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SW8 3NS
United Kingdom
Modern & Contemporary Art and Editions (at Forum Auctions)
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27 Nov 2024 13:00 GMT
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Featured lots
λ Mason Storm (b.1966) My Ear
Lot 211
We found 248 items matching your search
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λ Hans Haacke (b.1936) Untitled, from the New York Collection for Stockholm Portfolio Screenprint, 1973, numbered from the edition of 300, printed by Styria Studio, Inc., with their inkstamp verso , published by Experiments in Art and Technology, New York, on wove paper, the full sheet printed to the edges, sheet 240 x 316mm (9 1/8 x 12 1/8in)
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Jun Hasegawa (b.1969) Uma in Red Screenprint in colours, 1998, an unsigned proof aside from the edition of 50, on wove paper, with full margins, sheet 537 x 447mm (21 1/8 x 17 5/8in)
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λ Elizabeth Magill (b.1965) Outlying, from the Help Portfolio Screenprint in colours with goldleaf additions and varnish overlay, 2020, signed in purple pencil, numbered from the edition of 125, published by Jealous Gallery, London, on Somerset wove paper, the full sheet printed to the edges, sheet 385 x 542mm (15 1/8 x 21 3/8in)
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λ Damien Hirst, (b.1965) H10-5. Tatyu Betul, from The Empresses Laminated giclée print in colours on aluminium composite panel, screenprinted with glitter, 2022, signed and numbered from the edition of 2814 in pen on publisher's label verso , printed and published by Heni Editions, London, the full sheet printed to the edges, overall 1000 x 1000mm (39 3/8 x 39 3/8in).
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λ Damien Hirst (b.1965) H8-4. Forever (small) Laminated giclée in colours on aluminium composite panel, 2020, with the artist's signature stamp and numbered from the edition of 2573 on the publisher's label affixed verso , published by HENI Productions, London, overall 390 x 390mm (15 3/8 x 15 3/8in)
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1,500 - 2,000 GBP
λ David Hockney (b.1937) Europalia 73 - Great Britain (Baggot 39) Offset lithograph printed in colours, 1973, signed in black ink, published by Europalia Arts Festival, Brussels, on wove paper, 717 x 539mm (28 1/4 x 21 1/4in)
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David Hockney (b.1937) David Hockney: A Retrospective Offset lithograph printed in colours, 1987, printed by Westerham Press Ltd., Kent, published by the Tate Gallery, London, on the occasion of the artist's exhibition, on wove paper, with full margins, sheet 758 x 509mm (29 7/8 x 20in)
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David Hockney (b.1937) Little Boodge Offset lithograph, 1993, on wove paper, the full sheet printed to the edges, sheet 420 x 280mm (16 3/8 x 11in)
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1,200 - 1,800 GBP
David Hockney (b.1937)
Skater (XIV Olympic Winter Games, Sarajevo) (Baggott 135)
Offset lithograph printed in colours, 1982, signed in blue ink, from the edition of 150, on wove paper, the full sheet printed to the edges, sheet 845 x 620mm (33 1/8 x 24 1/8in)
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1,000 - 1,500 GBP
λ David Hockney (b.1937)
Rapunzel & Rumpelstiltskin, from Illustrations for Six Fairy Tales from the Brothers Grimm (MCA Tokyo 79, 80, 83 & 103)
Five etchings, 1969, including four plates from 'Rapunzel' and one plate from 'Rumpelstiltskin', signed on the laparello front cover, numbered from the edition of 100, printed by The Print Shop, Amsterdam, published by Petersburg Press, London, on Hodgkinson watermarked paper, with full margins, each sheet 450 x 305mm (17 3/4 x 12in)
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David Hockney (b.1937) Composition Red & Blue (Momart) Lithograph printed in colours, 2005, on wove paper, housed within the original blue paper portfolio with the artist's name embossed on the cover, the full sheet printed to the edges, sheet 114 x 279mm (4 1/2 x 11in)
