cm (23 x 34¾ in.)
Please note measurements do not include the frame unless otherwise stated .
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JOHN QUINCY ADAMS (AUSTRIAN 1874-1933)
PORTRAIT OF A GIRL IN A PURPLE DRESS
Oil on canvas laid on board
Signed and dated '1923' (lower right)
115 x 96cm (45¼ x 37¾ in.)
Please note measurements do not include the frame unless otherwise stated.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Oil on canvas laid to board. Light surface dirt throughout. Some light surface scratches and abrasions across the surface. An vertical line of possible dirt or blooming varnish running through the centre of the work. Inspection under UV reveals no obvious evidence of restoration or repair. Otherwise appears to be in good original condition.
Framed dimensions 141 x 122cm
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WALTER H. GOLDSMITH (BRITISH 1857-1943)
SUNSET ACROSS THE WATER
Oil on canvas
Signed (lower right)
91.5 x 136cm (36 x 53½ in.)
Unframed
Condition Report:
Unframed. Relined. Light surface dirt throughout. Rubbing to the framing edges. Losses to the corners. Surface scratch to the centre of the lower section of the work with associated losses. Some surface abrasions scattered across the surface.
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AURELIA DELLA CORTA SZVATEK (19TH/20TH CENTURY)
TWO WOMEN, HEAD STUDIES
Watercolour
Signed (lower right)
38 x 48.5cm (14¾ x 19 in.)
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NATHANIEL EVERETT GREEN (BRITISH 1823-1899)
VIEW AT BELLAGIO, LAKE COMO, CLOSE TO THE OLD HOTEL
Watercolour
Signed (lower right); inscribed Bellagio (lower left)
22 x 49cm (8½ x 19¼ in.)
Provenance:
Gifted by the artist to William John Grace
Sale, Sotheby's, 30 January 1991, lot 108
Please note measurements do not include the frame unless otherwise stated .
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Unexamined out of glazed frame. Some light discolouration across the sheet. Otherwise appears to be in original condition.
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HENRY BOWSER WIMBUSH (BRITISH 1861-1943)
PELLA, LAKE ORTA
Watercolour
Signed (lower right)
47 x 59cm (18½ x 23 in.)
Please note measurements do not include the frame unless otherwise stated .
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Unexamined out of glazed frame. Fading throughout the sheet commensurate with age.
Condition Report Disclaimer
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FOLLOWER OF HARRY HALL
'SURPLICE' WINNER OF THE ST. LEDGER, 1848
Oil on canvas
Titled (lower centre)
45 x 54cm (17½ x 21¼ in.)
Please note measurements do not include the frame unless otherwise stated .
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Relined. Craquelure throughout. Surface dirt throughout. Old varnish possibly causing some discolouration.
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ROBERT THORPE WAITE (BRITISH 1842 - 1935)
AT ONE START, LEWES RACES
Signed (lower right)
34 x 51.5cm (13¼ x 20¼ in.)
Provenance:
Abbott & Holder, London
Please note measurements do not include the frame unless otherwise stated .
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Unexamined out of glazed frame. Some light discoloration to the sky. Otherwise appears to be in good original condition.
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λ CHARLES C. STADDEN (BRITISH 1919-2002)
92ND REGIMENT OF FOOT, PRIVATES IN MARCHING ORDER, INDIA, 1858
Oil on board
Signed (lower right); further titled and inscribed (verso)
43 x 27cm (16¾ x 10½ in.)
Please note Dreweatts are not liable for damage to frames or mounts.
Please note measurements do not include the frame unless stated.
Condition Report:
Please note Dreweatts are not liable for damage to frames or mounts.
Please note measurements do not include the frame unless stated.
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ITALIAN SCHOOL (EARLY 20TH CENTURY)
STILL LIFE OF MUSHROOMS AND CHESNUTS
Oil on canvas
Signed (lower left)
43.5 x 46cm (17 x 18 in.)
Please note measurements do not include the frame unless otherwise stated .
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BRITISH SCHOOL (20TH CENTURY)
A TROMP L'OEIL WITH LETTERS, PAPERS AND CARDS
Oil on cardboard
44.5 x 59cm (17½ x 23 in.)
Please note measurements do not include the frame unless otherwise stated.
Condition Report:
Unexamined out of glazed frame. The picture presents various superficial scratches, a notable layer of dirt, together with some scattered stains. UV light reveals no evident signs of restoration.
Please note Dreweatts are not liable for damage to frames or mounts.
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BRITISH SCHOOL (19TH CENTURY)
BELL'S LIFE IN LONDON, A TROMPE L'OEIL DISPLAY OF VICES
Oil on canvas
52.5 x 63cm (20½ x 24¾ in.)
Please note measurements do not include the frame unless otherwise stated .
