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SW8 3NS
United Kingdom
Prints and Multiples 1500 - 2024 (at Forum Auctions)
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Auction dates
24 Oct 2024 13:30 BST
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Featured lots
We found 223 items matching your search
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3,000 - 4,000 GBP
λ Marc Chagall (1887-1985) Jacob's Ladder, from The Bible (Cramer 30) Etching hand-finished with watercolour, 1958, initialled in pencil, numbered from the edition of 100, printed by Raymond Haasen, published by Tériade Éditeur, Paris, on Arches paper, with full margins, sheet 440 x 330mm (17 1/4 x 13in)
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1
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Estimate
3,000 - 4,000 GBP
λ Marc Chagall (1887-1985) Samson and Delilah, from Bible (Cramer 30) Etching heightened with watercolour, 1958, initialled in pencil, numbered from the edition of 100, printed by Raymond Haasen, published by Tériade Éditeur, Paris, on Arches paper, with full margins, sheet 518 x 392mm (20 3/8 x 15 1/2)
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Leading
Quantity
1
Max bid
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Estimate
3,000 - 4,000 GBP
λ Marc Chagall (1887-1985) Joshua Before Jericho, from Bible (Cramer 30) Etching heightened with watercolour, 1958, initialled in pencil, numbered from the edition of 100, printed by Raymond Haasen, published by Tériade Éditeur, Paris, on Arches paper, with full margins, sheet 530 x 390mm (20 7/8 x 15 3/8)
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Leading
Quantity
1
Max bid
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Estimate
3,000 - 4,000 GBP
λ Marc Chagall (1887-1985) Aaron et le Chandelier, from Bible (Cramer 30) Etching heightened with watercolour, 1958, initialled in pencil, numbered from the edition of 100, printed by Raymond Haasen, published by Tériade Éditeur, Paris, on Arches paper, with full margins, sheet 535 x 388mm (21 x 15 1/4)
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Quantity
1
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GBP
Estimate
1,500 - 2,000 GBP
λ Marc Chagall (1887-1985) Autoportrait (Cramer Etchings 28) Etching printed in colours, 1968, signed in pencil, numbered from the edition of 50, on wove paper, with the hand and branch watermark, with full margins, sheet 490 x 375mm (19 1/4 x 14 3/4in)
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1
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Estimate
3,000 - 5,000 GBP
λ Marc Chagall (1887-1985) La Nuit Des Amoureux à Saint Paul (Cramer Etchings 27) Etching with aquatint printed in colours, 1968, signed in pencil, numbered from the edition of 50, on wove paper, with Hand and Branch watermark, with full margins, sheet 488 x 376mm (19 3/8 x 14 7/8in)
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135
Quantity
1
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Estimate
1,500 - 2,000 GBP
λ Marc Chagall (1887-1985) La Chasse aux Oiseaux, from Daphnis et Chloé (Mourlot 329; Cramer 46) Lithograph printed in colours, 1961, from the edition of 250, printed by Mourlot, published by Tériade Éditeur, Paris, on Arches paper, the full sheet printed to the edges, sheet 420 x 640mm (16 1/2 x 25 1/4in)
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1
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Estimate
1,000 - 1,500 GBP
λ Marc Chagall (1887-1985) Frontispiece, from Daphnis et Chloé (Mourlot 308; Cramer 46) Lithograph printed in colours, 1961, from the edition of 250, printed by Mourlot, published by Tériade Éditeur, Paris, on Arches paper, the full sheet printed to the edges, sheet 420 x 320mm (16 1/2 x 12 5/8in)
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1
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Estimate
7,000 - 9,000 GBP
λ Jean Cocteau (1889-1963) Le Bal du Comte d’Orgel A particularly rare and unique copy of the book, 1953, comprising 34 etchings, a separate suite of the etchings printed from the first state, the original copper matrix for plate 7 and 28 original pen and ink studies for illustrations within the book, with title-page, text and justification, this copy numbered II, one of two special reserved copies, published by Éditions du Rocher, Monaco, on japon nacré paper, the drawings on thin wove paper, with full margins, the sheets loose in the original paper wrappers and pink paper covered boards and slipcase, overall size 347 x 280mm (13 5/8 x 11in) Mme Annie Guédras has confirmed the authenticity of these works, and we thank her for her assistance in cataloguing the lot.
