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Dreweatts
Donnington Priory
Newbury, Berkshire
RG14 2JE
United Kingdom
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Please note: The auction will take place at Dreweatts Donnington Priory, but viewing is at Dreweatts Hambridge Lane. Viewing is by appointment only and as the works are not on display we ask that you specify the lots you are wanting to view in advance, to avoid delay. To book an appointment: email: pictures@dreweatts.com | tel: 44 (0) 1635 553 553. Collection is also from Dreweatts Hambridge Lane: 1 Hambridge Lane, Newbury, Berkshire RG14 5TU
Auction dates
Dec 12, 2024 10:30 AM GMT
Viewing dates
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Buyer's premium
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26 % (exc. Sales tax) |
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Featured lots
We found 52 items matching your search
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λ CECIL ARTHUR HUNT (BRITISH 1873-1965)
ROLLE PASSO, DOLOMITES, ITALY
Watercolour
Signed and titled (lower left)
23.5 x 37.5cm (9¼ x 14¾ in.)
Provenance:
Christopher Wood Art Gallery, London
Exhibited:
London, Royal Watercolour Society, Summer Exhibition , no. 185
This lot is from a deceased estate sold to benefit the Art Fund.
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Unexamined out of glazed frame. The watercolour presents no evident signs of restoration or retouching.
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λ CECIL ARTHUR HUNT (BRITISH 1873-1965)
THE RUIN OF THE LAKE
Watercolour
Signed (lower right)
31 x 38cm (12 x 14¾ in.)
Provenance:
Abbott & Holder, London
Chris Beetles Ltd, London
This lot is from a deceased estate sold to benefit the Art Fund.
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Unexamined out of glazed frame. Other than a few small dotted dirt stains, the watercolour presents no visible sings of restoration or damage.
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λ CECIL ARTHUR HUNT (BRITISH 1873-1965)
HIGHLAND, NEAR SKIPPEN, STIRLINGSHIRE
Watercolour
18 x 29cm (7 x 11¼ in.)
Provenance:
Chris Beetles Ltd, London
This lot is from a deceased estate sold to benefit the Art Fund.
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
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λ CECIL ARTHUR HUNT (BRITISH 1873 - 1965)
MOUNTAINOUS LANDSCAPE
Pencil and watercolour
23 x 29cm (9 x 11¼ in.)
Provenance:
David Ker Fine Art, London
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Some very light discolouration to the sheet. Some light undulation to the sheet under the glaze. Overall the work appears to be in good condition commensurate with age. Unexamined out of glazed frame.
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λ ROY HAMMOND (BRITISH B.1934)
BOATS FOR HIRE BY THE CHARLES BRIDGE PRAGUE
Watercolour
Signed and dated 1995 (lower right)
18 x 23cm (7 x 9 in.)
This lot is from a deceased estate sold to benefit the Art Fund.
Provenance:
Christ Beetles Ltd, London
Exhibited:
London, Christ Beetles , Roy Hammond , April 1997, no. 122
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
This lot is from a deceased's estate sold to benefit the Art Fund
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Unexamined out of glazed frame. A slight tear is present to the left border, and the paper does undulate. No evident signs or restoration or damage are visible.
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λ ROY HAMMOND (BRITISH B.1934)
THE ALBERT BRIDGE, THAMES
Watercolour
Signed and dated 98 (lower right)
19 x 24.5cm (7¼ x 9½ in.)
This lot is from a deceased estate sold to benefit the Art Fund.
Provenance:
Chris Beetles Ltd, London
Exhibited:
London, Chris Beetles , Roy Hammond's Travels, November 1998, no. 46
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Unexamined out of glazed frame. The watercolour does not present any evident sings of restoration or damage.
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λ TEDDY MILLINGTON-DRAKE (BRITISH 1932-1994)
ESTE
Watercolour and ink
Signed, titled and dated 1903 (lower right)
31.5 x 45.5cm (12¼ x 17¾ in.)
Measurements do not include the frame unless specified.
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λ JOHN DOYLE (BRITISH B. 1928)
VENICE, ACROSS THE WATER
Watercolour and pencil
Signed and dated 1975 (lower right)
27 x 43cm (10½ x 16¾ in.)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Unexamined out of glazed frame. Slight discolouration throughout. Some surface skinning to the lower left of the image.
Please note Dreweatts are not liable for damage to frames or mounts.
