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SW8 3NS
United Kingdom
Modern & Contemporary Art and Editions (at Forum Auctions)
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Auction dates
05 Feb 2025 13:00 GMT
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There are 221 lots within this auction
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λ Terry Frost (1915-2003) Untitled (Kemp 172) Etching with aquatint, 1997, signed, dated and inscribed ‘Trial Proof II’ in pencil, there was no edition, on wove paper, with full margins, sheet 480 x 456mm (19 x 18in)
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λ Terry Frost (1915-2003) Untitled Etching with aquatint, 1997, signed, dated and inscribed ‘Trial Proof I’ in pencil, there was no edition, on wove paper, with full margins, sheet 480 x 456mm (19 x 18in)
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λ John Farleigh (1900-1965) Life Study Pencil on paper, circa 1938, signed in pencil, inscribed '38-39', on wove paper, with full margins, sheet 200 x 125mm (8 x 5in)
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λ Robert Gibbings (1889-1958) Farmyard; The Two Pigs; Barn Three woodcuts, circa 1920, each signed in pencil, two dedicated in pencil, each on wove paper, with full margins, largest sheet 165 x 120mm (6 1/2 x 4 3/4in) (3)
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λ Blair Hughes-Stanton (1902-1981) Chapt-8 and Babylon II Two wood engravings, 1931 and 1932, each signed, titled, and dated in pencil, the first inscribed 'AP2' in pencil, the second numbered from the edition of 12, on wove paper, with full margins, largest image 95 x 100mm (3 3/4 x 4in); sold together with a reproduction print.
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λ Andy Goldsworthy (b.1956) Sun Stone, Borrowdale Volcanic Stone C-type print in colours laid down onto card, 1990, signed, titled and dated in black ink, numbered from the edition of 180, sheet 260 x 200mm (10 1/2 x 7 7/8in)
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Keith Haring (1958-1990) Casino Knokke 87 (Döring & Osten 58) Offset lithograph printed in colours, 1987, from the edition of unknown size, on wove paper with full margins, sheet 698 x 500mm (27 1/2 x 19 3/4in)
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λ Damien Hirst (b. 1965) H7-2. Butterfly Rainbow Laminated giclée in colours on aluminium composite panel, 2020, with the artist's stamped signature and numbered from the edition of 4150 on the justification label affixed verso, published by HENI Editions, London, the full sheet printed to the edges, in the original fitted cardboard box, sheet 241 x 500mm (9 ½ x 19 5/8in)
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λ Damien Hirst (b.1965) H8-2. Fruitful Laminated digital pigment print in colours on aluminium composite panel, 2020, with the artist's signature stamp and numbered from the edition of 3308 on the publisher's label affixed verso , published by HENI Productions, London, with the original packaging, overall 390 x 390mm (15 3/8 x 15 3/8in)
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λ Damien Hirst (b.1965) H8-4. Forever Laminated digital pigment print in colours on aluminium composite panel, 2020, with the artist's signature stamp and numbered from the edition of 2573 on the publisher's label affixed verso , published by HENI Productions, London, overall 390 x 390mm (15 3/8 x 15 3/8in)
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1
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Estimate
3,000 - 5,000 GBP
λ Damien Hirst (b.1965) H13-4. Studland Bay , from Where the Land Meets the Sea Laminated giclée print on aluminium composite panel, 2023, signed in black ink on label affixed verso, numbered from the edition of 601, published by HENI Editions, London, overall 1200 x 900mm (47 1/4 x 35 1/2in)
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1
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Estimate
3,000 - 5,000 GBP
λ Damien Hirst (b.1965) H13-7. Mill Bay, Salcombe, from Where the Land Meets the Sea Laminated giclée print on aluminium composite panel, 2023, signed in black ink on label affixed verso, numbered from the edition of 289, published by HENI Editions, London, overall 900 x 900mm (35 1/2 x 35 1/2in)
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1
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Estimate
1,500 - 2,000 GBP