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Salvador Dalí (1904-1989) Study for the crucified Christ, from Manifests Mystique (Field 51-1B; M&L 61) Etching, 1951, signed and dated in pencil, numbered from the edition of 150, printed by G Leblanc, published by Robert J. Godet, Paris, on Rives wove paper, with full margins, sheet 380 x 278mm (15 x 10 7/8in)
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140
Quantity
1
Max bid
GBP
Estimate
5,000 - 7,000 GBP
λ Salvador Dalí (1904-1989) Song of Songs of King Solomon (Field 71-17; Michler & Löpsinger 468-479) The complete set of twelve etchings with pochoir in colours and gold diamond dust, and with the cast bronze medallion, 1971, each plate signed in pencil, the edition was 250, published by Leon Amiel, New York, title-page, text and justification, on Arches paper, with the Dalí LA blindstamp, the sheets loose in the original blue linen covered boards and matching slipcase with inset bronze medallion, each sheet 560 x 763mm (22 x 30 in)
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141
λ Salvador Dalí (1904-1989) Frontispiece, from Les Caprices de Goya de Dalí (Field 77-3; M&L 848) Drypoint on heliogravure with pochoir, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, the full sheet printed to the edges, sheet 444 x 315mm (17 1/2 x 12 3/8in) With the Dali Trade authentication inscription and signature in pencil verso (5/19/22)
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λ Salvador Dalí (1904-1989) Los buzos del Futuro, plate 70 from Les Caprices de Goya de Dalí (Field 77-3; M&L 917) Drypoint on heliogravure with pochoir, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 444 x 314mm (17 1/2 x 12 3/8in) With the Dali Trade authentication inscription and signature in pencil verso (5/19/22)
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143
λ Salvador Dalí (1904-1989) Melancolia sordida, plate 69 from Les Caprices de Goya de Dalí (Field 77-3; M&L 916) Drypoint on heliogravure with pochoir, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 447 x 312mm (17 5/8 x 12 1/4in) With the Dali Trade authentication inscription and signature in pencil verso (5/19/22)
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144
λ Salvador Dalí (1904-1989) Los Incas peludos del atardecer, plate 68 from Les Caprices de Goya de Dalí (Field 77-3; M&L 915) Drypoint on heliogravure with pochoir, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 447 x 312mm (17 5/8 x 12 1/4in) With the Dali Trade authentication inscription and signature in pencil verso (5/19/22)
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λ Salvador Dalí (1904-1989) Courtesan, from Papillons Anciennes (Field 77-1D; M&L 1493) Lithograph printed in colours, 1977, signed and inscribed 'EA' in pencil, numbered in roman numerals from the edition of 65, printed by Siena Studio, co-published by Bowles & Hopkins, New York, and Levine & Levine for DALART, with the DALART blindstamp, on Japan paper, with full margins, sheet 748 x 520mm (29 1/2 x 20 1/2in) With the Dali Trade authentication inscription and signature in pencil verso (9/18/24)
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Salvador Dalí (1904-1989) Courtier, from Papillons Anciennes (Field 77-1B; M&L 1492) Lithograph printed in colours, 1977, signed and inscribed 'EA' in pencil, numbered in roman numerals from the edition of 65, printed by Siena Studio, co-published by Bowles & Hopkins, New York, and Levine & Levine for DALART, with the DALART blindstamp, on Japan paper, with full margins, sheet 750 x 520mm (29 1/2 x 20 1/2in) With the Dali Trade authentication inscription and signature in pencil verso (9/18/24)
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λ Salvador Dalí (1904-1989) Renaissance, from Papillons Anciennes (Field 77-1A; M&L 1491) Lithograph printed in colours, 1977, signed and inscribed 'EA' in pencil, numbered in roman numerals from the edition of 65, printed by Siena Studio, co-published by Bowles & Hopkins, New York, and Levine & Levine for DALART, with the DALART blindstamp, on Japan paper, with full margins, sheet 750 x 520mm (29 1/2 x 20 1/2in) With the Dali Trade authentication inscription and signature in pencil verso (9/18/24)
