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Prints and Multiples (at Forum Auctions)
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Auction dates
12 Dec 2024 13:00 GMT
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There are 253 lots within this auction
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λ Joe Tilson (1928-2023) Earth Cube II (Di Martino p.122) Etching with aquatint, carborundum, stencil and collage, 1981, signed and dated in pencil, inscribed 'Artist's Proof 8/10', one of ten artist's proofs aside from the edition of 60, printed by Grafica Uno, Milan, published by Waddington Graphics, London, on wove paper, with full margins, sheet 1143 x 984mm (45 x 38 3/4in) Ex. coll. Leslie Waddington
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λ Joe Tilson (1928-2023) La Crete Castello, Orcia (Di Martino pages 172-173) The set of two screenprints with woodcut printed in colours, 1995-95, each signed, and dated in pencil, numbered from the edition of 35, printed by Advanced Graphics, published by Alan Cristea Gallery, London, on Saunders Waterford paper, the full sheets printed to the edges, sheets 1270 x 1067mm., 50 x 42 in.
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123
λ Joe Tilson (1928-2023) La Crete Sensei, Sasso, Gabbro, Monaci, Murlo and Serre (Di Martino pages 174-176) The set of five screenprints with woodcut printed in colours, 1995-95, each signed, and dated in pencil, numbered from the edition of 45, printed by Advanced Graphics, published by Alan Cristea Gallery, London, on Arches paper, the full sheets printed to the edges, sheets 890 x 620mm., 32 ¼ x 24 3/8 in.
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Richard Tuttle (b.1961) Calm Down, from Artists for Obama Etching with acrylic spraypaint, 2012, initialled, titled and dated in pencil, numbered from the edition of 150, printed and published by Gemini G.E.L., Los Angeles, with full margins, on Somerset wove paper, sheet 135 x 110mm (5 3/8 x 4 3/8in)
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Leading
Quantity
1
Max bid
GBP
Estimate
3,000 - 4,000 GBP
Cy Twombly (1928-2011) Untitled, from The New York Collection for Stockholm (Bastian 38) Screenprint and lithograph printed in colours, 1973, signed and dated in pencil verso , numbered from the edition of 300, printed by Styria Studio, published by Experiments in Art and Technology, Inc., New York, with the printer's inkstamp verso , on wove paper, with full margins, sheet 243 x 232mm (9 5/8 x 9 1/8in)
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λ Victor Vasarely (1906-1997) Gyemant Screenprint in colours, 1973, signed and inscribed 'EA' in pencil, aside from the edition of 230, on wove paper, with full margins, image 340 x 340mm (13 3/8 x 13 3/8in)
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Leading
127
Quantity
1
Max bid
GBP
Estimate
15,000 - 20,000 GBP
Andy Warhol (1928-1987) Franz Kafka, from Ten Portraits of Jews of the Twentieth Century (Feldman & Schellmann II.226) Screenprint in colours, 1980, signed in pencil, numbered from the edition of 200, printed by Rupert Jasen Smith, published by Ronald Feldman Fine Arts Inc., New York, and Jonathan A Editions, Tel Aviv, with the printer's blindstamp, and the publisher's inkstamp verso , on Lenox Museum Board, the full sheet printed to near the edges, sheet 1015 x 812mm (40 x 32in)
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Leading
Quantity
1
Max bid
GBP
Estimate
40,000 - 60,000 GBP
Andy Warhol (1928-1987) Ingrid Bergman. Herself (Feldman and Schellmann II.313) Screenprint in colours, 1983, signed and numbered from the edition of 250 in pencil, printed by Rupert Jasen Smith, New York, published by Galerie Börjeson, Malmö, with his rubber stamp verso, on Lenox Museum Board, the full sheet printed to the edges, sheet, 965 x 965mm., 38 x 38in.