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David Hockney (b.1937) Grey Art Gallery, New York, 1980 (Baggott 66) Offset lithograph printed in colours, 1980, signed in pencil, published for the exhibition David Hockney at Grey Art Gallery and Study Center, New York from 3 April - 3 May 1980, on wove paper, the full sheet printed to the edges, sheet 705 x 505mm (27 3/4 x 19 7/8in)
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David Hockney (b. 1937) 1st British International Print Biennale Poster (Baggott 14) Offset lithograph printed in colours, 1969, from the edition of unknown but presumably small size, printed by Curwen Studio, Cambridge, published by Bradford City Art Gallery, on TH Saunders wove paper, the full sheet printed to the edges, sheet 780 x 587mm (30 1/2 x 22 7/8in)
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David Hockney (b.1937) after. David Hockney Pearblossom Hwy., 11-18th April 1986, The J. Paul Getty Museum Exhibition Poster Offset lithograph printed in colours, 1997, from the edition of unknown size, with full margins, sheet 1015 x 760mm (40 x 29 7/8in)
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Roni Horn (b.1955) Untitled (To Nest) Digital pigment print in colours, 2001, signed, dated, and numbered in pencil verso, from the edition of 100, published by Counter Editions, London, on Arches paper, with full margins, sheet 400 x 610mm (16 x 21in)
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λ John Hoyland (1934-2011) Dream, from Twelve Artists: The Royal College of Art Centenary Portfolio 1996 Screenprint in colours, 1996, signed and dated in pencil, numbered from the edition of 100, printed by the Printmaking Workshop of The Royal College of Art, published by the Royal College of Art, London, on wove paper, with full margins, sheet 760 x 560mm (29 7/8 x 22 1/2in)
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Shara Hughes (b.1981) Night Opening Etching printed in colours, 2022, signed and dated in pencil, numbered from the edition of 100, published by Texte Zur Kunst, Berlin, on BFK Rives paper, the full sheet, sheet 300 x 239mm (11 3/4 x 9 3/8in)
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Titus Kaphar (b.1976) Analagous Colors Offset lithograph in colours, 2022, signed and dated in black pen, published by Gagosian, New York, in conjunction with the artist's exhibition 'Titus Kaphar: From a Tropical Space', 1st October-19th December 2020, on wove paper, the full sheet printed to the edges, sheet 915 x 610mm (36 x 24in)
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λ Cat Phillips (b.1972) & Peter Kennard (b.1949) Photo Op Digital inkjet print in colours, 2006, signed and dated by both artists in pencil, numbered from the edition of 750, on wove paper, with full margins, sheet 556 x 550mm (21 7/8 x 21 5/8in)
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Michael Landy (b.1963) Shepherd's Purse 4 Etching, 2003, signed and dated in pencil verso, numbered from the edition of 200 verso, printed by Hope Sufferance Press, published by Counter Editions, London, on Somerset wove paper, with full margins, sheet 660 x 440mm (26 x 17 1/4in)
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Jonathan Lasker (b.1948) Town & Country Etching with aquatint printed in colours, 2000, signed and dated in pencil, numbered from the edition of 30, on Hanemühle white wove paper, with full margins, sheet 565 x 762mm (22 1/4 x 30in)
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λ Various Artists
Two Momart Christmas Gifts
To include:
Sarah Lucas (b.1962) The Perceval Mobile (Momart Christmas Gift) The complete multiple, 2007, comprising an inkjet print in colours on thick card, metal wire, thread, needle and printed instruction manual on brown wove paper, with title page and text, published by Momart Ltd., London, with the original white presentation box with printed title, overall 226 x 320 x 15mm (8 7/8 x 12 5/8 x 3/4in)
This work is accompanied by the Momart authenticity document, confirming the work is part of the Victoria & Albert Museum, London.
Together with:
Gary Hume (b.1962)
Fuzzy Snowman
Machine-cut detachable fuzzy felt elements on a baize-treated backing card, 2000, signed in blue felt-tip pen verso, published by Momart, London, the full sheet, 275 x 190mm (10 7/8 x 7 1/2in)
This work is accompanied by the original Momart publication document.