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λ WILLIAM GEAR (BRITISH 1915-1997)
PINK FIGURES
Gouache, watercolour, pencil and wax
Signed and dated 47 (lower left)
27 x 49.5cm (10½ x 19¼ in.)
Provenance:
Waterman, London
Sale, Christie's, 20th Century British Art , 10 October 2012, lot 328
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Unexamined out of glazed frame. No obvious condition issues. Appears to be in good original condition.
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λ JOHN O'CONNER (BRITISH 1913-2004)
APPLE ORCHARD
Gouache, watercolour and ink
Signed (lower centre and lower left, to tree trunk)
35.5 x 37cm (13¾ x 14½ in.)
Drawn circa 1950's
Measurements do not include the frame unless specified.
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HERCULES BRABAZON BRABAZON (BRITISH 1821-1906)
AFTER VELAZQUEZ, DON BALTHAZAR CARLOS ON HORSEBACK
Watercolour
28 x 19cm (11 x 7¼ in.)
Measurements do not include the frame unless specified.
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Quantity
1
Max bid
GBP
Estimate
1,200 - 1,800 GBP
λ MILDRED ELDRIDGE (BRITISH 1909-1991)
THREE ANIMAL STUDIES OF A CIRL BUNTING, SISKIN, REDPOOL, AND MICE
Watercolour
23.5 x 18cm (9¼ x 7 in.); Two 19 x 20cm (7¼ x 7¾ in.) (3)
Provenance:
R.W.S. Galleries, London
Royal Society of Painters (for the bird studies) in Watercolours, London (for the mice study)
Measurements do not include the frame unless specified.
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CHARLES WHYMPER (BRITISH 1853-1941)
DEMOISELLE CRANE
Watercolour
Signed (lower left)
35 x 28.5cm (13¾ x 11 in.)
Provenance:
The Wykeham Galleries
This lot is from a deceased estate sold to benefit the Art Fund
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Unexamined out of glazed frame. The watercolour presents no evident sings of damage or restoration.
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λ RICHARD ROBJENT (BRITISH B.1937)
MANDARIN DUCKS
Watercolour
Signed (lower right)
76 x 50cm (29¾ x 19½ in.)
Together with a watercolour of redwings by Phillip Rickman (foxed).
Measurements do not include the frame unless specified.
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λ BASIL EDE (BRITISH 1931-2016)
BULLFINCHES IN BLOSSOM
Watercolour and gouache
Signed and dated 1957 (lower right)
25.5 x 36.5cm (10 x 14¼ in.)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
The work appears to be in good original condition. Unexamined out of glazed frame.
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ROBERT THORPE WAITE (BRITISH 1842 - 1935)
AT ONE START, LEWES RACES
Watercolour
Signed (lower right)
34 x 51.5cm (13¼ x 20¼ in.)
Provenance:
Abbott & Holder, London
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Unexamined out of glazed frame. Some light discoloration to the sky. Otherwise appears to be in good original condition.
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ANTHONY VANDYKE COPLEY FIELDING (BRITISH 1787-1855)
SHIPPING IN A SWELL
Watercolour
35 x 50cm (13¾ x 19½ in.)
Measurements do not include the frame unless specified.
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T. WILLIAMS (19TH CENTURY)
PERSIA OF LIVERPOOL
Watercolour and bodycolour
Signed and dated '1883' (lower left); further inscribed 'Persia of Liverpool/ REG. TONNAGE - 973/ D. Jones, Commander. / Entering Table Bay, Cape of Good Hope' (upper left)
33 x 50.5cm (12 x 19¾ in.)
Measurements do not include the frame unless specified.
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R. ELLIS (20TH CENTURY)
LOW TIDE
Pen, ink and watercolour
Signed (lower left)
17 x 30cm (6½ x 11¾ in.)
This lot is from a deceased estate sold to benefit the Art Fund.
Measurements do not include the frame unless specified.
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AUGUSTE ALEXANDRE GUILLAUMOT (FRENCH 1815-1892)
PALACE OF MARLY
Pencil, watercolour and bodycolour
Signed and titled (lower right)
33.5 x 21cm (13 x 8¼ in.)
Measurements do not include the frame unless specified.