Featured lot
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Leading
Quantity
1
Max bid
GBP
Estimate
50,000 - 70,000 GBP
Andy Warhol (1928-1987) Göethe (Feldman & Schellmann II.272) Screenprint in colours, 1982, signed in pencil, numbered from the edition of 100, printed by Rupert Jasen Smith, New York, published by Editions Schellmann & Klüser, Munich, with the printer's blindstamp, with the artist's copyright inkstamp and the publisher's inkstamp verso , on Lenox Museum Board, the full sheet printed to the edges, sheet 965 x 965mm (38 x 38in)
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Leading
Quantity
1
Max bid
GBP
Estimate
2,000 - 3,000 GBP
Andy Warhol (1928-1987) Mao, from The New York Collection for Stockholm Portfolio (Feldman & Schellmann II.89) Xerox print on typewriter paper, 1973, signed in black ink verso , numbered from the edition of 300 verso, printed by Styria Studio Inc., published by Experiments in Art and Technology, Inc., New York, the full sheet printed to the edges, sheet 280 x 215mm (11 x 8 1/2in)
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Leading
131
Quantity
1
Max bid
GBP
Estimate
2,000 - 3,000 GBP
Jean-Michel Basquiat (1960-1988) & Andy Warhol (1928-1987) after. Warhol Basquiat 1985 Limited Edition Poster (30th Anniversary Edition) Offset lithograph printed in colours, 2016, signed by the publisher Tony Shafrazi in black ink, numbered from the edition of 300, published by Tony Shafrazi Gallery, New York, on wove paper, the full sheet printed to the edges, sheet 480 x 300mm (18 7/8 x 11 3/4in)
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Andy Warhol (1928-1987) Calves Head Giant IV, from Wild Raspberries (See Feldman & Schellmann IV.129a) Offset lithograph extensively hand-finished with watercolour, 1959, on laid paper, the full sheet 432 x 279mm (17 x 11in) Provenance: Guy Hepner, New York.
Featured lot
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Leading
Quantity
1
Max bid
GBP
Estimate
3,000 - 5,000 GBP
θ Andy Warhol (1928-1987) Holy Cats by Andy Warhol's Mother The book, 1954, comprising twenty-one offset lithographs, from the edition of unknown size, with the rubber stamps of the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, initialled and numbered 'PM21.0084' in pencil on the back inside cover, on various coloured laid papers, bound in paper-covered boards as issued, each sheet 222 x 140mm (8 3/4 x 5 1/2in)
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Leading
Quantity
1
Max bid
GBP
Estimate
2,000 - 3,000 GBP
Stanley Whitney (b.1946) Peace Be Still, from Counter Editions Greenpeace Portfolio Lithograph printed in colours, 2022, signed and dated in pencil, numbered from the edition of 125, printed by Counter Studio, Margate, published by Counter Editions, Margate, on wove paper, the full sheet printed to the edges, sheet 598 x 760mm (23 9/16 x 29 15/16in).
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Leading
Quantity
1
Max bid
GBP
Estimate
8,000 - 12,000 GBP
Jonas Wood (b.1977) Yellow Flower, from Counter Editions Greenpeace Portfolio Lithograph printed in colours, 2022, signed and dated in pencil, numbered from the edition of 100, printed by Counter Studio, Margate, published by Counter Editions, Margate, on wove paper, sheet printed to the edges, sheet 760 x 600mm (29 15/16 x 600in).
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Leading
Quantity
1
Max bid
GBP
Estimate
12,000 - 18,000 GBP
λ David Yarrow (b.1966) The Crossing Archival pigment print, 2015, signed and dated in black ink, numbered from the edition of 12, on photo paper, mounted and framed to the artist's specifications, overall 1800 x 2820mm (71 x 111in)
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Leading
Quantity
1
Max bid
GBP
Estimate
2,500 - 3,500 GBP
λ Russell Young (b.1959) Marilyn Portrait California (Unique) The unique enamel and acrylic screenprint with Diamond Dust, 2014, signed, titled and dated in pencil verso , on stretched canvas, overall 695 x 530mm (27 3/8 x 20 7/8in)
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λ Karel Appel (1921-2006) Face in the Colourful Rain Lithograph printed in colours, 1980, signed in white crayon, numbered C, aside from the edition of 175, with the Atelier Dumas Inc, New York, blindstamp, on wove paper, the full sheet printed to the edges, sheet 560 x 762mm., 22 x 30 in.
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Leading
λ Karel Appel (1921-2006) Cat Lithograph printed in colours, 1980, signed in white crayon, numbered from the edition of 175, on wove paper, the full sheet printed to the edges, sheet 560 x 762mm., 22 x 30 in.
Featured lot
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Leading
λ Karel Appel (1921-2006) Cat Lithograph printed in colours, 1980, signed in white crayon, numbered from the edition of 175, on wove paper, the full sheet printed to the edges, sheet 560 x 762mm., 22 x 30 in.