λ Damien Hirst (b. 1965) H10-1. Wu Zetian, from the Empresses Laminated giclée print in colours on aluminium composite panel screenprinted with glitter, 2022, signed and numbered from the edition of 2853 in pen on publisher's label verso , printed and published by Heni Editions, London, the full sheet printed to the edges, overall 1000 x 1000mm (39 3/8 x 39 3/8in)
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1
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Estimate
1,500 - 2,000 GBP
λ Damien Hirst (b.1965) H10-2. Nur Jahan, from The Empresses Laminated giclée print in colours on aluminium composite panel, screenprinted with glitter, 2022, signed and numbered from the edition of 3041 in pen on publisher's label verso, printed and published by Heni Editions, London, the full sheet printed to the edges, overall 1000 x 1000mm (39 1/4 x 39 1/4in)
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1
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1,500 - 2,000 GBP
λ Damien Hirst (b.1965) H10-3. Theodora, from The Empresses Laminated giclée in colours on aluminium composite panel, screenprinted with glitter, 2022, signed and numbered from the edition of 3315 in pen on publisher's label verso , printed and published by Heni Editions, London, the full sheet printed to the edges, sheet 1000 x 1000mm (39 3/8 x 39 3/8in)
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1
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Estimate
1,200 - 1,800 GBP
λ Damien Hirst, (b.1965) H10-5. Tatyu Betul, from The Empresses Laminated digital pigment print in colours on aluminium composite panel, screenprinted with glitter, 2022, signed and numbered from the edition of 2814 in pen on publisher's label verso , printed and published by Heni Editions, London, the full sheet printed to the edges, overall 1000 x 1000mm (39 3/8 x 39 3/8in).
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θ Damien Hirst (b.1965) The Souls The book, 2011, comprising title-page, text and justification, published by Other Criteria and Paul Stolper, London, overall 260 x 160mm (10 1/4 x 6 3/8in)
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1
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Estimate
1,200 - 1,800 GBP
λ Damien Hirst (b.1965) An Installation for Agongo, an Opera Screenprint on linen with hanging batons, 1994, signed by Damien Hirst, Daniel Moynihan, Sarah Sarhandi and Mark Springer in black felt tip pen, one of only two examples of this work produced, and the only known surviving impression, overall 1360 x 945mm (53 1/2 x 37 1/4in) The opera Agongo, written by Daniel Moynihan, was taken to the Edinburgh Festival in August 1994 with sets due to be designed by Damien Hirst. The present lot was one of two posters featuring images of the stage design and hung in the foyer of the theatre. It was signed by Damien Hirst, the writer Daniel Moynihan and the composers Sarah Sarhandi and Mark Springer . It was won in a charity raffle after the opera closed. This very scarce work is an early and important example of Hirst's collaboration with the contemporary arts at the beginning of his career.
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λ David Hockney (b.1937) Dog 38 Offset lithograph printed in colours, 1995, on wove paper, the full sheet printed to the edges, sheet 530 x 648mm (20 3/4 x 25 1/2in)
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1
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Estimate
1,000 - 1,500 GBP
λ David Hockney (b.1937)
Skater (XIV Olympic Winter Games, Sarajevo) (Baggott 135)
Offset lithograph printed in colours, 1982, signed in blue ink, from the edition of 150, on wove paper, the full sheet printed to the edges, sheet 845 x 620mm (33 1/8 x 24 1/8in)
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λ David Hockney (b.1937) Little Boodge Offset lithograph, 1993, on wove paper, the full sheet printed to the edges, sheet 420 x 280mm (16 3/8 x 11in)
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λ David Hockney (b. 1937)
Vide-Poche
Hand-cast, fine bone china ash-tray, 2020, numbered from the edition of 200 on accompanying pamphlet, housed within the original box, the overall size 160 x 200 x 30mm (6 1/4 x 7 7/8 x 1 1/8in)
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λ David Hockney (b.1937) Hotel by the Sea Xerox fax copy in 16 parts on xerox thermal paper, 1989, uncut as issued, timestamped '15 OCT '99 16:31', each part 310 x 215mm (12 1/4 x 8 1/2in); overall 4960 x 215mm (195 1/4 x 8 1/2in) Together with a facsimile printed at the same time, as intended by the artist, overall 3710 x 296mm (146 x 11 5/8in) (2)