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148
λ Salvador Dalí (1904-1989) Velasquez 'Les ménines', from Changes in Great Masterpieces (Field 74-2D; M&L 1476) Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, and with the Phyllis Lucas copyright stamp verso , on wove paper, with full margins, sheet 900 x 650mm (35 3/8 x 25 1/2in) With the Dali Trade authentication inscription and signature in pencil verso (dated 8/5/24)
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149
λ Salvador Dalí (1904-1989) Vermeer: La Lettre, from Changes in Great Masterpieces (Field 74-2F; M&L 1475) Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, and with the Phyllis Lucas copyright stamp verso , on wove paper, with full margins, sheet 895 x 635mm (35 1/4 x 24 3/4in) With the Dali Trade authentication inscription and signature in pencil verso (dated 8/5/24)
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Leading
150
λ Salvador Dalí (1904-1989) Raphael: Le Mariage de la Vierge, from Changes in Great Masterpieces (Field 74-2C; M&L 1477) Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, with the Phyllis Lucas copyright ink stamp verso , on wove paper, with full margins, sheet 900 x 560mm (35 1/2 x 22in) With the Dali Trade authentication inscription and signature in pencil verso (dated 8/5/24)
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151
λ Salvador Dalí (1904-1989) Velasquez 'Le reddition de Breda', from Changes in Great Masterpieces (Field 74-2B; M&L 1473) Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, and with the Phyllis Lucas copyright stamp verso , on wove paper, with full margins, sheet 743 x 782mm (29 1/4 x 30 3/4in) With the Dali Trade authentication inscription and signature in pencil verso (dated 8/5/24)
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Salvador Dalí (1904-1989) Chevalier Royal de l'Apocalypse (Field 72-1; Not in M&L) Engraving with aquatint printed in colours, 1972, signed in pencil, numbered from the edition of 100, on Japan paper, with full margins, sheet 655 x 510mm (25 3/4 x 20in)
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Salvador Dalí (1904-1989) Dream Passage (Daphne I) (Field 79-8; M&L 1582h) Lithograph printed in colours, 1979, signed in pencil, numbered from the Grafos Verlag edition of 125, printed by Dumas, co-published by Grafos Verlag and Levine & Levine for DALART, with the DALART N.V. blindstamp, on Arches paper, with full margins, sheet 750 x 533mm (29 1/2 x 21in)
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Leading
154
Quantity
1
Max bid
GBP
Estimate
1,400 - 1,800 GBP
Salvador Dalí (1904-1989) La Table d'émeraude, from Alchimie des Philosophes (Field 75-12a; M&L 837a) Lithograph and screenprint in colours with drypoint and etching, 1975, signed in red felt tip ink, numbered from the edition of 225, printed by Viglino/Arts Litho/CAZA, published by Art et Valeur, Paris, on vellum, the full sheet printed to near the edges, sheet 775 x 577mm (30 1/2 x 22 3/4in)
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Leading
155
Quantity
1
Max bid
GBP
Estimate
1,400 - 1,800 GBP
λ Salvador Dalí (1904-1989) L'Immortalité, from Alchimie des Philosophes (Field 75-12D; M&L 839a) Lithograph and screenprint in colours with drypoint and etching, 1975, signed in black felt tip ink, numbered from the edition of 225, printed by Viglino/Arts Litho/CAZA, published by Art et Valeur, Paris, on vellum, the full sheet printed to near the edges, sheet 772 x 575mm (30 3/8 x 22 5/8in)
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Salvador Dalí (1904-1989) Homme Figuier, from FlorDalí (Field 69-11B; M&L 345e) Drypoint with lithograph printed in colours with embossing, 1969, signed and inscribed 'Epreuve d'artiste' in pencil, aside from the edition of 150, co-printed by Matthieu and Rigal, published by Jean Schneider, Basel, on Richard de Bas Auvergne paper, with full margins, sheet 755 x 555mm (29 3/4 x 21 7/8in)