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Leading
λ Karel Appel (1921-2006) Cat Lithograph printed in colours, 1980, signed in white crayon, numbered from the edition of 175, on wove paper, the full sheet printed to the edges, sheet 560 x 762mm., 22 x 30 in.
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Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
1,500 - 2,000 GBP
Georges Braque (1882-1963) after.
Nature Morte aux Huîtres, from Estampes
Wood engraving printed in colours, 1949, signed and numbered from the edition of 150 in pencil, on Van Gelder Zonen paper, published by Robert Rey, Paris, with the publisher's signature in pencil, with full margins, sheet 361 x 465mm (14 1/4 x 18 1/4in)
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Leading
Quantity
1
Max bid
GBP
Estimate
1,500 - 2,000 GBP
Paul Cézanne (1839-1906) after. Le Déjeuner sur L'Herbe (Cherpin 9; Leymarie-Melot 9) Lithograph printed in colours, 1894 printed in 1914, printed by Auguste Clot, Paris, on chine-volant paper, with full margins, sheet 360 x 440mm (14 1/8 x 17 1/4in) The present work was produced in homage to Claude Monet's painting of the same title and the lithograph was intended to be published by Vollard in his Album d'Estampes de la Galerie Vollard. Cezanne supervised the production of the maquette, however for unknown reasons the work was not published by Vollard, and it remained unprinted until 1914 when the current edition was pulled by the master printer Auguste Clot.
Featured lot
Provisionally sold
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Leading
Quantity
1
Max bid
GBP
Estimate
3,000 - 4,000 GBP
λ Marc Chagall (1887-1985) Samson and Delilah, from Bible (Cramer 30) Etching heightened with watercolour, 1958, initialled in pencil, numbered from the edition of 100, printed by Raymond Haasen, published by Tériade Éditeur, Paris, on Arches paper, with full margins, sheet 518 x 392mm (20 3/8 x 15 1/2)
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Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
3,000 - 4,000 GBP
λ Marc Chagall (1887-1985) Aaron et le Chandelier, from Bible (Cramer 30) Etching heightened with watercolour, 1958, initialled in pencil, numbered from the edition of 100, printed by Raymond Haasen, published by Tériade Éditeur, Paris, on Arches paper, with full margins, sheet 535 x 388mm (21 x 15 1/4)
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Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
3,000 - 4,000 GBP
λ Marc Chagall (1887-1985) Joshua Before Jericho, from Bible (Cramer 30) Etching heightened with watercolour, 1958, initialled in pencil, numbered from the edition of 100, printed by Raymond Haasen, published by Tériade Éditeur, Paris, on Arches paper, with full margins, sheet 530 x 390mm (20 7/8 x 15 3/8)
Featured lot
Provisionally sold
Leading
Won
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Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
1,500 - 2,500 GBP
λ Marc Chagall (1887-1985) The Wine Harvest, from Daphnis & Chloé (Mourlot 322; Cramer 46) Lithograph printed in colours, 1961, from the edition of 250, printed by Mourlot, published by Tériade Éditeur, Paris, on Arches paper, the full sheet printed to the edges, sheet 420 x 320 mm (16 1/2 x 12 1/2in)
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Leading
Quantity
1
Max bid
GBP
Estimate
1,000 - 1,500 GBP
λ Marc Chagall (1887-1985) Illustrations for the Bible, Verve vol IX nos 33/34 (Cramer 25) The book, 1956, comprising 28 lithographs, 17 printed in colours, with title-page, text and justification, printed by Mourlot, published by Verve, Paris, on wove paper, bound as issued in the original lithographed boards, overall size 362 x 265mm (14 ¼ x 10 ½ in)
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Reserve not met
Leading
149
Quantity
1
Max bid
GBP
Estimate
3,000 - 5,000 GBP
Marc Chagall (1887-1985) after. Soleil Couchant, from Nice et la Côte d'Azur (Mourlot. Charles Sorlier 26) Lithograph printed in colours, 1967, signed in pencil, numbered from the edition of 150, printed by Mourlot, Paris, on Arches paper, with margins, sheet 735 x 515mm (28 7/8 x 20 1/4in)
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Provisionally sold
Leading
Won
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Lost
Declined
Reserve not met
Leading
150
Quantity
1
Max bid
GBP
Estimate
3,000 - 5,000 GBP
Marc Chagall (1887-1985) after. Couple dans les Mimosas, from Nice et la Côte d'Azur (Mourlot. Charles Sorlier 32) Lithograph printed in colours, 1967, signed in pencil, numbered from the edition of 150, printed by Mourlot, Paris, on Arches paper, with margins, sheet 740 x 525mm (29 1/8 x 20 5/8in)
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Leading
151
λ Salvador Dalí (1904-1989) Les Délices Petits Martyrs, from Les Dîners de Gala (Field 77-5K; M&L 1341) Lithograph printed in colours, 1977, signed and inscribed 'AP' in pencil, one of 50 artist's proofs aside from the edition of 195, printed by Draeger/Bellini, published by Jean Lavigne, Paris, on BFK Rives paper, with full margins, sheet 554 x 744mm (21 3/4 x 29 1/4in) With the Dali Trade authentication inscription and signature in pencil verso. Dated (01/25/2024).
