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SW8 3NS
United Kingdom
Modern & Contemporary Art and Editions (at Forum Auctions)
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Auction dates
05 Feb 2025 13:00 GMT
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There are 221 lots within this auction
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λ Pure Evil (b.1968) Coca-Cola Bottle JFK Spraypaint on vintage signage, 2017, signed, dated and inscribed ‘Venice Beach’ in black ink verso , overall 310mm diameter (12 1/4in)
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λ Jamie Reid (1947-2023) This Store Welcomes Shoplifters Screenprint in colours, circa 1977, signed in black ink, numbered from the edition of 100, sheet 300 x 795mm (11 3/4 x 31 1/4in)
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λ SNIK (20th century) Liar (Unique) Stencil and acrylic on paper, circa 2021, signed and titled in black biro on the accompanying certificate of authenticity, in the artist's specified frame, overall 345 x 470mm (13 1/3 x 18 1/2in)
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λ STIK (b.1979) Holding Hands (Red, Orange, Yellow, Blue & Teal) (unsigned) The set of five offset lithographs printed in colours, 2020, all on wove paper, with full margins, each sheet 500 x 500mm (19 5/8 x 19 5/8in).
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λ STIK (b.1979) Standing Figure (Grey) Offset lithograph printed in colours, 2015, on wove paper, accompanied by the book 'STIK' (Korean edition), the full sheet, sheet 755 x 239mm (29 3/4 x 9 1/2in)
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Stan Lee (1922-2018) Star Wars #23 - Flight Into Fury! Giclée in colours, 2015, signed in pencil, numbered from the edition of 295, published by Washington Green Fine Art, Birmingham, in association with Aaron Fine Arts, Paris and CC/Marvel Fine Art, New York, and with the accompanying certificate of authenticity, on wove paper, with full margins, image 610 x 420mm (24 x 16 1/2in)
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Stan Lee (1922-2018) Marvel Superheroes (Set of Six) The complete portfolio, 2016, comprising six giclée prints in colours, each signed in pencil, each numbered from the edition of 295, published by Washington Green Fine Art, Birmingham, in association with Aaron Fine Arts, Paris and CC/Marvel Fine Art, New York, on wove paper, each the full sheet 765 x 560mm (30 1/8 x 22in) (6) Includes: The Invincible Iron Man #1; Captain America #193 - Madbomb; Wolverine #1; The Incredible Hulk #82; The Amazing Spider-Man #40 - Spidey Saves the Day; The Amazing Spider-Man - Escape Impossible. Sold with the accompanying certificates of authenticity apart from 'The Amazing Spider-Man - Escape Impossible'.
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Stan Lee (1922-2018) Star Wars (Set of Six) The complete portfolio, 2016, comprising six giclée prints in colours, each signed in pencil, each numbered from the edition of 295, published by Washington Green Fine Art, Birmingham, in association with Aaron Fine Arts, Paris and CC/Marvel Fine Art, New York, and with the accompanying certificates of authenticity, on wove paper, each the full sheet 765 x 560mm (30 1/8 x 22in) (6) Includes: Star Wars #44 - The Empire Strikes Back - Duel a Dark Lord!; Star Wars #23 - Flight Into Fury!; Star Wars #52 - To Take the Tarkin; Star Wars #4 - In Battle With Darth Vader; Star Wars #68 - The Search Begins; Star Wars #41 - The Empires Strikes Back - Imperial Pursuit!.