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λ David Hockney (b.1937) Composition Red & Blue (Momart) Lithograph printed in colours, 2005, on wove paper, housed within the original blue paper portfolio with the artist's name embossed on the cover, the full sheet printed to the edges, sheet 114 x 279mm (4 1/2 x 11in)
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1
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Estimate
1,200 - 1,800 GBP
λ Howard Hodgkin (1932-2017) In a French Restaurant (Heenk p.223) Screenprint in colours, 1982, signed in orange pencil, a proof aside from the edition of 500, printed by Cromacomp, published by Petersburg Press, New York, on TH Saunders Waterford white wove paper, the full sheet printed to the edges, 1210 x 1460mm (47 5/8 x 57 1/2in) Provenance: Ex. coll. Julia Lane, former wife of Howard Hodgkin (CH CBE 1932-2017)
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λ Karl Horst Hӧdicke (b.1938) Kreuzabnahme IV Lithograph printed in colours, 1991, signed, titled and dated in pencil, numbered from the edition of 5, on wove paper, with full margins, sheet 1490 x 1450mm (58 3/4 x 57in)
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λ Karl Horst Hӧdicke (b.1938) Kreuzabnahme II Lithograph printed in colours / screen print, 1991, signed, titles and dated in pencil, numbered from the edition of 7, on wove paper, with full margins, sheet 1490 x 1240 (in)
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λ John Hoyland (1934-2011) Captive Circle Etching, aquatint and carborundum printed in colours, 1989, as included in the Italian Etchings suite, numbered from the edition of 65, on wove paper, with full margins, sheet 900 x 695mm (35 3/8 x 27 3/8in)
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λ Gordon House (1932-2004); Michael Rothenstein (1908-1993) Series 40 A; Two Circles 2 Two prints in colours of varying media, 1965, each signed in pencil, the first an artist's proof aside from the edition of 50, the second numbered from the edition of 30, each on wove paper, with full margins, sheet 762 x 495mm (30 x 19 1/2in) and sheet 545 x 870mm (21 1/2 x 34 1/4in) (2)
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Robert Indiana (1928-2018) after.
Love Rug
Hand-tufted wool multiple, circa 2006, overall size 381 x 381mm (15 x 15in)
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1
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Estimate
3,000 - 5,000 GBP
λ Invader (b.1969) Rubik Albino (Control P 04) Screenprint in colours, 2005, signed and dated in pencil, with the 'Rubik Cubism 2005' stamp, numbered from the edition of 100, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, with full margins, sheet 500m x 500m (19 3/4 x 19 3/4in)
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λ Kai & Sunny (b.1975) Wildflower Screenprint, 2012, intialled and inscribed ‘A/P’ in pencil, an artist’s proof aside from the edition of 100, with artist’s blindstamp, on wove paper, with full margins, sheet 760 x 570mm (30 x 22 1/2in)
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λ Cecil King (1921-1986)
Threshold (Black)
Screenprint in colours, 1974, signed and inscribed AP aside from the edition of 10 in pencil, on wove paper, with margins, image 510 x 735mm (20 x 29in)
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λ R.B. Kitaj (1932-2007) A Day Book (Ramkalawon 133-146) The complete portfolio, 1972, comprising thirteen prints of various mediums, each signed in pencil and numbered from the edition of 200, with the title-page, text and justification, this copy signed by the artist and author Robert Creeley, numbered from the edition of 200, printed by Kelpra Studio, and White Ink Ltd., London, published by Graphis, Berlin, the sheets loose as issued in illustrated wrappers and the original red linen presentation box, on various papers, overall 630 x 430mm (25 x 16 3/4in)
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Oskar Kokoschka (1886-1980) Olda The portfolio, 1956, comprising t he signed supplementary lithograph and nine lithographs printed in colours (missing one from the standard edition), with title page and justification, signed in pencil and numbered from Edition A of 35 on the justification page, published by Verlag Galerie Welz, Salzburg, on wove paper, the full sheets loose as issued within the original folder, each sheet 440 x 335mm (17 3/8 x 13 1/4in)
