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SW8 3NS
United Kingdom
Prints and Multiples (at Forum Auctions)
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Auction dates
12 Dec 2024 13:00 GMT
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There are 253 lots within this auction
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λ David Hockney (b.1937)
Baby Sumo. My Window
The book, 2019, signed in black ink, numbered from the edition of 1000, with title-page, text and illustrations, published by Taschen, London, on wove paper, bound as issued in the original boards with pictorial boards, and matching clamshell box, overall size 500 x 385mm (19 3/4 x 14 7/8 in)
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Quantity
1
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Estimate
1,000 - 1,500 GBP
λ David Hockney (b.1937)
A Bigger Book
The book, 2016, signed on the title-page in black ink, from the total edition of 10,000, and the painted metal bookstand designed by Marc Newson, with title-page text and reproductions, bound as published, overall size 500 x 700mm (19 1/2 x 27 1/2in)
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Leading
Quantity
1
Max bid
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Estimate
1,500 - 2,000 GBP
λ Howard Hodgkin (1932-2017) In a French Restaurant (Heenk p.223) Screenprint in colours, 1982, signed in orange pencil, a proof aside from the edition of 500, printed by Cromacomp, published by Petersburg Press, New York, on TH Saunders Waterford white wove paper, the full sheet printed to the edges, 1210 x 1460mm (47 5/8 x 57 1/2in)
Featured lot
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Reserve not met
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Quantity
1
Max bid
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Estimate
4,000 - 6,000 GBP
λ Invader (b.1969) Rubik Albino (Control P 04) Screenprint in colours, 2005, signed and dated in pencil, with the 'Rubik Cubism 2005' stamp, numbered from the edition of 100, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, with full margins, sheet 500m x 500m (19 3/4 x 19 3/4in)
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Jasper Johns (b.1930) Cross Hatch Screenprint in colours, 1971, from the edition of 3,000, printed by Simca Print Artist Ltd., published by Brooke Alexander Gallery Inc., New York, on wove paper, the full sheet printed to the edges, sheet 250 x 257mm (9 7/8 x 10 1/8in).
Featured lot
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Quantity
1
Max bid
GBP
Estimate
18,000 - 22,000 GBP
KAWS (b.1974) No One’s Home, Stay Steady, The Things That Comfort The set of three screenprints in colours, 2015, each signed and dated in pencil, numbered from the edition of 250, published by Pace Prints, New York, all on Saunders Waterford wove paper, with full margins, each sheet 914 x 762mm (35 7/8 x 30in)
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Harmony Korine (b.1973) Killa Khan Archival inkjet print in colours, 2011, signed in black ink verso , numbered from the edition of 50 verso , published by Exhibition a, with the accompanying certificate of authenticity, on stretched canvas, overall 510 x 410mm (20 1/8 x 16 1/8in)
Featured lot
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Leading
Quantity
1
Max bid
GBP
Estimate
20,000 - 30,000 GBP
Yayoi Kusama (b.1929) Pumpkin (G) (Kusama 151) Screenprint in colours, 1996, signed, dated and titled in Kanji in pencil, numbered from the edition of 150, printed by Tokuzo Okabe, Tokyo, on Arches paper, with full margins, sheet 278 x 370mm (11 x 14 1/2in)
Featured lot
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Quantity
1
Max bid
GBP
Estimate
5,000 - 7,000 GBP
Sol Lewitt (1928-2007) Stars The complete set of six linocuts printed in colours, 2002, each signed in pencil, numbered from the edition of 100, printed by Watanabe Studio, New York, on Somerset wove paper, with full margins, each sheet 688 x 688mm (27 x 27in)
Featured lot
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Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
5,000 - 7,000 GBP