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λ Salvador Dalí (1904-1989) Nu Endormi, from Nudes (Field 70-8F; M&L 1380a) Lithograph, 1970/2, signed in pencil, numbered from the edition of 120, printed by Atelier Desjobert, published by E.G.I., Paris, on BFK Rives paper, the full sheet printed to the edges, sheet 582 x 757mm (22 7/8 x 29 3/4in) With the Dali Trade authentication and signature in pencil verso (dated 9/24/21)
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Leading
153
λ Salvador Dalí (1904-1989) Como Dios Manda, from Les Caprices de Goya de Dalí (Field 77-3; M&L 865) Drypoint on heliogravure with pochoir, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 447 x 312mm (17 5/8 x 12 1/4in) With the Dali Trade authentication inscription and signature in pencil verso
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Leading
λ Salvador Dalí (1904-1989) Renaissance (Field 78-9; M&L 1561) Lithograph printed in colours hand-finished with watercolour, 1978, signed in pencil, numbered from the edition of 250, printed by Dumas, published by Levine & Levine for DALART, New York, with the DALART blindstamp, on Arches paper, with full margins, sheet 760 x 560mm (in)
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Leading
155
λ Salvador Dalí (1904-1989) Esto es, Esto no es, from Les Caprices de Goya de Dalí (Field 77-3; M&L 911) Drypoint on heliogravure with pochoir, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 447 x 312mm (17 5/8 x 12 1/4in) With the Dali Trade authentication inscription and signature in pencil verso
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Leading
156
λ Salvador Dalí (1904-1989) Nipor esas, from Les Caprices de Goya de Dalí (Field 77-3; M&L 914) Drypoint on heliogravure with pochoir, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 447 x 312mm (17 5/8 x 12 1/4in) With the Dali Trade authentication inscription and signature in pencil verso
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Leading
157
λ Salvador Dalí (1904-1989) Two of Swords, from Lyle Stuart Tarot Prints (Field 78-1C; Not in M&L) Lithograph printed in colours, 1978, signed in pencil, numbered from the edition of 250, published by Lyle Stuart, New York, on BFK Rives wove paper, with full margins, sheet 760 x 485mm ( With the Dali Trade authentication inscription and signature in pencil verso
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Leading
Salvador Dalí (1904-1989) Terpsichore, from Les Muses (Field 71-18d) Etching with hand-colouring, 1971, signed and inscribed 'EA' in pencil, aside from the edition of 145, published by Ateliers Rigal, on Arches paper, with full margins, sheet 650 x 498mm (25 5/8 x 19 5/8in)
Featured lot
Provisionally sold
Leading
Won
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Reserve not met
Leading
159
Quantity
1
Max bid
GBP
Estimate
1,500 - 2,000 GBP
λ Salvador Dalí (1904-1989) From Much Ado About Shakespeare (Field 71-1; M&L 391, 392, 395, 396, 401, 402, and 404b) Seven etchings with drypoint and hand-colouring, 1971, each signed in pencil, numbered from the edition of 250, printed by Ateliers Rigal, published by Editions Graphiques Internationales, each on Japan paper, with full margins, each sheet 420 x 300mm (16 1/2 x 11 3/4in) and similar (7)
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λ Salvador Dalí (1904-1989) The Dentist, from L'aventure médicale (Field 80-4B; M&L1576g) Lithograph printed in colours, 1980, signed in pencil, numbered from edition G of 125, published by Levine & Levine for Grafos Verlag, on Arches paper, with full margins, sheet 754 x 540mm (29 3/4 x 21 1/4in)
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Leading
λ Salvador Dalí (1904-1989) The Doctor, from L'aventure médicale (Field 80-4A; M&L1575g) Lithograph printed in colours, 1980, signed in pencil, numbered from edition G of 125, published by Levine & Levine for Grafos Verlag, on Arches paper, with full margins, sheet 754 x 540mm (29 3/4 x 21 1/4in)