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λ Ossip Zadkine (1888-1967) Figure with Guitar Lithograph, 1964, with the printed signature, numbered from the edition of 50 in pencil, on wove paper, with full margins, sheet 705 x 450mm (27 3/4 x 17 3/4in)
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Yayoi Kusama (b. 1929) Pumpkins Two painted cast resin multiples, 2016, each stamped with the artist's name on the base, published by Benesse Holdings, Japan, both in the original printed, fitted box, each 100 x 80 x 80mm (4 x 3 1/4 x 3 1/4 in)
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λ Richard Lin (1933-2011) Spring; Summer Two screenprints in colours, 1966, each signed, dated and titled in pencil, each numbered from the edition of 75, as included in the Four Seasons Portfolio, on TH Saunders wove paper, with full margins, each sheet 685 x 912mm (27 x 35 7/8in)
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1
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Estimate
1,500 - 2,000 GBP
λ Laurence Stephen Lowry (1887-1976) Crime Lake Lithograph printed in colours, circa 1970, signed in pencil, from the edition of 500, printed by Max Jaffe, Vienna, published by Adam Collection Ltd., with the Fine Art Trade Guild blindstamp, on wove paper, with full margins, image 480 x 625mm (18 7/8 x 24 5/8in)
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1
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Estimate
1,500 - 2,000 GBP
λ Laurence Stephen Lowry (1887-1976) Street Scene Lithograph printed in colours, circa 1970, signed in pencil, from the edition of 850, printed by Chorley and Pickersgill, published by Adam Collection Ltd., with the Fine Art Trade Guild blindstamp, on wove paper, with full margins, image 290 x 225mm (11 1/2 x 8 7/8in)
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Laurence Stephen Lowry (1887-1976) Group of Children Lithograph printed in colours, circa 1970, signed in pencil, from the edition of 850, printed by Chorley and Pickersgill, published by Adam Collection Ltd., with the Fine Art Trade Guild blindstamp, on wove paper, with full margins, image 205 x 205mm (8 1/8 x 8 1/8in)
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λ Laurence Stephen Lowry (1887-1976) His Family Offset lithograph printed in colours, 1972, signed in pencil, numbered with a stamp from the edition of 575, printed by Chorley and Pickersgill Ltd., Leeds, published by Adam collection, with the Fine Art Trade Guild blindstamp, on wove paper, with full margins, sheet 620 x 830mm (24 3/8 x 32 5/8in)
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1
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Estimate
2,000 - 3,000 GBP
λ Laurence Stephen Lowry (1887-1976) Man Holding Child Offset lithograph in colours, 1974, signed in pencil, from the edition of 350, with the Fine Art Trade Guild blindstamp, published by Adam Collection Ltd., Manchester, on wove paper, with full margins, sheet 600 x 845mm (23 5/8 x 33 1/4).
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λ Laurence Stephen Lowry (1887-1976) after. The Football Match Digital pigment print in colours, circa 2017, from the edition of 76, printed and published by Felix Rosenstiel's Widow & Son, London, on wove paper, image 500 x 705mm (19 5/8 x 27 3/4in)
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Barry McGee (b.1966) Untitled Screenprint in colours, 2023, signed in pencil, numbered from the edition of 100, published by Underdogs, Lisbon, on wove paper, the full sheet printed to the edges, sheet 660 x 470mm (26 x 18 1/2in)
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1
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Estimate
2,000 - 3,000 GBP
λ Garry Fabian Miller (b.1957) Exposure (v) (one hour of light) The unique water, light and dye destruction print, 2005, presented in the artist's specified frame, sheet 607 x 508mm (24 x 20in); framed 668 x 750mm (26 1/4 x 29 1/2in)
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λ Paul Morrison (b.1966) Night Pond Screenprint with blind embossing, 2020, signed and titled ‘Night Pond 2020’ in pencil verso , numbered from the edition of 125, on wove paper, the full sheet printed to the edges, sheet 607 x 407mm (24 x 16in)