Roy Lichtenstein (1923-1997) Illustration for 'Passage du Nord-Ouest' (Corlett 273) Etching with aquatint, 1992, initialled in pencil, numbered from the edition of 80, as included in 'La Nouvelle Chute de l'Amérique', printed by Atelier Dupont-Visat, Atelier Dupont-Visat, l'Inéditeur, published by Les Editions du Solstice, Paris, on Arches wove paper, with full margins, sheet 478 x 351mm (18 3/4 x 13 3/4in)
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Quantity
1
Max bid
GBP
Estimate
18,000 - 22,000 GBP
Roy Lichtenstein (1923-1997) Red Lamp (Corlett 279) Lithograph printed in colours, 1992, signed and dated in pencil, numbered from the edition of 250, printed by Tyler Graphics, published by the artist and Leo Castelli Gallery, New York, with the printer's blindstamp, on BFK Rives paper, with full margins, sheet 545 x 610mm (21 1/2 x 24in)
Featured lot
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Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
1,500 - 2,000 GBP
Roy Lichtenstein (1923-1997) Modern Head Brooch (Schwartz 1968.04) Enamel in colors on metal multiple, 1968, with the artist's incised signature verso , from the edition of unknown size, published by Multiples Inc., New York, overall 75 x 60mm (3 x 2 3/8in)
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Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
8,000 - 12,000 GBP
Robert Longo (b.1953) Untitled (Shark) Archival pigment print, 2010, signed and dated in pencil, numbered from the edition of 15, printed and published by Adamson Editions, Washington, on wove paper, with full margins, sheet 1163 x 1117mm (45 3/4 x 44in)
Featured lot
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Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
5,000 - 7,000 GBP
λ Sarah Lucas (b.1962) Beer Can Penis Cast bronze, 1999, incised with the artist's signature and date on the underside, numbered from the edition of 20, overall 160 x 140 x 70mm (6 1/4 x 5 1/2 x 2 3/4in)
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Reserve not met
Leading
Eddie Martinez (b.1977) GPBF, from Counter Editions Greenpeace Portfolio Screenprint in colours, 2022, signed and dated in pencil, numbered from the edition of 125, printed by Counter Studio, Margate, Published by Counter Editions, Margate, on wove paper, with full margins, sheet 761 x 600mm (29 5/16 x 23 5/8in).
Featured lot
Provisionally sold
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Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,500 - 3,000 GBP
λ James McQueen (b.1977) Who the fuck is Banksy Screenprint with extensive handcolouring, 2017, signed, dated and inscribed in pencil, one of 5 printers proof aside from the edition, on wove paper, the full sheet printed to the edges, 1360 x 1010mm (53 ½ x 39 5/8in)
Featured lot
Provisionally sold
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Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
7,000 - 9,000 GBP
λ James McQueen (b.1977) Happiness Is Expensive (Blue) Oil on canvas, 2021, signed and dated in black oil verso , overall 1830 x 1220mm (72 x 48in)
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Provisionally sold
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Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
1,000 - 1,500 GBP
λ Michael Moebius (b.1968) All You Need Is Gum Giclée in colours, 2016, signed in silver ink, numbered from the edition of 250, on canvas, the full sheet printed to the edges, sheet 940 x 1320mm (37 x 52in)
Featured lot
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Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
12,000 - 15,000 GBP
λ Harland Miller (b.1964) On Me Not In Me Screenprint in colours hand-finished with gold leaf, 2015, signed in pencil, numbered from the edition of 50, published by Other Criteria, London, on wove paper, with full margins, sheet 800 x 635mm (31 1/2 x 25in)
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Leading
Takashi Murakami (b.1962) With Reverence, I Lay Myself Before you - Korin - Chrysanthemum Offset lithograph printed in colours, 2010, signed, dated and numbered from the edition of 300 in ink, on wove paper, published by Kaikai Kiki Co. Ltd, Japan, the full sheet printed to the edges, sheet diameter 711mm (28in)
Featured lot
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Leading