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λ Salvador Dalí (1904-1989) Vignette, from Petits Nus d 'Apollinaire (Field 72-4H; M&L 203) Etching with drypoint hand-finished with watercolour and gold, 1972, signed in pencil, numbered from the edition of 95, printed by Robbe, published by Editions Argillet, Paris, on Japan paper, with full margins, sheet 390 x 288mm (15 3/8 x 11 3/8in)
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Leading
163
λ Salvador Dalí (1904-1989) Principio de incertidambre de Heisenberg, from Les Caprices de Goya de Dalí (Field 77-3; M&L 866) Drypoint on heliogravure with pochoir, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 447 x 312mm (17 5/8 x 12 1/4in) With the Dali Trade authentication inscription and signature in pencil verso
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Leading
164
λ Salvador Dalí (1904-1989) Plate 10, from Les Songes drolatiques de Pantagruel (Field 73-7J; M&L 1401) Lithograph printed in colours, 1973, signed in pencil, numbered from the edition of 250, printed by Grapholith, published by Carpentier, Paris, on Japan paper, with full margins, sheet 760 x 540mm (29 7/8 x 21 1/4in) With the Dali Trade authentication and signature in pencil verso
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Leading
165
λ Salvador Dalí (1904-1989) Plate 11, from Les Songes drolatiques de Pantagruel (Field 73-7K; M&L 1422) Lithograph printed in colours, 1973, signed in pencil, numbered from the edition of 250, printed by Grapholith, published by Carpentier, Paris, on Japan paper, with full margins, sheet 760 x 540mm (29 7/8 x 21 1/4in) With the Dali Trade authentication and signature in pencil verso
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Leading
166
λ Salvador Dalí (1904-1989) L'esaltazione mistica and La potenza della Croce, from Les Vitraux (Field 74-5A and H; M&L 1439 and 1451) Two lithographs printed in colours, 1974, each signed and inscribed AP in pencil, numbered from the AP edition of 50, printed by Grapholith, published by Ethis, Geneva, on Arches paper, with full margins, each sheet 480 x 650mm (18 7/8 x 25 5/8in) and 650 x 480mm (25 5/8 x 18 7/8in) (2)
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λ Salvador Dalí (1904-1989) Les chevaux bleus (Field 66-1; M&L ML142a) Etching with hand-colouring, 1966, signed in pencil, numbered from the edition of 250, published by Pierre Agrillet, Paris, on Arches wove paper, with full margins, sheet 632 x 450mm (24 7/8 x 17 3/4in)
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Leading
λ Salvador Dalí (1904-1989) Golden Gate Bridge, from San Francisco (Field 70-4E; M&L437) Etching, 1970, signed and inscribed EA in pencil, aside from the edition of 150, printed by Ateliers Rigal, published by Werbungs-und Commerz Union Anstalt, on BFK Rives wove paper, with full margins, sheet 658 x 505mm (25 7/8 x 19 7/8in)
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λ Salvador Dalí (1904-1989) Dan, from The Twelve Tribes of Israel (Field 72-6F; M&L 627a) Etching with pochoir printed in colours, 1972, signed in pencil, numbered from the edition of 195, printed by Ateliers Rigal, Paris, published by Trans World Art, New York, on Arches paper, with full margins, sheet 655 x 505mm (25 3/4 x 19 7/8in) With the Dali Trade authentication inscription and signature in pencil verso
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Declined
Reserve not met
Leading
170
λ Salvador Dalí (1904-1989) Monarchial Flesh Tones, from Les Dîners de Gala (Field 77-5G; M&L 1336) Photolithograph printed in colours and etching, 1971, signed in pencil, numbered from the edition of 395, printed by Draeger, Paris, published by Lavigne, Bologna, on BFK Rives wove paper, with full margins, sheet 557 x 745mm (22 x 29 3/8in) With the Dali Trade authentication inscription and signature in pencil verso.