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Cassi Namoda (b.1988) Ernesto Finds Potential on the Other Side, from the Greenpeace 50 Years Portfolio Screenprint in colours, 2022, signed and dated in black ink, numbered from the edition of 75, published by Counter Editions, Margate to celebrate the fifty-year anniversary of Greenpeace, on Somerset wove paper, the full sheet printed to the edges, sheet 595 x 757mm (23 3/8 x 29 3/4in)
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Yoshitomo Nara (b.1959) Marching on a Butterbur Leaf Offset lithograph printed in colours, 2020, published by the Dallas Contemporary, Dallas, on wove paper, the full sheet printed to the edges, sheet 687 x 430mm (27 x 17in)
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λ Paul Noble (b.1963) Nobland Etching, 2004, signed in pencil, numbered from the edition of 250, published by The Whitechapel Gallery, London, on the occasion of the exhibition 'Paul Noble' 10th September-14th November 2004, with their inkstamp verso , on wove paper, with full margins, sheet 355 x 435mm (14 x 17 1/8in)
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λ Christopher Richard Wynne Nevinson (1889-1946) Modern War Paintings The book, 1917, with the signed offset lithograph printed in colours, published by Grant Richards Ltd., London, bound as issued, on wove paper, overall 292 x 226 x 10mm (11 1/2 x 8 7/8 x 3/8in)
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λ Chris Ofili (b.1968) The Merry Widow poster with Afro Eclipse 1, 2003 Offset lithograph printed in colours, 2024, signed in black ink, one of few signed copies, aside from the unsigned edition of 150, published by King & McGaw, Newhaven, on Monte Carlo wove paper, with the blindstamp commemorating the 90th anniversary of Glyndebourne, the full sheet printed to the edges, sheet 900 x 600mm (35 3/8 x 23 5/8in)
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λ Paulina Olowska (b.1976) Gossip Among the Stuff Offset lithograph printed in colours, 2013, signed and dated in pencil verso, numbered from the edition of 150, published by House of Voltaire, London, on wove paper, with full margins, sheet 600 x 375mm (23 5/8 x 14 3/4in)
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Paulina Olowska (b.1976) Julie's Monologue Digital pigment print in colours, 2019, signed in pencil verso , numbered from the edition of 20, on wove paper, the full sheet printed to the edges, sheet 1335 x 995mm (52 1/2 x 39 1/8in)
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John Parsons (b.1941) Montezuma Tapestry, circa 1975, overall 140 x 300mm (5 1/2 x 11 3/4in); together with G.E Miles, 'Hollow Shoe 3', lithograph printed in colours, John Baker 'Stained Glass Design', lithograph printed in colours and John Barret, untitled, engraving (4)
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176
λ Eduardo Paolozzi (1924-2005) Untitled, from Six Artists: The Royal College of Art Portfolio 1992 Etching with hand-colouring, 1992, signed and dated, and inscribed 'ap VIII' in pencil, an artist's proof aside from the edition of 50, printed by the Printmaking Workshop of The Royal College of Art, published by the Royal College of Art, London, on Somerset wove paper, with full margins, sheet 575 x 755mm (22 5/8 x 29 3/4in)
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λ Eduardo Paolozzi (b.1924) Aeschylus and Socrates 1975 Screenprint in colours, 1975, signed and dated in pencil, numbered from the edition of 200, printed by Advanced Graphics, London, published by Propylaen Verlag, Berlin, on wove paper, with full margins, sheet 590 x 820mm (23 1/4 x 32 1/4in)
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λ Grayson Perry (b.1960)
100% Art
Glazed porcelain plate, 2020, from the edition of an unknown size, published by the Holburne Museum, Bath, diameter 210mm (8 1/4in)
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Reserve not met
Leading
λ Grayson Perry (b.1960) Kate Board Offset lithograph and screenprint in colours on wooden skateboard deck, 2017, from the edition of 999, co-published by the artist and The Skateroom, Brussels, overall size 800 x 200 x 10mm (31 1/2 x 7 7/8 x 3/8in)
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Leading
λ Grayson Perry (b.1960) Chris Witty's Cat (Pendant) Oxidised cast silver multiple, 2020, from the edition of 500, published by Manchester Art Gallery, Manchester, overall 42 x 42 x 20mm (1 5/8 x 1 5/8 x 3/4in)
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