Takashi Murakami (b.1962) Kansei Korin Gold Offset lithograph printed in colours, 2010, signed, dated and numbered from the edition of 300 in ink, on wove paper, published by Kaikai Kiki Co. Ltd, Japan, the full sheet printed to the edges, sheet diameter 711mm (28in)
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Leading
Takashi Murakami (b.1962) We Are the Jocular Clan Offset lithograph printed in colours, 2018, signed in silver ballpoint pen, numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, on smooth wove paper, the full sheet printed to the edges, diameter 500mm (19 5/8in)
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Leading
Takashi Murakami (b.1962) We Are the Jocular Clan Offset lithograph printed in colours, 2018, signed in silver ballpoint pen, numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, on smooth wove paper, the full sheet printed to the edges, diameter 500mm (19 5/8in)
Featured lot
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Leading
Takashi Murakami (b.1962) We Are the Jocular Clan Offset lithograph printed in colours, 2018, signed in silver ballpoint pen, numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, on smooth wove paper, the full sheet printed to the edges, diameter 500mm (19 5/8in)
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Leading
Takashi Murakami (b.1962) Fireball Offset lithograph printed in colours with cold stamp and high gloss varnishing, 2022, signed in silver marker, numbered from the edition of 300, published by Kaikai Kiki Co. Ltd., Tokyo, on wove paper, the full sheet printed to the edge, sheet diameter 710mm (28in)
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Leading
Takashi Murakami (b.1962) Flowers of Gratitude Offset lithograph printed in colours with cold stamp and high gloss varnishing, 2022, signed in silver marker, numbered from the edition of 300, published by Kaikai Kiki Co. Ltd., Tokyo, on wove paper, the full sheet printed to the edge, sheet diameter 710mm (28in)
Featured lot
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Leading
Takashi Murakami (b.1962) Inside the Soul Offset lithograph printed in colours with cold stamp and high gloss varnishing, 2022, signed in silver marker, numbered from the edition of 300, published by Kaikai Kiki Co. Ltd., Tokyo, on wove paper, the full sheet printed to the edge, sheet diameter 710mm (28in)
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Leading
Takashi Murakami (b.1962) Let Us Devote Our Hearts Offset lithograph printed in colours with cold stamp and high gloss varnishing, 2022, signed in silver marker, numbered from the edition of 300, published by Kaikai Kiki Co. Ltd., Tokyo, on wove paper, the full sheet printed to the edge, sheet diameter 710mm (28in)
Featured lot
Provisionally sold
Leading
Won
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Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
1,500 - 2,000 GBP
λ Nina Murdoch (b.1970) Untitled Tempera with pastel on gesso, circa 2010s, overall 195 x 130mm (7 3/4 x 5 1/8in)
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Leading
90
Cassi Namoda (b.1988) Ernesto Finds Potential on the Other Side, from Counter Editions Greenpeace Portfolio Screenprint in colours, 2022, signed in black ink, from the edition of 75, printed by Counter Studio, Margate, Published by Counter Editions, Margate, on wove paper, the full sheet printed to the edges, sheet 598 x 760 mm (23 9/16 x 29 15/16in).
Featured lot
Provisionally sold
Leading
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Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
1,000 - 1,500 GBP
Alice Neel (1900-1984) Man in a Harness Lithograph printed in colours, 1980, signed and dated in pencil, numbered H.C. 4/5, an hors commerce impression aside from the edition of 100, published by Eleanor Ettinger, New York, with their blindstamp, on Arches paper, the full sheet printed to the edges, sheet 921 x 702mm., 36 ¼ x 27 ½ in.
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Lost
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Leading
Quantity
1
Max bid
GBP
Estimate
1,000 - 1,500 GBP
Alice Neel (1900-1984) Portrait of John Rothschild (Man with Pipe) Lithograph printed in colours, 1980, signed pencil, numbered from the edition of 150, on Arches paper, with full margins, sheet 700 x 540mm., 27 ½ x 21 ¼ in.