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90
Tim Mara (1948-1997)
Plastic Funnel, Mortar and Pestle, from Six Artists: The Royal College of Art Portfolio 1992
Screenprint in colours, 1992, signed, titled, inscribed 'AP9' and dated in pencil, an artist's proof aside from the edition of 50, printed by the Printmaking Workshop of The Royal College of Art, published by the Royal College of Art, London, on wove paper, the full sheet printed to the edges, sheet 760 x 560mm (29 7/8 x 22 1/2in)
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Kenneth Martin (1905-1984) Pier and Ocean Screenprint in colours, 1980, signed, dated and inscribed 'AP' in pencil, an artist's proof aside from the edition of 70, published by Waddington Graphics, London, on wove paper with full margins, sheet 320 x 300mm (12 5/8 x 11 3/4in)
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Harland Miller (b.1964) Win (Paris Olympic Games 2024) Offset lithograph printed in colours, 2024, from the edition of unknown size, published by King and McGaw, Newhaven, to commemorate the Paris Olympic Games 2024, on Coala wove paper, the full sheet printed to the edges, sheet 800 x 530mm (31 1/2 x 20 7/8in)
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λ Harland Miller (b.1964) York So Good They Named it Once Offset lithograph printed in colours, 2020, published by York Museum, York, on wove paper, the full sheet printed to the edges, sheet 841x 555mm (33 1/8 x 21 7/8in)
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1,000 - 1,500 GBP
λ Louise Nevelson (1899-1988) Untitled, from The New York Collection for Stockholm Screenprint in colours, 1973, signed in pencil, numbered from the edition of 300, printed by Styria Studio, published by Experiments in Art and Technology, New York, on wove paper, with full margins, sheet 302 x 230mm (11 7/8 x 9in)
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Paul Noble (b.1963) Nobland Etching, 2004, signed in pencil, numbered from the edition of 250, published by The Whitechapel Gallery, London, on the occasion of the exhibition 'Paul Noble' 10th September-14th November 2004, with their inkstamp verso , on wove paper, with full margins, sheet 355 x 435mm (14 x 17 1/8in)
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Paulina Olowska (b.1976) Gossip Among the Stuff Offset lithograph printed in colours, 2013, signed and dated in pencil verso, numbered from the edition of 150, published by House of Voltaire, London, on wove paper, with full margins, sheet 600 x 375mm (23 5/8 x 14 3/4in)
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Paulina Olowska (b.1976) Julie's Monologue Giclée in colours, 2019, signed in pencil verso , numbered from the edition of 20, on wove paper, the full sheet printed to the edges, sheet 1335 x 995mm (52 1/2 x 39 1/8in)
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Paulina Olowska (b.1976) She the Lepidopterist Digital print in colours, 2022, signed and dated in pencil, numbered from the edition of 250, published by The Art of Empowerment, London, on wove paper, with full margins, sheet 1000 x 730mm (39 3/8 x 28 3/4in)
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λ Julian Opie (b.1958) Dance figures 1-4 Four lenticular postcards, 2023, each 165 x 80mm (6 1/2 x 3 1/8in)
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λ Julian Opie (b.1958)
Musician; Mechanic; Waitress; Academic; Architect
The set of five lenticular postcards, 2014, the full sheet printed near to the edges, each 148 x 98mm (5 3/4 x 3 7/8in) (5)
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λ Julian Opie (b.1958) Woman Taking Off Man's Shirt (Cristea 244) Screenprint in colours, 2003, published by K21 Kunstammlung Nordrhein-Westfalen, Dusseldorf, with full margins, sheet 1000 x 600mm (39 3/8 x 23 5/8in)
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David Ostrowski (b.1981) Even the most beautiful woman ends at her feet (left foot) C-type print, 2013, signed and dated in black ink verso , numbered from the edition of 10 verso , presented in the artist's hand-painted frame, overall 435 x 312mm (17 1/8 x 12 1/4in)
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λ Eduardo Paolozzi (1924-2005) Untitled, from Six Artists: The Royal College of Art Portfolio 1992 Etching with hand-colouring, 1992, signed and dated, and inscribed 'ap VIII' in pencil, an artist's proof aside from the edition of 50, printed by the Printmaking Workshop of The Royal College of Art, published by the Royal College of Art, London, on Somerset wove paper, with full margins, sheet 575 x 755mm (22 5/8 x 29 3/4in)