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157
Salvador Dalí (1904-1989) Venus et le Joueur d'orgue, from Suite Mythologique Nouvelle (Field 71-8E; M&L 484c) Drypoint with etching and pochoir printed in colours, 1971, signed and inscribed 'EA' in pencil, aside from the edition of 50 in roman numerals, printed by Ateliers Rigal, published by Vision Nouvelle, on Richard de Bas Auvergne paper, with full margins, sheet 587 x 790mm (23 1/8 x 31 1/8in)
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158
λ Salvador Dalí (1904-1989) Le Jugement de Paris, from Suite Mythologique Nouvelle (Field 71-8F; M&L 485a) Drypoint with etching and pochoir in colours, 1971, signed and inscribed 'EA' in pencil, aside from the edition of 150, printed by Ateliers Rigal, published by Vision Nouvelle, on BFK Rives wove paper, with full margins, sheet 755 x 565mm (29 3/4 x 22 1/4in)
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159
λ Salvador Dalí (1904-1989) Le Printemps, from Suite Mythologique Nouvelle (Field 71-8G; M&L 486a) Drypoint with etching and pochoir in colours, 1971, signed and inscribed 'EA' in pencil, aside from the edition of 150, printed by Ateliers Rigal, published by Vision Nouvelle, on BFK Rives wove paper, with full margins, sheet 755 x 565mm (29 3/4 x 22 1/4in)
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160
Salvador Dalí (1904-1989) The Laurels of Happiness, from After 50 Years of Surrealism (Field 74-8D; M&L 665) Etching with drypoint and pochoir in colours, 1974, signed in pencil, numbered from the deluxe edition F of 35 in roman numerals, printed by Atelier Rigal, Paris, published by Transworld Art, New York, with their blindstamp, on Japan paper, with full margins, sheet 509 x 675mm (20 x 26 3/4in) With the Dali Trade authentication inscription and signature in pencil verso (8/29/24)
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161
λ Salvador Dalí (1904-1989) Gala's Castle, from After 50 Years of Surrealism (Field 74-8K; M&L 675) Etching with drypoint and pochoir in colours, 1974, signed in pencil, numbered from the deluxe edition F of 35 in roman numerals, printed by Atelier Rigal, Paris, published by Transworld Art, New York, with their blindstamp, on Japan paper, with full margins, sheet 672 x 513mm (26 1/2 x 20 1/4in) With the Dali Trade authentication inscription and signature in pencil verso (8/29/24)
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Leading
162
λ Salvador Dalí (1904-1989) A Shattering Entrance on the American Stage, from After 50 Years of Surrealism (Field 74-8H; M&L 673) Etching with drypoint and pochoir in colours, 1974, signed in pencil, numbered from the deluxe edition F of 35 in roman numerals, printed by Atelier Rigal, Paris, published by Transworld Art, New York, with their blindstamp, on Japan paper, with full margins, sheet 676 x 550mm (26 5/8 x 20 1/8in) With the Dali Trade authentication inscription and signature in pencil verso (8/29/24)
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163
λ Salvador Dalí (1904-1989) The Sacred Love of Gala, from After 50 Years of Surrealism (Field 74-8J; M&L 674) Etching with drypoint and pochoir in colours, 1974, signed in pencil, numbered from the deluxe edition F of 35 in roman numerals, printed by Atelier Rigal, Paris, published by Transworld Art, New York, with their blindstamp, on Japan paper, with full margins, sheet 670 x 515mm (26 3/8 x 20 1/4in) With the Dali Trade authentication inscription and signature in pencil verso (8/29/24)
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164
λ Salvador Dalí (1904-1989) The Museum of Genius and Fancy, from After 50 Years of Surrealism (Field 74-L; M&L 676) Etching with drypoint and pochoir in colours, 1974, signed in pencil, numbered from the deluxe edition F of 35 in roman numerals, printed by Atelier Rigal, Paris, published by Transworld Art, New York, with their blindstamp, on Japan paper, with full margins, sheet 670 x 508mm (26 3/8 x 20in) With the Dali Trade authentication inscription and signature in pencil verso (8/29/24)
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165