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1
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Estimate
1,500 - 2,000 GBP
Stan Lee (1922-2018) Marvel Superheroes: Mighty Avengers, The Incredible Hulk and The Amazing Spider-Man (Set of 12) The complete box set, 2013, comprising 12 giclée prints in colours, each signed in pencil, each numbered from the edition of 295, published by Washington Green Fine Art, Birmingham, in association with Aaron Fine Arts, Paris and CC/Marvel Fine Art, New York, and with the accompanying certificates of authenticity, on wove paper, each the full sheet 765 x 560mm (30 1/8 x 22in) (6)
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20 th century Cigarettes Alba Lithograph printed in colours, 1930s, printed by O De Rycker, Brussels, on linen-backed wove paper, sheet 1160 x 780mm (45 3/4 x 30 3/4in)
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λ Paul Colin (1892-1985) Cie. Gle. Transatlantique French Line. Atlantique - Pacifique - Méditerranée Lithograph printed in colours, circa 1950, published by Editions Transatlantique, Paris, on wove paper, the full sheet printed to the edges, sheet 1000 x 610mm (39 3/8 x 24in)
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λ Henri Matisse (1869-1954) after. Nice, Travail et Joie Lithograph printed in colours, 1947, printed by L'Atelier Mourlot, Paris, on wove paper, with full margins, sheet 1000 x 640mm (39 1/4 x 25 1/4in)
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λ Thurston Hopkins (1913-2014) La Dolce Vita, Knightsbridge, London Gelatin silver print, 1953, printed later, signed in black ink, on photo paper, with full margins, image 204 x 280mm (8 x 11 in); sheet 305 x 385mm (12 x 15 1/8in)
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λ Cornel Lucas (1920-2012) Oscar Award-Winning Cameramen on Rock Silver gelatin print, 1948, printed later, signed and inscribed 'London' in gold ink, on photo paper laid on card, with the photographer's copyright credit reproduction limitation stamp verso , sheet 610 x 505mm (24 x 19 7/8in)
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λ Cornel Lucas (1920-2012) Newsreel Cameramen Silver gelatin print, 1952, printed later, signed and inscribed 'London' in gold ink, on photo paper laid on card, with the photographer's copyright credit reproduction limitation stamp verso , sheet 505 x 610mm (19 7/8 x 24in)
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λ Cornel Lucas (1920-2012) Bob Hope Silver gelatin print, 1956, printed later, signed and inscribed 'London' in gold ink, on photo paper laid on card, with the photographer's copyright credit reproduction limitation stamp verso , sheet 610 x 505mm (24 x 19 7/8in)
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λ Edwin Smith (1912-1971) Telephone and others Six gelatin silver prints, circa 1950s, on photo paper laid down, largest 610 x 430mm (24 x 17in)
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λ Cecilia Green (20th century) Dubai as it used to be Three c-types, 1978, one signed and dated in black ink, each 200 x 150mm (8 x 6in)
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Julian Broad (b.1964) Photographs from The Crown, Season 2 (In the style of Anthony Armstrong-Jones) Four c-type prints, circa 2016, largest 600 x 830mm (23 5/8 x 32 5/8in) Provenance: Bonhams, The Crown Auction, 7 Feb 2024, lot 270
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λ Imre Kinszki (1901-45) Self-Portrait in Reflection of Car Headlight Gelatin silver print , circa 1930, printed in the 1950s, photographer’s stamp verso , on photo paper, the full sheet printed to the edges, sheet 225 x 168mm (8 3/4 x 6 1/2in)
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Kozo Haramoto (1921-1994) White Cut-outs on Stone Gelatin silver print, circa 1950, printer later, on photo paper, with full margins, sheet 155 x 230mm (6 x 9in) Provenance: Estate of Kozo Haramoto
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Kenneth Josephson (b.1932) Chicago, 1964 Gelatin silver print, 1964, signed, titled and dated in pencil verso , on photo paper, the full sheet printed to the edges, sheet 110 x 160mm (4 1/4 x 6 1/14in)
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λ Mario Giacomelli (1925-2000) Io non ho mani che mi accarezzino il volto Gelatin silver print, 1961-63, printed later, signed in pencil verso , with the photographer’s ink stamp verso , on photo paper, the full sheet printed to the edges, sheet 300 x 395mm (11 3/4 x 15 1/2in)
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84
λ Salvador Dalí (1904-1989) L'Immortalité, from Alchimie des Philosophes (Field 75-12D; M&L 839a) Lithograph and screenprint in colours with drypoint and etching, 1975, signed in black felt tip ink, numbered from the edition of 225, printed by Viglino/Arts Litho/CAZA, published by Art et Valeur, Paris, on vellum, the full sheet printed to near the edges, sheet 772 x 575mm (30 3/8 x 22 5/8in)