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λ Eduardo Paolozzi (1924-2005) Untitled Etching, 1976, signed and dated in pencil, from the edition of unknown size, on wove paper, with margins, sheet 590 x 190mm (23 1/4 x 7 1/2in)
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Richard Patterson (b.1963) The Birth of Jan Digital pigment print in colours, 2013, signed in pencil, numbered from the edition of 50, sheet 285 x 210mm (11 1/4 x 8 1/4in)
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Grayson Perry (b.1960) A Show for Normal People (Signed) Offset lithograph printed in colours, 2021, signed and with drawing of Alan Measles in black ink, from the edition of unknown size, on wove paper, the full sheet printed to the edges, sheet 593 x 420mm (23 1/4 x 16 1/2in)
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Gerhard Richter (b.1932) Seestück (Bewölkt), 1969 Offset lithograph, 2023, from the edition of 500, published by Freunde Der Kunsthalle, Hamburg, on smooth wove paper, with full margins, sheet 700 x 700mm (27 1/2 x 27 1/2in)
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Gerhard Richter (b.1932) Tiger, 1965 Offset lithograph, 2023, from the edition of unknown size, published by Daco-Verlag, Stuttgart, on wove paper, with full margins, sheet 700 x 700mm (27 1/2 x 27 1/2in)
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Gerhard Richter (b.1932) Motorboat, 1965 Offset lithograph, 2023, from the edition of 500, published by Daco-Verlag, Stuttgart, on BFK Rives paper, the full sheet, sheet 700 x 700mm (27 1/2 x 27 1/2in)
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Gerhard Richter (b.1932) Küchenstuhl, 1965 Offset lithograph, 2023, from the edition of 500, published by Freunde Der Kunsthalle, Hamburg, on smooth wove paper, with full margins, sheet 600 x 800mm (23 5/8 x 31 1/2in)
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Gerhard Richter (b.1932) Abstraktes Bild, 1992 Offset lithograph in colours, 2023, from the edition of 500, published by Daco-Verlag, Stuttgart, on wove paper, the full sheet, sheet 700 x 700mm (27 1/2 x 27 1/2in)
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Ed Ruscha (b.1937) A Particular Kind of Heaven Offset lithograph printed in colours, 2018, from the open edition, published by De Young Museum, San Francisco, on wove paper, with full margins, sheet 610 x 910mm (24 x 35 3/4in)
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2,500 - 3,500 GBP
λ David Shrigley (b.1968) The World Lithograph printed in colours, 2019, signed and numbered from the edition of 125 in pencil verso , on wove paper, the full sheet printed to the edges, sheet 760 x 560mm (30 x 22in)
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λ David Shrigley (b.1968) From Colour & Text (I am Happy; I'm in the Midst of It; I Like Existing) Three offset lithographs printed in colours, 2022, from the edition of 250, printed by Narayana Press, published by Shrig Shop, Copenhagen, on wove paper, the full sheet printed to the edges, each sheet 700 x 500mm (27 5/8 x 19 3/4in) (3)
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1,500 - 2,000 GBP
λ David Shrigley (b.1968) Tiger Shit Screenprint in colours, 2021, initialled and dated in pencil verso , numbered from the edition of 125 verso , on Somerset wove paper, the full sheet printed to the edges, sheet 757 x 557mm (29 7/8 x 22in)
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λ David Shrigley (b.1968) Fruit and Vegetable Series: The Moment Has Arrived, You Win This Mushroom, They Were Too Long, If You Don't Like Tomatoes The full set of four offset lithographs printed in colours, 2021, from the open edition, on wove paper, with full margins, each sheet 800 x 600mm (31 1/2 x 23 5/8in)
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λ David Shrigley (b.1968) When Life Gives You a Lemon Offset lithograph in colours, 2021, from the open edition, printed by Narayana Press, Denmark, published by Shrig Shop, Copenhagen, on wove paper, the full sheet, sheet 800 x 600mm (31 1/2 x 23 5/8in)
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λ David Shrigley (b. 1968) Animals in Art The set of four offset lithographs printed in colours, 2020, from the open edition, printed by Narayana Press, Denmark, published by Shrig Shop, Copenhagen, on wove paper, with full margins, each sheet 800 x 600mm (31 1/2 x 23 5/8in)
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λ David Shrigley (b.1968) Ding Dong The Witch Is Dead Linocut, 2022, initialed and dated in pencil verso , numbered from the edition of 100 verso , published by Schaefer Grafik, Copenhagen, on wove paper, the full sheet printed to the edges, sheet 760 x 560mm (29 15/16 x 22 1/16).