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Leading
λ Chris Ofili (b.1968) The Merry Widow poster with Afro Eclipse 1, 2003 Offset lithograph printed in colours, 2024, signed in black ink, one of few signed copies, aside from the unsigned edition of 150, published by King & McGaw, Newhaven, on Monte Carlo wove paper, with the blindstamp commemorating the 90th anniversary of Glyndebourne, the full sheet printed to the edges, sheet 900 x 600mm (35 3/8 x 23 5/8in)
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Leading
94
Claes Oldenburg (1928-2022) M. Mouse (with) 1 Ear (equals) Tea Bag Blackboard Version (1965), from the New York Collection for Stockholm Portfolio (Aksom/Platzker 109) Screenprint and lithograph wiped with talcum powder, 1973, initialed in pencil, numbered from the edition of 300, printed by Styria Studio, published by Experiments in Art and Technology, New York, on BFK Rives paper, the full sheet printed to the edges, sheet 298 x 228mm (11 3/4 x 9in)
Featured lot
Provisionally sold
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Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,500 - 3,000 GBP
λ Julian Opie (b.1958) Ruth with Cigarette 2 (Cristea 86) Lambda print in colours, matt-sealed and dry mounted onto Dibond, 2005-6, signed in black ink verso , numbered from the edition of 50 verso , printed by Powerpoint Partnership, published by Alan Cristea Gallery, London, on Fujicolour digital archival paper, present in the artist's specified aluminium frame, the full sheet printed to the edges, overall 887 x 673mm (35 x 26 1/2in)
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Leading
Quantity
1
Max bid
GBP
Estimate
6,000 - 8,000 GBP
λ Julian Opie (b.1958)
Watching Suzanne (Front) No. 2 (Cristea 66)
Screenprint on white acrylic panel, 2006, signed and numbered from the edition of 25 on the label affixed verso in black ink, printed by K2 Screen Ltd., published by Alan Cristea Gallery, London, the full sheet printed to the edges, sheet 830 x 565mm (32 5/8 x 22 1/4in)
Featured lot
Provisionally sold
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Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
7,000 - 9,000 GBP
λ Bridget Riley (b.1931) Blue Dominance (Tommasini & Gubay 24) Screenprint in colours, 1977, signed, dated and titled in pencil, numbered from the edition of 100, printed by Graham Henderson, London, published by Pace Editions, New York, on wove paper, with full margins, sheet 980 x 490mm (38 1/2 x 19 1/4in)
Featured lot
Provisionally sold
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Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
20,000 - 30,000 GBP
λ Bridget Riley (b.1931) New Day (Not in Tommasini & Gulbay) Screenprint in colours, 1992, signed in pencil, from the edition of 135, published by King Publishing, London, on wove paper, with full margins, sheet 900 x 1250mm (35 3/8 x 49 1/4in)
Featured lot
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Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
6,000 - 8,000 GBP
λ Bridget Riley (b.1931) Going Across (Tommasini & Gulbay 45) Screenprint in colours, 2001, signed, titled and dated in pencil, numbered from the edition of 90, printed by Artizan Editions, Hove, published by Parkett Publishers, New York and Zurich, on Somerset wove paper, with full margins, sheet 616 x 913mm (24 1/4 x 36in) Please note this lot is subject to VAT on the hammer price and on the buyer's premium.