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λ Salvador Dalí (1904-1989) Reflection, from The Cycles of Life (Field 79-1C; M&L 929f) Etching with photolithograph printed in colours, 1977-1979, signed in pencil, numbered from the Grafos Verlag edition of 125, printed by Torrents, published by Duall Graphics for DALART, New York, with the DALART blindstamp, on BFK Rives wove paper, the sheet trimmed, sheet 375 x 555mm (14 3/4 x 21 7/8in)
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86
Salvador Dalí (1904-1989) Venus et le Joueur d'orgue, from Suite Mythologique Nouvelle (Field 71-8E; M&L 484c) Drypoint with etching and pochoir printed in colours, 1971, signed and inscribed 'EA' in pencil, aside from the edition of 50 in roman numerals, printed by Ateliers Rigal, published by Vision Nouvelle, on Richard de Bas Auvergne paper, with full margins, sheet 587 x 790mm (23 1/8 x 31 1/8in)
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λ Salvador Dalí (1904-1989) Le Jugement de Paris, from Suite Mythologique Nouvelle (Field 71-8F; M&L 485a) Drypoint with etching and pochoir in colours, 1971, signed and inscribed 'EA' in pencil, aside from the edition of 150, printed by Ateliers Rigal, published by Vision Nouvelle, on BFK Rives wove paper, with full margins, sheet 755 x 565mm (29 3/4 x 22 1/4in)
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λ Darren Almond (b.1971) Minus 60000 Two gelatin silver prints, 2006, each signed in black ink verso , each numbered from the edition of 40 verso , published by Carolina Nitsch, New York, on photographic paper, each sheet 1016 x 762mm (40 x 30in) (2)
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Various Artists Six prints from the Royal College of Art Artist's Choice Portfolio Six prints in various media, 1987, each signed and inscribed 'AP' in pencil, artist proof impressions aside from the edition of 48, printed and published by the Royal College of Art, London, with the title and justification pages, on wove paper, the full sheets, each sheet 305 x 305mm (12 x 12in) To include: Michael Vaughan 'Death and the Maiden'; Andrew Stahl 'Night Angel'; John Hewitt 'Big Race Winner'; David Tindle 'Four Seasons'; Leonard Rosoman 'Ship Series- Man Blown in the Wind'; Ruskin Spear 'Out for the Count'
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λ Peter Blake (b.1932) Homage to Joseph Cornell Screenprint in colours, 1996, signed in pencil, numbered from the edition of 250, printed by Coriander Studio, published by The Big Art Issue, with their blindstamp, on wove paper with full margins, sheet 635 x 508mm (25 x 20in)
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λ Peter Blake (b.1932) Kandy Screenprint in colours, circa 2020, signed in pencil, numbered from the edition of 175, on wove paper, with full margins, sheet 805 x 580mm (31 11/16 x 22 13/16in)
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λ Peter Blake (b.1932) Studio Tack Board Offset lithograph printed in colours, 1972, signed and inscribed ‘A/P’ in pencil, an artist’s proof aside from the edition of 100, as included in '14 BIG Prints', printed by Advanced Graphics, London, published by Bernard Jacobson Gallery, London, on wove paper, the full sheet printed to the edges, sheet 955 x 1368mm (37 5/8 x 53 7/8in)
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λ Peter Blake (b.1932) Untitled, from Homage to Rauschenberg Screenprint in colours with gold leaf, diamond dust, embossing and glaze embellishments, 2011, signed in pencil, numbered from the edition of 125, published by CCA Galleries, London, with their blindstamp, on wove paper, with full margins, sheet 860 x 700mm (34 x 27 1/2in)
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λ Peter Blake (b.1932) Untitled, from Homage to Rauschenberg Screenprint in colours with gold leaf, diamond dust, embossing and glaze embellishments, 2011, signed in pencil, numbered from the edition of 125, published by CCA Galleries, London, with their blindstamp, on wove paper, with full margins, sheet 860 x 700mm (34 x 27 1/2in)
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λ Peter Blake (b.1932) Untitled, from Madonna on Venice Beach Screenprint in colours, 1996, signed in pencil, numbered from the edition of 100, on wove paper, with full margins, sheet 395 x 440mm (15 1/2 x 17 1/4in)
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λ Peter Blake (b.1932) Appropriated Alphabets 11 Screenprint in colours, 2013, signed in pencil, numbered from the edition of 100, printed by Coriander Studio, published by CCA Galleries, London, on wove paper, with full margins, sheet 455 x 461mm (17 7/8 x 18 1/8in)