λ Salvador Dalí (1904-1989) Freud with a Snail Head, from After 50 Years of Surrealism (Field 74-8G; M&L 672) Etching with drypoint and pochoir in colours, 1974, signed in pencil, numbered from the deluxe edition F of 35 in roman numerals, printed by Atelier Rigal, Paris, published by Transworld Art, New York, with their blindstamp, on Japan paper, with full margins, sheet 672 x 510mm (26 1/2 x 20 1/8in) With the Dali Trade authentication inscription and signature in pencil verso (8/29/24)
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166
Salvador Dalí (1904-1989) Les Caprices pinces princiers, from Les Dîners de Gala (Field 77-5A; M&L 1342) Photolithograph printed in colours and etching, 1971, signed and inscribed 'AP' in pencil, numbered from the AP edition of 50, printed by Draeger, Paris, published by Lavigne, Bologna, on BFK Rives wove paper, with full margins, sheet 557 x 745mm (22 x 29 3/8in) With the Dali Trade authentication inscription and signature in pencil verso (9/18/24)
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167
λ Salvador Dalí (1904-1989) Les Entre-plats sodomisés, from Les Dîners de Gala (Field 77-5D; M&L 1343) Photolithograph printed in colours and etching, 1971, signed and inscribed 'AP' in pencil, numbered from the AP edition of 50, printed by Draeger, Paris, published by Lavigne, Bologna, on BFK Rives wove paper, with full margins, sheet 557 x 745mm (22 x 29 3/8in) With the Dali Trade authentication inscription and signature in pencil verso (9/18/24)
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168
λ Salvador Dalí (1904-1989) Les Suprêmes de malaises liliputiens, from Les Dîners de Gala (Field 77-5C; M&L 1344) Photolithograph printed in colours with embossing and etching, 1971, signed and inscribed 'AP' in pencil, numbered from the AP edition of 50, printed by Draeger, Paris, published by Lavigne, Bologna, on BFK Rives wove paper, with full margins, sheet 557 x 745mm (22 x 29 3/8in) With the Dali Trade authentication inscription and signature in pencil verso (9/18/24)
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λ Salvador Dalí (1904-1989) L'Atavisme, from Les Dîners de Gala (Field 77-5L; M&L 1333) Photolithograph printed in colours and etching, 1971, signed and inscribed 'AP' in pencil, numbered from the AP edition of 50, printed by Draeger, Paris, published by Lavigne, Bologna, on BFK Rives wove paper, with full margins, sheet 557 x 745mm (22 x 29 3/8in) With the Dali Trade authentication inscription and signature in pencil verso (9/18/24)
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Leading
Quantity
1
Max bid
GBP
Estimate
1,200 - 1,500 GBP
Salvador Dalí (1904-1989) Gad, from The Twelve Tribes of Israel (Field 72-6G; M&L 624a) Etching with drypoint and pochoir in colours, 1972, signed in pencil, numbered from the edition of 195, printed by Ateliers Rigal, Paris, published by Trans World Art, New York, on Arches paper, with full margins, sheet 501 x 660mm (19 3/4 x 26in) With the Dali Trade authentication inscription and signature in pencil verso (dated 3/14/24)
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Salvador Dalí (1904-1989) Gala en fleurs, from Dalí Retrospective (Field 78-10C; M&L 1555) Lithograph printed in colours, 1978, signed in pencil, numbered from edition E of 350, published by Levine & Levine for DALART, with their blindstamp, on Arches paper, with full margins, sheet 748 x 545mm (29 3/8 x 21 1/2in) With the Dali Trade authentication and signature in pencil verso (9/18/24)
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Leading
Quantity
1
Max bid
GBP
Estimate
10,000 - 15,000 GBP
Henri Matisse (1869-1954) after. Odalisque sur la Terrasse (Ginestet et Pouillon E633) Etching with aquatint printed in colours, 1922, signed in black ink, numbered from the edition of 200, published by Galerie Bernheim-Jeune, Paris, on Arches paper, with full margins, sheet 625 x 860mm (24 5/8 x 33 3/4in)
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1
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Estimate
6,000 - 8,000 GBP