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Provisionally sold
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Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
6,000 - 8,000 GBP
λ Bridget Riley (b.1931) Composition with Circles 5 (Tommasini & Gulbay 63) Digital pigment print, 2005, signed, titled and dated in pencil, numbered from the edition of 75, printed by Prudence Cuming Associates, London, on wove paper, with full margins, sheet 635 x 755mm (25 x 29 3/4in)
Featured lot
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Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
5,000 - 7,000 GBP
Bridget Riley (b.1931) Bagatelle 3 (Tommasini and Gubay 87) Screenprint, 2015, signed and dated in pencil, numbered from the edition of 75, published by Karsten Schubert Gallery, London, on wove paper, sheet 665 x 585mm (26 1/4 x 23in)
Featured lot
Provisionally sold
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Won
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Lost
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Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
12,000 - 18,000 GBP
λ Bridget Riley (b.1931) Intervals 3 (Set of 3) (Not in Tommasini & Gubay) The complete set of three screenprints in colours, 2021, each signed, dated and titled in pencil, each numbered from the edition of 75, printed by Sally Gimson, Artizan Editions, Forest of Dean, published by the artist, London, on wove paper, each with full margins, each sheet 550 x 375mm (21 5/8 x 14 3/4in) (3)
Featured lot
Provisionally sold
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Won
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Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
1,500 - 2,000 GBP
Ed Ruscha (b.1937) You Will Eat Hot Lead, from Country Cityscapes Photogravure printed in colours with screenprinted text, 2001, signed and dated in pencil, numbered from the edition of 60, printed and published by Graphicstudio, Tampa, with their blindstamp, on Somerset wove paper, with full margins, sheet 456 x 356mm (18 x 14in)
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Provisionally sold
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Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,000 - 3,000 GBP
Ed Ruscha (b.1937) I'm Amazed, from Fourteen Big Prints (Engberg 56) Screenprint in colours, 1971, signed and dated in pencil, numbered from the edition of 100, printed by Advanced Graphics, published by Bernard Jacobson, London, on Hollingsworth wove paper, the full sheet printed to near the edges, sheet 1013 x 1516mm (39 7/8 x 59 1/4in)
Featured lot
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Peter Saul (b.1934) Traffic Jam, from Counter Editions Greenpeace Portfolio Lithograph printed in colours, 2022, signed in pencil, numbered from the edition of 125, printed by Counter Studio, Margate, published by Counter Editions, Margate, on wove paper, the full sheet printed to the edges, sheet, 598 x 760mm (23 9/16 x 29 15/16in).
Featured lot
Provisionally sold
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Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
3,000 - 4,000 GBP
Richard Serra (b.1939) Untitled, from The New York Collection for Stockholm Lithograph, 1973, signed and dated in pencil, numbered from the edition of 300, printed by Styria Studio, published by Experiments in Art and Technology, New York, on wove paper, the full sheet printed to the edges, sheet 243 x 232mm (9 5/8 x 9 1/8in)
Featured lot
Provisionally sold
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Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,000 - 3,000 GBP
λ David Shrigley (b.1968) To Hell With Zoos Screenprint in colours, 2021, initialed and dated in pencil verso , numbered from the edition of 125 verso , published by Nicolai Wallner, Copenhagen, on wove paper, the full sheet printed to the edges, sheet 750 x 560mm (29 1/2 x 22 1/16).
Featured lot
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Leading
Quantity
1
Max bid
GBP
Estimate
1,500 - 2,000 GBP
λ David Shrigley (b.1968) I Will Retrieve Your Phone Screenprint in colours, 2021, initialed and dated in pencil verso , numbered from the edition of 125 verso , on wove paper, published by Shrig Shop, Copenhagen, the full sheet printed to the edges, sheet 750 x 560mm (29 1/2 x 22 1/16).
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Leading
Quantity
1
Max bid
GBP
Estimate
2,000 - 3,000 GBP
λ David Shrigley (b.1968) Old Cat Screenprint in colours, 2022, initialed and dated in pencil verso , numbered from the edition of 125 verso , published by Jealous Gallery, London, on wove paper, the full sheet printed to the edges, sheet 760 x 560mm (29 15/16 x 22 1/16).
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λ STIK (b.1979) Standing Figure (Red) Offset lithograph printed in colours, 2013, signed, dated and dedicated in black ink, on wove paper, 570 x 190mm (22 1/2 x 7 1/2in)
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Leading
Quantity
1
Max bid
GBP
Estimate
1,500 - 2,000 GBP
λ Joe Tilson (1928-2023) Rainbow Grill (Di Martino page 39) Screenprint in colours with vacuum-formed polystyrene collaged onto beige Ductch strawboard,1965, signed, titled and dated in pencil, numbered from the edition of 70, printed by Kelpra Studio, published by Marlborough Graphics, London, with full margins, sheet 770 x 770mm., 30 ¼ x 30 ¼ in.