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λ C. FRAPPELLI (ITALIAN 20TH CENTURY)
STANDING NUDE FIGURE
Red chalk and graphite
Signed, dedicated and dated all'amico / B. Serstini[sic] con affetto/ 1939 (lower right)
38 x 28cm (14¾ x 11 in.)
Please note measurements do not include the frame unless otherwise stated .
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RUSSIAN SCHOOL (20TH CENTURY)
HEAD STUDY
Red chalk
Variously inscribed
63 x 48cm (24¾ x 18¾ in.)
Possibly a study executed during a workshop under the supervising professor Abugov. The sheet is inscribed with an 'excellent' remark to the right hand side which may have been the examiner's comments.
Please note measurements do not include the frame unless otherwise stated .
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λ SIR JACOB EPSTEIN (AMERICAN /BRITISH 1880-1959)
STUDY OF JACKIE
Charcoal
Signed (lower left)
60 x 43cm (23½ x 16¾ in.)
Please note measurements do not include the frame unless otherwise stated .
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λ PHILIP NAVIASKY (BRITISH 1894-1983)
HEAD STUDY
Pencil
Signed (lower right)
16.5 x 13cm (6¼ x 5 in.)
Please note measurements do not include the frame unless otherwise stated .
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Unexamined out of glazed frame. Some small dirt marks to the extreme edges. Otherwise no obvious condition issues.
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λ SIR JACOB EPSTEIN (AMERICAN /BRITISH 1880-1959)
STUDY OF JACKIE
Charcoal
Signed (lower left)
47 x 44cm (18½ x 17¼ in.)
Provenance:
Obelisk Gallery, London
Please note measurements do not include the frame unless otherwise stated .
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λ CHRISTOPHER WOOD (BRITISH 1901-1930)
FIGURE IN A STREET
Pencil
29.5 x 36cm (11½ x 14 in.)
Please note measurements do not include the frame unless otherwise stated .
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Unexamined out of glazed frame.
Light discolouration to the sheet throughout. A very small tear circa. 2mm to the centre of the upper edge with associated rucking. Otherwise appears to be in good original condition.
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λ PHILIP NAVIASKY (BRITISH 1894-1983)
NUDE STUDIES
Charcoal
Signed (lower right)
29.5 x 22cm (11½ x 8½ in.)
Please note measurements do not include the frame unless otherwise stated .
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Unexamined out of glazed frame. Light discolouration to the sheet.
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λ ROBIN PHILIPSON (BRITISH 1916-1992)
WAITING
Oil on canvas
Signed (verso)
32 x 24.5cm (12½ x 9½ in.)
Provenance:
Roland, Browse & Delbanco, London (acquired by Dr. John O'Driscoll, 5 November 1975)
The Estates of Dr. John & Mary Esther O'Driscoll, Kildare, Ireland
By descent to the present owners
Please note measurements do not include the frame unless otherwise stated .
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SANIA BAKHTIAROVA (RUSSIAN B.1949)
PORTRAIT OF A GIRL
Oil on canvas
Signed and dated 1972 (verso)
38.5 x 48cm (15 x 18¾ in.)
Provenance:
The Lacy Gallery, London
Please note measurements do not include the frame unless otherwise stated .
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λ JUNE MENDOZA (BRITISH 1927-2024)
PLAYING CARDS
Oil on canvas
Signed (upper left)
89 x 126cm (35 x 49½ in.)
Exhibited:
London, The Mall Galleries, no. 229
Please note measurements do not include the frame unless otherwise stated .
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KYOHEI INUKAI (JAPANESE/AMERICAN 1913-1985)
SELF PORTRAIT
Watercolour
Signed (lower right)
27 x 20.5cm (10½ x 8 in.)
Please note measurements do not include the frame unless otherwise stated .
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Unexamined out of glazed frame. Light handling creases and some discolouration throughout the sheet. Otherwise appears to be in good original condition.
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λ CHARLES WHITE (BRITISH 1928-1997)
REPAIRING LOBSTER POTS
Oil on canvas laid to board
Signed and dated 73 (lower left)
29 x 24cm (11¼ x 9¼ in.)
Please note measurements do not include the frame unless otherwise stated .
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ALEXANDER SHADRIN (RUSSIAN B.1949)
NIGHT SWIMMING
Oil on board
Signed (lower left), further signed, inscribed and dated 1994 (verso)
24 x 30cm (9¼ x 11¾ in.)
Provenance:
The Lacy Gallery, London
Please note measurements do not include the frame unless otherwise stated .
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HERBERT ASHWIN BUDD (BRITISH 1881-1950)
SEATED NUDE, HOLDING A BEADED NECKLACE
Oil on canvas
Signed (lower right)
61 x 50.5cm (24 x 19¾ in.)
Unframed
Condition Report:
A vertical hole to the lower left quadrant approx. 5cm. Rubbing with associated losses to the extreme edges, most notable to the corners. Stretcher marks visible. Canvas is slack. Some minor areas of fine craquelure scattered across the surface. Minor scuffs and abrasions to the canvas surface.