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119
λ SYDNEY ARROBUS (BRITISH 1901-1990)
TRUSTEE SAVINGS BANK, 68 GOSWELL ROAD
Pen, ink, and watercolour
Signed (lower right), inscribed and dated July 1961 (lower left)
40 x 44cm (15½ x 17¼ in.)
Unframed
Together with three similar street scenes by the same hand, the largest 41 x 56cm, all unframed (4)
Condition Report:
The works are generally in good condition. One of the sheets has been laid down, and the two further additional sheets with brown tape around the framing edges. Light wear and rubbing to the extreme edges commensurate with handling and age. Some very light discolouration and undulation to each sheet.
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ENGLISH SCHOOL (LATE 19TH CENTURY)
PORTRAIT OF A LADY, IN PROFILE
Watercolour
18 x 15.5cm (7 x 6 in.)
This lot is from a deceased estate sold to benefit the Art Fund.
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Unexamined out of glazed frame. The picture presents a layer of dirt and scattered stains. The colours as well appear to have faded.
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ENGLISH SCHOOL (LATE 19TH CENTURY)
PORTRAIT OF A CHILD HOLDING CHERRIES AND A BASKET
Watercolour
17 x 11.5cm (6½ x 4½ in.)
This lot is from a deceased estate sold to benefit the Art Fund.
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Unexamined out glazed frame. The watercolour presents various dirt stains in the background, as well as a few yellowed stains on the dress and sleave.
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ENGLISH SCHOOL (20TH CENTURY)
PORTRAIT OF A GENTLEMAN IN HIS STUDIO
Watercolour and bodycolour
18.5 x 15.5cm (7¼ x 6 in.)
This lot is from a deceased estate sold to benefit the Art Fund.
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Unexamined out of glazed frame. The watercolour presents no visible sings of restoration or damage. However, the flesh colours of the visage might have faded slightly.
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SAMUEL DE WILDE (DUTCH 1751-1832)
ANDREW CHERRY IN CHARACTER
Pencil and watercolour
Signed and dated '1805' (lower left)
35.5 x 19cm (13¾ x 7¼ in.)
Please note measurements do not include the frames
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ATTRIBUTED TO UMBERTO BRUNELLESCHI (ITALIAN 1879-1949)
COSTUME DESIGN
Watercolour, pencil
Signed (lower right),
33.5 x 22.6cm (13 x 8¾ in.)
Measurements do not include the frame unless specified.
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KYOHEI INUKAI (JAPANESE/AMERICAN 1913-1985)
SELF PORTRAIT
Watercolour
Signed (lower right)
27 x 20.5cm (10½ x 8 in.)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Unexamined out of glazed frame. Light handling creases and some discolouration throughout the sheet. Otherwise appears to be in good original condition.
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AURELIA DELLA CORTA SZVATEK (19TH/20TH CENTURY)
TWO WOMEN, HEAD STUDIES
Watercolour
Signed (lower right)
38 x 48.5cm (14¾ x 19 in.)
Measurements do not include the frame unless specified.
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AFTER SIR JOSHUA REYNOLDS
A CHILD'S PORTRAIT IN DIFFERENT VIEWS: ANGELS HEADS
Watercolour
56 x 45cm (22 x 17½ in.)
After the original work now in Tate Britain, London.
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
There is some discolouration to the sheet as well as some staining to the framing edges. Some light surface scratches scattered throughout. One or two spots of brown foxing. Light undulation to the sheet under the glaze. Unexamined out of glazed frame.
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ROBERT HILLS (BRITISH 1769 -1844)
HAYMAKING
Watercolour
Signed and dated '1826' (lower left)
38 x 28cm (14¾ x 11 in.)
Provenance:
Mrs. Alexander Russell
Sale, Christie's, 1 November 1966, lot 53
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Unexamined out of glazed frame. A slight dirt surface is visible, most evident in the section of the sky. The colours appear to have dimmed, nevertheless, no evident signs of restoration or damage are visible.
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BRITISH SCHOOL (19TH CENTURY)
VIEW OF A MOUNTAIN RAVINE
Watercolour
42 x 28cm (16½ x 11 in.)
Provenance:
David Ker Fine Art, London
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Some light discolouration to the sheet, including staining to the framing edges, and some light scattered spots of foxing. Generally the colours are good however. Unexamined out of glazed frame.