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λ Joe Tilson (1928-2023) 3D Geometry Screenprint in colours on vacuum-formed butyrate panels, 1965, signed and dated in black ink, numbered from the edition of 5, published by Marlborough Graphics, London, sheet 860 x 560mm (33 7/8 x 22in)
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λ Joe Tilson (1928-2023)
Two Wristwatches Vacuum-formed plastic with silver foil and black flocking, 1965, signed, titled and dated in black ball-point pen, numbered from the edition of 35, overall 635 x 690mm (25 x 27 1/8in)
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λ Joe Tilson (1928-2023) Small 3D Geometry Screenprint in colours on nine vacuum-formed butyrate panels, 1965, signed and dated in pencil on the reverse of the frame, numbered from the edition of 30, in the original frame as published, overall 310 x 310mm (12 1/4 x 12 1/4in)
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Reserve not met
Leading
λ Joe Tilson (1928-2023) The Software Chart Screenprint in colours on lumaline mounted to astrofoil and paper, 1968, signed and dated in pencil, numbered from the edition of 150, printed by Kelpra Studio, London, sheet 620 x 1250mm (24 3/8 x 49 1/4in) Together with: The Software Chart Questionnaire The portfolio, 1968, comprising five screenprints in colours, signed in pencil on the justification page, numbered from the edition of 150, , the title printed in green on the front, published by Sergio Tosi, Milan, on wove paper, bound as issued in a ring binder with aluminium covers, with title, text and justification pages, all housed in the original wooden slipcase, with zigzag shaped brass embellishments, overall 435 x 507mm (17 1/8 x 19 7/8in)
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λ Joe Tilson (1928-2023) Transparency, Vallegrande, Bolivia, October 10th (Di Martino p.56) Screenprint in colours on acetate film with metallised film, 1969, signed and dated in pencil, numbered from the edition of 70 with each being printed in a unique combination of colours, printed by Kelpra Studio, published by Marlborough Graphics, London, the full sheet printed to the edges, sheet 710 x 505mm (28 x 19 7/8in)
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λ Joe Tilson (1928-2023) Transparency, Clip-o-Matic, Breast (Di Martino p.55) Screenprint on acetate film with metallised film, 1971, signed and dated in pencil, numbered from the edition of 120, printed by Kelpra Studio, published by Marlborough Graphics, London, the full sheet printed to the edges, sheet 710 x 510mm (28 x 20in)
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Quantity
1
Max bid
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Estimate
4,000 - 6,000 GBP
λ Joe Tilson (1928-2023) Ludus Trojae Oil on wood relief, 1973, signed, titled and dated in pencil verso , further stencil-signed in black spray paint verso , overall 510 x 455mm (20 x 17 7/8in)
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Quantity
1
Max bid
GBP
Estimate
2,000 - 3,000 GBP
λ Joe Tilson (1928-2023) The Stones of Venice: Il Torre dell'Orologio Diptych Acrylic and collage on paper, 2016, signed, titled and dated in pencil, further signed and dedicated in black ink to the reverse of the frame, sheet 380 x 560mm (15 x 22in)
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λ Joe Tilson (1928-2023) Alchera: Notes for Country Works (Wiltshire and Tuscany) The complete portfolio, 1976, comprising ten double page photolithographs and photosilkscreens in colours, signed, dated and inscribed 'A/P, in pencil on the back inside cover, an artist proof aside from the edition of 50, published by Kelpra Editions, London, on Arches paper, sheets loose as issued, in original printed brown boards and black slipcase, overall 530 x 360 x 30mm (20 7/8 x 14 1/8 x 1 1/8in)
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