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Estimate
2,000 - 2,500 GBP
λ Louise Bourgeois (1911-2010) Metamorfosis (MoMA 494B) Etching, 1999, signed in pencil, numbered from the edition of 25, published by Galerie Lelong, Paris, on BFK Rives wove paper, with full margins, sheet 420 x 380mm (16 1/2 x 15in) Provenance: Sotheby's, New York, 23/04/2021, lot 146
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λ Tony Briggs (b.1967)
Kate Moss Lenticular, from Kate Moss for FACE Magazine, 1992
Lenticular print in colours, 2007, from the edition of 25, the full sheet printed to the edges, sheet 420 x 395mm (16 1/2 x 15 1/2in)
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λ Margaret Calvert (b.1936) Help Screenprint in colours, 2020, signed in pencil, numbered from the edition of 125, on wove paper, the full sheet printed to the edges, 750 x 550mm (29 1/2 x 21 3/4in)
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λ Bernard Cheese (1925-2013) Village in Provence Lithograph printed in colours, 1988, signed in pencil, numbered from the edition of 50, on wove paper, with full margins, sheet 560 x 400mm (22 x 15 3/4in)
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Herbert Dicksee (1862-1942) Lion Watering; Shepherd Two engravings, on wove paper, with full margins, largest sheet 195 x 270mm (7 1/4 x 10 1/2in) (2)
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λ Billy Connolly (b.1942) Wearing The Ring Digital pigment print, 2021, signed in pencil, numbered from the edition of 295, published by Washington Green, Birmingham, with their certificate of authenticity, on Arches paper, with full margins, sheet 760 x 550mm (30 x 21 3/4in)
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Estimate
2,000 - 3,000 GBP
λ Michael Craig-Martin (b.1941) Book The book, 1997, comprising ten double-page screenprints in colours and the separate copy of one of the double-page images, both signed and dated in pencil, numbered from the edition of 150, printed by Advanced Graphics, published by Alan Cristea Gallery, London, on Somerset wove paper, the full sheets bound as issued within the original grey cloth portfolio box, each sheet overall 330 x 1085mm (12 7/8 x 42 3/4in)
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λ Jeremy Deller (b.1966) I Love Patrick Caulfield Screenprint in colours on Perspex, 2010, numbered from the edition of 100 verso , overall 300 x 300mm (12 x 12in)
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λ Peter Doig (b.1959) Brixton Ritzy Digital pigment print in colours, 2023, signed in white pencil, numbered from the edition of 150, published by Paul Stolper Gallery, London, on photo rag wove paper, the full sheet printed to the edges, sheet 1015 x 7150mm (40 x 28 1/4in)
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Bob Dylan (b.1941) Mondo Scripto Lithograph, 2018, signed in pencil, numbered from the edition of 4950, co-published by Washington Green Fine Art, Birmingham, and Black Buffalo Artworks, with their accompanying certificate of authenticity, together with the Mondo Scripto book, in the original grey portfolio box, with margins, sheet 372 x 486mm (14 5/8 x 19 1/8in)
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Estimate
1,200 - 1,800 GBP
Bob Dylan (b.1941)
Dad's Restaurant, from The Drawn Blank Series
Digital pigment print in colours, 2010, signed in pencil, numbered from the edition of 295, published by Washington Green Fine Art, Birmingham, on Hahnemühle 350gsm Museum Etching wove paper, with full margins, sheet 700 x 560mm (27 1/2 x 22in)
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Estimate
1,000 - 1,500 GBP
Bob Dylan (b.1941)
Cityscape
Digital pigment print in colours, 2014, signed in pencil, numbered from the edition of 295, printed by Washington Green, Birmingham, printed GTZ Fine Art Editions, New York, on wove paper, with full margins, sheet 610 x 460mm (24 x 18in)
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1,200 - 1,800 GBP
Bob Dylan (b.1941)
Sunflowers
Digital pigment print in colours, 2014, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, on wove paper, with full margins, sheet 825 x 595mm (32 1/2 x 23 1/2in)
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2,500 - 3,500 GBP
Bob Dylan (b.1941)
Train Tracks (Red)
Digital pigment print in colours, 2014, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, on wove paper, with full margins, sheet 830 x 600 mm (31 3/4 x 23 1/2in)
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λ Eileen Cooper (b.1953) Nudes by a Pool Brush and ink with watercolour and collage on paper, 2010, signed and dated in pencil, the full sheet 290 x 375mm (11 1/2 x 14 3/4in)