Henri Matisse (1869-1954) Jeune Fille accoudée au Paravent Fleuri (Duthuit 439) Lithograph, 1923, a fine, richly inked impression, signed in pencil, numbered from the edition of 60, published by Bernheim-Jeune Éditeur, Paris, on chine, with wide margins, sheet 270 x 345mm (10 5/8 x 13 5/8in)
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Provisionally sold
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1
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Estimate
3,000 - 5,000 GBP
Henri Matisse (1869-1954) Vierge et Enfant Sans Indication des Visages I (Duthuit 651) Lithograph, 1950-51, signed in pencil, numbered from the edition of 100, on chine appliqué supported on Arches wove paper, with full margins, sheet 500 x 380mm (19 3/4 x 15in)
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1
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Estimate
3,000 - 5,000 GBP
Henri Matisse (1869-1954) Catherinette (Duthuit 620) Lithograph, 1946, signed in pencil, numbered from the edition of 100, published by Galerie des Peintres-Graveurs, Paris, with their blindstamp, on chine appliqué supported on Arches wove paper, with full margins, sheet 500 x 380mm (19 3/4 x 15in)
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Leading
Quantity
1
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Estimate
2,500 - 3,500 GBP
λθ Henri Matisse (1869-1954) Verve Vol. IX, Nos. 35-36 The book, 1958, comprising forty lithographs printed in colours, with title-page, text and justification, printed by Moulot Freres, published by Editions de la Revue Verve, Paris, the full sheets bound as issued within the original pictorial boards, overall 365 x 265mm (14 3/8 x 10 1/2in)
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1
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Estimate
20,000 - 30,000 GBP
λ Joan Miró (1893-1983) La Meneuse de Lune (Maeght 1029) Lithograph printed in colours, 1975, signed in pencil, numbered from the edition of 30, printed and published by Maeght, Paris, on Arches paper, with full margins, sheet 2355 x 1215mm (92 3/4 x 47 7/8in)
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Leading
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1
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Estimate
1,000 - 1,500 GBP
Joan Miró (1893-1983) Untitled from. Le Miroir de L’Homme par les Bêtes (see. Cramer 159) Etching, 1972, signed in pencil, inscribed H.C., an hors commerce impression aside from the edition of 40, as included in the deluxe volume of the book, published by Maeght Éditeur, Paris, on Arches paper, with full margins, sheet 437 x 370mm (17 1/4 x 14 5/8in)
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Leading
Quantity
1
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Estimate
1,000 - 1,500 GBP
Joan Miró (1893-1983) Untitled from. Le Miroir de L’Homme par les Bêtes (see. Cramer 159) Etching, 1972, signed in pencil, inscribed H.C., an hors commerce impression aside from the edition of 40, as included in the deluxe volume of the book, published by Maeght Éditeur, Paris, on Arches paper, with full margins, sheet 437 x 370mm (17 1/4 x 14 5/8in)
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Leading
Quantity
1
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Estimate
3,000 - 5,000 GBP
λ Joan Miró (1893-1983) Barcelona, XXXVI (Mourlot 41) Lithograph, 1944, signed and dated in pencil, numbered from the edition of 5, printed by Mourlot, Paris, published by Joan Prats, Barcelona, on Torras Juvinya wove paper, the full sheet printed to near the edges, sheet 690 x 525mm (27 1/8 x 20 5/8in)
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Quantity
1
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Estimate
4,000 - 6,000 GBP
λ Joan Miró (1893-1983) Plate V, from Série Mallorca (Dupin 614) Etching with aquatint printed in colours, 1973, signed in pencil, numbered from the edition of 50, printed by J. -J. Torralba, Barcelona, published by Sala Pelaires, Palma de Mallorca, on Guarro wove paper, with full margins, sheet 720 x 890mm (28 3/8 x 35in) Provenance: Ex coll. Ed Ruscha; Acquired from the above by the present owner.