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ELIJAH WALTON (BRITISH 1833-1880)
MONTE ANTELAO, SOUTH TYROL
Watercolour with white heightening
17 x 12cm (6½ x 4½ in.)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Some light discolouration to the sheet, particularly at the framing edges. This is barely noticeable however. Overall the work appears to be in good condition commensurate with age. Unexamined out of glazed frame.
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JOHN VARLEY (BRITISH 1778-1842)
VIEW OF SNOWDON
Watercolour
Signed and dated 1837 (lower right)
18.5 x 26.5cm (7¼ x 10¼ in.)
Provenance:
Abbey Antiques and Arts, St. Albans
Measurements do not include the frame unless specified.
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BRITISH SCHOOL (19TH CENTURY)
MOUNTAINOUS LANDSCAPE, TRADITIONALLY IDENTIFIED AS THE DENT DE MIDI
Watercolour
26 x 43cm (10 x 16¾ in.)
Provenance:
William Drummond, London
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
The sheet has been laid down to the mount. Some light discolouration especially to the framing edges. Colours are a little down. Some light spots of brown foxing to the sky, but these are few, and barely noticeable. A very small loss to the lower right corner edge. Unexamined out of glazed frame.
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JOHN DIBBLEE CRACE (BRITISH 1838-1919) MONT BLANC Pencil and watercolour Inscribed with title and dated 1862 (lower left); further titled to supporting sheet (lower right) Sheet: 12 x 17cm (4½ x 6½ in.)
Provenance: David Ker Fine Art, London
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: The sheet has been laid down. The colours are a little down. Some very light scattered spots of foxing, largely isolated to the upper right quadrant, and these are not particularly noticeable. Some discolouration to the supporting sheet, including two lighter shadows/patches along the upper edge (probably from a previous hinge mount) - this translates ever so slightly to the actual sheet but it is hardly noticeable (see online image). Undulation to the sheet out of the glazed frame. Unexamined out of glazed frame.
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AFTER JOHN CHRISTIAN SCHETKY
VIEWS ON SCOTTISH ISLANDS
Watercolour
Each approx. 25 x 35cm (9¾ x 13¾ in.) (12)
Provenance:
The collection from Trethill House, Cornwall
Measurements do not include the frame unless specified.
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ALBERT GOODWIN (BRITISH 1845-1932)
LANDSCAPE
Watercolour
Signed with monogram and dated 65 (lower left)
10 x 25cm (3¾ x 9¾ in.)
This lot is from a deceased estate sold to benefit the Art Fund.
Provenance:
Chris Beetles, London
Exhibited:
London, Chris Beetles, The Albert Goodwin Exhibition, 7th May-7th June 1996, No.7
This lot is from a deceased estate sold to benefit the Art Fund.
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
The colours are good. Discolouration to the sheet, most notably to the sky. The work has apparently been previously hinge mounted along the upper edge and there are two rectangular marks (approx. 2.5cm each) where the tape has been removed (visible in catalogue and online illustrations). Some light undulation to the sheet under the glaze. Unexamined out of glazed fame.
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ATTRIBUTED TO SAMUEL GILLIESPIE PROUT (BRITISH 1822-1911)
THE OLD WATERMILL
Watercolour
32 x 46.5cm (12½ x 18¼ in.)
This lot is from a deceased estate sold to benefit the Art Fund.
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Unexamined out of glazed frame. The watercolour presents no visible signs of restoration or damage.
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PIERRE ERNEST PRINS (FRENCH 1838-1913)
LE HAMEAU EN SEINE-ET-OISE
Pastel and watercolour
Signed (lower left)
25 x 33cm (9¾ x 12 in.)
Executed in 1900.
Provenance:
Madden Galleries, London
Private Collection, London (acquired from the above in 1966)
Thence by descent to the late owner
Literature:
Pierre-Edouard Prins, L'Association des Amis de Pierre Prins, Catalogue general de l'ouevre de Pierre Prins 1838-1913 , 1993, p. 128, illus., cat. no. 1014
Measurements do not include the frame unless specified.
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ENGLISH SCHOOL (19TH CENTURY)
VIEW OF MALVERN FROM LEDBURY ROAD
Pencil, ink, and watercolour
12 x 21.5cm (4½ x 8¼ in.)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Very light discolouration to the sheet. The colours are a little down, but generally good. There is some surface dirt in the upper right quadrant (see online images). Some light staining to the framing edges. Unexamined out of glazed frame.