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λ Tracey Emin (b.1962) The News Is I Love You Offset lithograph on paper napkin, 2021, from the edition of 300, published by Air Mail, New York, on the occasion of Frieze London 2021, with the accompanying postcard, framed as a pair, overall size 345 x 265mm (13 1/2 x 10 3/8in)
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λ Tracey Emin (b.1963) Love is What You Want II Etching, 2011, signed, titled and dated in pencil, numbered from the edition of 200, on wove paper, with full margins, sheet 380 x 360mm (15 x 14 1/8in)
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λ Tracey Emin (b.1963) Be Faithful To Your Dreams Embroidered cotton handkerchief, 1999, published by Momart, London, within the original plastic packaging, overall 406 x 406mm (16 x 16in)
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Glen Fox (b.1992) Muddled Black ink on canvas laid on board, 2021, signed and dated in black ink, overall 950 x 720mm (37 3/8 x 28 3/8in)
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λ Barry Flanagan (1941-2009) Black ad 70 Offset extensively hand-finished with ballpoint pen, pencil, and black transfer tape, 1970, signed and titled in pencil, numbered from the edition of 35, on wove paper, with full margins, sheet 360 x 290mm (14 1/4 x 11 3/8in) Provenance: Ex coll. Waddington Galleries, London. Note: In 1970, Barry Flanagan included an advert in the publication, Studio International, which read: 'This advertisement will be blacked out for a fee of £2.25 n.p [inc. return post] barry flanagan 8 cliff road london n.w.1.' The artist did not receive a response from readers, and created this edition of 35 using the original concept.
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λ Terry Frost (1915-2003) Scammel, Banbury (Kemp 31) The rare etching with charcoal additions, 1964-68, signed and titled in pencil, inscribed 'A/P + charcoal', there was no standard edition, exists as an addition of perhaps 20 or 30 artist's proofs, printed by the artist, Banbury, on wove paper, with full margins, sheet 385 x 300mm (15 1/8 x 11 3/4in)
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λ Terry Frost (1915-2003) Nobody eats Oranges under the Full Moon (Kemp 131) Lithograph printed in colours with aquatint, 1991, signed and dated in pencil, numbered from the edition of 25, printed by Hugh Stoneman and Alan Cox, London, published by the artist, Newlyn, on wove paper, with full margins, sheet 765 x 570mm (30 x 22 1/4in)
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Estimate
1,000 - 1,500 GBP
λ Terry Frost (1915-2003) Spring Spiral (Kemp 141) Screenprint in colours, 1995, signed, dated and inscribed ‘A/P III/XII’, an artist’s proof aside from the edition of 125, printed by Coriander Studio, London, published by Coriander Studio and Flower Graphics, London, on Arches paper, with full margins, sheet 877 x 865mm (34 1/2 x 34in)
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λ Terry Frost (1915-2003) Untitled Etching with aquatint, 1997, signed, dated and inscribed ‘Trial Proof’ in pencil, there was no edition, on wove paper, with full margins, sheet 480 x 456mm (19 x 18in)
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Current bid:
Opening bid:
Your max bid:
Max bid:
Buy it now price:
As your Max bid is at least equal to the Buy it now price, you can immediately purchase the lot.
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Bidding ends:
Your bid is off increment
Choose one of the quick bid options below:
Your bid is below the current minimum bid
To place a bid select the minimum amount below:
Bidding has ended on this item
We are always adding new lots, use search to find similar items.
You are the current highest bidder!
To be sure to win, come back before the lot closes or increase your maximum bid.
You have been outbid!
For a chance of winning, increase your maximum bid.
You have been outbid!
Another bidder has already bid this amount. For a chance of winning, increase your maximum bid.
You have won!
Congratulations!
You are the winning bidder on this lot.
You have lost!
Unfortunately you have missed out on this lot.
Unable to place your bid
Please refresh your page to see current lot status.
We're very sorry, but we were unable to process the Buy it now.
Please contact customer services for more help.
Your bid has been declined
Your bid has been declined by the auctioneer, please contact customer services for more information.
Your bid is pending approval with the auctioneer
Please check your email account for more details.
You cannot Buy it now until you are approved to bid.
Please contact the auctioneer
Confirming your bid is a legally binding obligation to purchase and pay for the lot should your bid be successful.