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
171
λ Salvador Dalí (1904-1989) Soft Watches Half Asleep, from Les Dîners de Gala (Field 77-5H; M&L 1335) Photolithograph printed in colours and etching, 1971, signed in pencil, numbered from the edition of 395, printed by Draeger, Paris, published by Lavigne, Bologna, on BFK Rives wove paper, with full margins, sheet 557 x 745mm (22 x 29 3/8in) With the Dali Trade authentication inscription and signature in pencil verso.
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
172
Quantity
1
Max bid
GBP
Estimate
1,000 - 1,500 GBP
λ Salvador Dalí (1904-1989) Raphael: Le Mariage de la Vierge, from Changes in Great Masterpieces (Field 74-2C; M&L 1477) Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, with the Phyllis Lucas copyright ink stamp verso , on wove paper, with full margins, sheet 900 x 560mm (35 1/2 x 22in) With the Dali Trade authentication inscription and signature in pencil verso.
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
173
Quantity
1
Max bid
GBP
Estimate
1,000 - 1,500 GBP
λ Salvador Dalí (1904-1989) Rembrandt 'Portrait du peintre par lui-même', from Changes in Great Masterpieces (Field 74-2E; M&L 1474) Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, with the Phyllis Lucas copyright ink stamp verso , on wove paper, with full margins, sheet 840 x 630mm (33 x 24 3/4in) With the Dali Trade authentication inscription and signature in pencil verso.
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
174
Quantity
1
Max bid
GBP
Estimate
1,000 - 1,500 GBP
λ Salvador Dalí (1904-1989) Velasquez 'Le reddition de Breda', from Changes in Great Masterpieces (Field 74-2B; M&L 1473) Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, and with the Phyllis Lucas copyright stamp verso , on wove paper, with full margins, sheet 743 x 782mm (29 1/4 x 30 3/4in) With the Dali Trade authentication inscription and signature in pencil verso.
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
175
λ Salvador Dalí (1904-1989) Liquid and Gaseous Television, from Imaginations and Objects of the Future (Field 75-11 C; M&L 824a) Etching with lithograph, screenprint and collage in colours, 1975-76, signed in pencil, numbered from the edition of 250, published by Merrill Chase Publishing Association, on Arches wove paper, with full margins, sheet 773 x 560mm (30 1/2 x 22in) With the Dali Trade authentication inscription and signature in pencil verso.
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
176
λ Salvador Dalí (1904-1989) Les Entre-plats sodomisés, from Les Dîners de Gala (Field 77-5D; M&L 1343) Photolithograph printed in colours and etching, 1971, signed in pencil, numbered from the edition of 395, printed by Draeger, Paris, published by Lavigne, Bologna, on BFK Rives wove paper, with full margins, sheet 557 x 745mm (22 x 29 3/8in) With the Dali Trade authentication inscription and signature in pencil verso.
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
λ Salvador Dalí (1904-1989) Christ of Gala I and II (Field 82-1A and B; Not in M&L) The pair of lithographs printed in colours, 1982, the first signed in pencil, the second with embossed replica signature, each numbered from the edition of 325, published by DALART N.V., on wove paper, with full margins, each sheet 735 x 530mm (28 3/4 x 20 7/8in) (2) If viewed side-by-side through an optical instrument, the images blend into a single image that seems to be three-dimensional. Both with the Dali Trade authentication inscription and signature in pencil verso.
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
λ Salvador Dalí (1904-1989) Frontispiece, from Twelve Tribes of Israel (Field 72-6M; M&L 618a) Engraving with drypoint and pochoir in colours, 1972, signed in pencil, numbered from the edition of 195, printed by Aterliers Rigal, Paris, published by Transworld Art, New York, on Arches paper, with full margins, sheet 655 x 505mm (25 3/4 x 19 7/8in) With the Dali Trade authentication inscription and signature in pencil verso.
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
179
λ Salvador Dalí (1904-1989) We Shall Go Up At Once and Possess It, from Aaliyah (Field 68-1J; M&L 1202a) Lithograph printed in colours, 1968, signed in pencil, numbered from the edition of 250, printed by Mourlot, Paris, published by Shorewood Publishers, New York, on Arches paper, with full margins, sheet 647 x 497mm (25 1/2 x 19 1/2in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
1,200 - 1,800 GBP
λ Sonia Delauney (1885-1979) Cible Lithograph printed in colours, circa 1970, signed in pencil, numbered from the edition of 75, on wove paper, with full margins, sheet 760 x 560mm (29 7/8 x 22in)
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