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JAMES FRANCIS DANBY (BRITISH 1793-1861)
FIGURE CROSSING A BRIDGE BY A WATERMILL
Pencil, ink and watercolour
19 x 30cm (7¼ x 11¾ in.)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
The colours are a little faded, and there is some discolouration throughout the sheet. Light undulation to the framing edges. Unexamined out of frame.
Please note Dreweatts is not responsible for damage to frames
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PAUL SANDBY (BRITISH 1731-1809)
VIEW FROM BISHOPGATE
Watercolour and pen heightened with white
11 x 48cm (4¼ x 18¾ in.)
Provenance:
William Sandby, the artist's grandson
Sabin Galleries, London
Measurements do not include the frame unless specified.
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BRITISH SCHOOL (19TH CENTURY)
THE LONDON CUSTOM'S HOUSE
Ink and watercolour
Inscribed Custom House (lower right)
18.5 x 27cm (7¼ x 10½ in.)
Drawn circa 1830.
Provenance:
Abboott & Holder, London
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
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WILLIAM RAMSEY (BRITISH 19TH/20TH CENTURY)
HARBOUR VIEW
Watercolour
Signed (lower right)
51 x 90cm (20 x 35¼ in.)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
The colours are a little down, and there is some fading and discolouration to the sheet. One or two minor spots of surface dirt throughout. Unexamined out of glazed frame.
Please note Dreweatts is not liable for damage to frames.
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FREDERICK EDWARD JOSEPH GOFF (BRITISH 1855-1931)
WESTMINSTER, VIEW FROM THE THAMES
Watercolour and pencil
Signed and titled Westminster (lower right)
17.5 x 25cm (6¾ x 9¾ in.)
Provenance:
Abbey Antiques and Arts, Hemel Hempstead
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
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HENRY THOMAS ALKEN (BRITISH 1784-1851)
PERSIAN HORSEMEN
Pencil and watercolour
Signed (lower right)
21 x 33cm (8¼ x 12 in.)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
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SARAH FRANCES KELLY (BRITISH 19TH CENTURY)
DINNER IN AN IRISH CABIN
Pencil and watercolour
Signed and dated 1827 (lower left); titled (lower right)
9.5 x 15cm (3½ x 5¾ in.)
This lot is from a deceased estate sold to benefit the Art Fund.
Provenance:
The Molesworth Antiques Gallery, Dublin
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
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BRITISH SCHOOL (19TH CENTURY)
TWO SHEPHERD BOYS ON A HILLSIDE WITH A FLOCK OF SHEEP
Pen, ink, and watercolour
16 x 12cm (6¼ x 4½ in.)
Provenance:
William Drummond, London (sold as by William Watch, circa 1840)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
The sheet has been laid down. There is a small white blemish to the centre of the sheet - possibly an area of previous restoration. Otherwise the work appears to be in good condition commensurate with age. Unexamined out of glazed frame.
Condition Report Disclaimer
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FRANK BARNARD (BRITISH FL. 1871 - 1883)
THE RAISING OF THE LIGHT
Watercolour, pencil and white heightening
Signed (lower left)
36 x 57cm (14 x 22¼ in.)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Some areas of discolouration to the sheet but overall the colours are good. There is a very small white blemish to the upper right framing edge (approx. 4mm). Light undulation to the sheet under the glazed frame. Overall the work appears to be in good condition commensurate with age.
Unexamined out of glazed frame.
Dreweatts is not liable to damage to frames.
Condition Report Disclaimer
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λ JOHN SWANNELL (BRITISH B. 1946)
FINE LINES PLATE 33
Giclée print on paper
Signed in pencil and numbered 4/30AP (aside from the edition of 295)
Image: 40 x 50cm (15½ x 19½ in.)
Together with a certificate of authenticity signed by the artist.
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
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λ DOUGLAS SWAN (AMERICAN/BRITISH 1935-2000)
LOBSTER POTS AT THE HARBOUR
Gouache, ink and watercolour
Signed and dated 52 (lower right)
37 x 56cm (14½ x 22 in.)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Unexamined out of glazed frame. Appears to be in good original condition.
Condition Report Disclaimer
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λ BARRY NEWIS (BRITISH 1939-2017)
STUDY, ROAD UNDER CONSTRUCTIONS NEAR MELTON CONSTABLE STATION, WINTER 1969
Gouache
38 x 56cm (14¾ x 22 in.)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
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