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λ PHILIP TURNER (BRITISH 1918-1997)
PERCHING III
Bronze
Signed with initials and numbered 3/4
Height: 35cm (13¾in.)
Conceived in 1956.
Condition Report:
Light surface dirt throughout.
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λ CLIFFORD FISHWICK (BRITISH 1923-1997)
ALPS CLIMBERS RESTING
Watercolour, ink and gouache
Signed and dated 49 (lower left)
44 x 61cm (17¼ x 24 in.)
Please note measurements do not include the frame unless otherwise stated.
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AFTER ALEXEJ VON JAWLENSKY
PORTRAIT OF A SPANISH LADY
Oil on canvas
64 x 44cm (25 x 17¼ in.)
The original painting is held at Städtische Galerie in Munich, Germany.
Please note measurements do not include the frame unless otherwise stated.
Condition Report:
No evident traces of restoration or damage are present on the surface. The canvas, on the other hand, presents undulation on the upper and left corner, and near the edges.
Please note Dreweatts are not liable for damage to frames or mounts.
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MARGHERITA BARTALINI (20TH CENTURY)
STILL LIFE WITH JAPANESE POT AND BLOSSOMS
Oil on board
Signed (upper left)
19.5 x 29cm (7½ x 11¼ in.)
Together with five further oil sketches each by various hands, comprising; a 20th century portrait of a gentleman (29 x 19cm), a 19th century seascape (15 x 25cm), figures walking at sunset (11.5 x 18.5cm), a sketch of a figure in Arab dress (recto); a woman in an interior (verso) (31.5 x 14cm), and a church at sunset (10 x 16cm)
All unframed (6)
Condition Report:
All works with some surface dirt and general wear, particularly to the unframed edges, commensurate with age. In addition, the portrait of the gentleman has been laid down, and this is starting to tear at the lower and upper edges. There is a hole to the board at the centre of the upper edge on the seascape (approx. 5mm diameter). There is also a considerable amount of surface dirt and discolouration.
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BRITISH SCHOOL (20TH CENTURY)
MOTHER AND CHILD
Bronze
20cm (7¾in.) Height inc. base
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λ ANDERS OSTERLIND (FRENCH 1887-1960)
BORD DE LA RIVIERE
Signed (lower right)
Oil on canvas
64 x 79cm (25 x 31 in.)
Please note measurements do not include the frame unless otherwise stated .
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ANDREW ARCHER GAMLEY (SCOTTISH 1869-1949)
FÊTE GALANTE
Oil on board
Signed (lower right)
22 x 29cm (8½ x 11¼ in.)
Please note measurements do not include the frame unless stated.
Condition Report:
Light surface dirt throughout. Light rubbing to the framing edges. A small protrusion to the centre of the lower edge, possible an old nail. Otherwise appears to be in good original condition.
Please note Dreweatts are not liable for damage to frames or mounts.
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KONSTANTIN GEORGIEVICH MOLTENINOV (RUSSIAN B. 1924)
WORKERS IN THE FIELD
Oil on card
Dated 1959 (lower right)
11.5 x 17.5cm (4½ x 6¾ in.)
Please note measurements do not include the frame unless otherwise stated .
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PAUL CAZOT (FRENCH 1882-1932)
FIGURES BATHING AT A LAKE
Oil on canvas
Signed and dated '1914' (lower left)
64 x 80cm (25 x 31¼ in.)
Please note measurements do not include the frame unless otherwise stated.
Condition Report:
The canvas presents various craquelure across the whole surface. UV light reveals scattered retouches, and the canvas presents a few small perforations.
Please note Dreweatts are not liable for damage to frames or mounts.
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VALENTINA SAVELIEVA (RUSSIAN B. 1938)
WASHING DAY
Charcoal
Signed (lower right)
18 x 23cm (7 x 9 in.)
Please note measurements do not include the frame unless otherwise stated .
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Quantity
1
Max bid
GBP
Estimate
3,000 - 5,000 GBP
λ PETER BROOK (BRITISH 1927-2009)
THE MILL
Oil on board
122 x 244cm (48 x 96 in.)
Please note measurements do not include the frame unless otherwise stated .
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λ WILLIAM WARE (BRITISH 1915-1997)
RAINCLOUD OVER VENICE
Oil on canvas
Signed (lower left)
92 x 122.5cm (36 x 48 in.)
Please note measurements do not include the frame unless otherwise stated.
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λ PAUL STEPHENS (BRITISH B. 1957)
VENICE, DAPPLED LIGHT
Oil on board
Signed (lower left) ; further signed, titled and inscribed (verso)
40.5 x 40.5cm (15¾ x 15¾ in.)
Please note measurements do not include the frame unless stated.
Condition Report:
Appears to be in good original condition.
Please note Dreweatts are not liable for damage to frames or mounts.
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