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λ Niki de Saint Phalle (1920-2002) Nana - Pomme de Terre Lithograph printed in colours, 1975, signed in pencil, numbered from the edition of 99, published by Editions Michel Vokaer Bruxelles, Brussels, on wove paper, the full sheet printed to near the edges, sheet 510 x 670mm (20 1/8 x 26 3/8in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
5,000 - 7,000 GBP
Pablo Picasso (1881-1973) after. Le Verre d’Absinthe Etching with aquatint printed in colours, 1972, signed in pencil, numbered from the edition of 300, printed and published by Atelier Crommelynck, Paris, with their blindstamp, on Arches paper, with full margins, sheet 632 x 835mm (24 7/8 x 32 3/7in)
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Won
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Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
14,000 - 16,000 GBP
Pablo Picasso (1881-1973) after. Nature Morte (Ginestet et Pouillon E652) Etching with aquatint printed in colours, 1927, signed in pencil, numbered from the edition of 200, published by Galerie Bernheim-Jeune, Paris, on wove paper, with full margins, 498 x 646mm (19 5/8 x 25 3/8in)
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Provisionally sold
Leading
Won
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Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
8,000 - 10,000 GBP
Pablo Picasso (1881-1973) after. Nature Morte Aux Poires et au Pichet Etching with aquatint printed in colours, 1960, signed in pencil, numbered from the edition of 300, printed and published by Atelier Crommelynck, Paris, with their blindstamp, on Arches paper, with full margins, sheet 500 x 622mm (19 5/8 x 26in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
3,000 - 5,000 GBP
Pablo Picasso (1881-1973) Salomé, from La Suite des Saltimbanques (Bloch 14) Drypoint, 1902, the edition was 250, published by Ambroise Vollard in 1913, on Van Gelder Zonen laid paper, with full margins, 655 x 505mm (25 3/4 x 19 3/4in)
Featured lot
Provisionally sold
Leading
Won
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Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
6,000 - 8,000 GBP
Pablo Picasso (1881-1973) Les Trois Amies (Bloch 76) Etching, circa 1923, signed in red ink, numbered from the edition of 150, published by Ambroise Vollard in 1927, on wove paper, with full margins, sheet 648 x 464mm (25 1/2 x 18 1/4in)
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Won
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Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
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Estimate
60,000 - 80,000 GBP
λ Pablo Picasso (1881-1973) Portrait de Jacqueline (Baer 1245; Bloch 923) Linocut printed in cream on black, 1959, signed in pencil, numbered from the edition of 50, printed by Arnéra, Vallauris, published by Galerie Louise Leiris, Paris, on Arches paper, with full margins, sheet 750 x 620mm (29 1/2 x 24 3/8in)
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Leading
Quantity
1
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Estimate
15,000 - 20,000 GBP
Pablo Picasso (1881-1973) L’Aubade avec Femme Endormie (Bloch 916) Linocut printed in colours, 1959, signed in pencil, one of 20 proofs reserved for the artist and publisher, aside from the edition of 50, published by Galerie Louise Leiris, Paris, printed by Arnéra, Vallauris, on Arches paper, with full margins, sheet 620 x 750mm (24 3/8 x 29 1/2in) Provenance: Succession Picasso; Maya Widmaier-Picasso; Acquired from the above by the present owner.
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