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λ David Shrigley (b.1968) Get Your Shit Together Linocut, 2021, initialed and dated in pencil, and numbered from the edition of 100, published by Schaefer Grafik, Copenhagen, on wove paper, with full margins, sheet 570 x 440mm (22 7/16 x 17 5/16).
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λ David Shrigley (b.1968) Distractions Linocut printed in red, 2022, initialled and dated in pencil, numbered from the edition of 100, published by Schaefer Grafik, Copenhagen, on wove paper, the full sheet printed to the edges, sheet 520 x 380mm (20 1/2 x 14 15/16).
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1,500 - 2,500 GBP
λ David Shrigley (b.1968) Black Cats Everywhere Screenprint in colours, 2021, initialed and dated verso , numbered from the edition of 125 verso , published by Jealous Gallery, London, on wove paper, the full sheet printed to the edges, sheet 756 x 556mm (29 3/4 x 21 7/8in)
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David Shrigley (b.1968) I Endorse Everything Screenprint in colours, 2019, initialled and dated in pencil verso , numbered from the edition of 125 verso , printed and published by Jealous Gallery, London, on wove paper, the full sheet printed to the edges, sheet 750 x 560mm (29 1/2 x 22 1/16in)
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λ David Shrigley (b.1968) Make Your Mark Screenprint in colours with varnish overlay, 2020, signed and dated in pencil verso , numbered from the edition of 125 verso , published by Jealous Gallery, London, on Somerset paper, the full sheet printed to the edges, sheet 755 x 560mm (29 3/4 x 22in)
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λ David Shrigley (b.1968) Vibes Offset lithograph printed in colours, 2018, signed in black ink, from the edition of 250, published by The Big Issue, London, on thin wove paper, the full sheet printed to the edges, sheet 700 x 500mm (27 1/2 x 19 5/8in)
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λ Nick Smith (b.1980) Fame (Warhol Flowers) Giclée in colours, 2022, signed and dated in pencil, numbered from the edition of 66, published by Rhodes Contemporary Art, London, on wove paper, with full margins, sheet 620 x 600mm (24 1/2 x 23 5/8in)
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λ John Walker (b.1939) Passing Bells The incomplete portfolio, 1996, comprising twenty etchings, some with aquatint, each signed and dated in pencil, numbered from the edition of 20, published by Tyler Graphics, Ltd., New York, with their blindstamp, on wove paper, the sheets loose as issued, in the original etched boards, with full margins, each sheet 460 x 360mm (18 1/8 x 14 1/8in)
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You have been outbid!
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You have been outbid!
Another bidder has already bid this amount. For a chance of winning, increase your maximum bid.
You have won!
Congratulations!
You are the winning bidder on this lot.
You have lost!
Unfortunately you have missed out on this lot.
Unable to place your bid
Please refresh your page to see current lot status.
We're very sorry, but we were unable to process the Buy it now.
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Your bid has been declined
Your bid has been declined by the auctioneer, please contact customer services for more information.
Your bid is pending approval with the auctioneer
Please check your email account for more details.
You cannot Buy it now until you are approved to bid.
Please contact the auctioneer
Confirming your bid is a legally binding obligation to purchase and pay for the lot should your bid be successful.