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Live
Venue address
Parnham Park
Beaminster, Dorset
DT8 3LZ
United Kingdom
Parnham Park: A Modern Grand Tour on the Jurassic Coast
Auction at Dreweatts Newbury | Viewing at Parnham Park | For further details, please click "Important information" link.
This highly anticipated auction showcases the personal collection of the visionary art collector James Perkins. Experience a geographical and historical journey, offering a once-in-a-lifetime opportunity to acquire iconic objects spanning The Jurassic, natural history and bespoke designs. Read more...!
Auction at Dreweatts Newbury | Viewing at Parnham Park
Entrance with catalogue only (admits two) | Parnham Park, Beaminster, Dorset DT8 3LZ | www.parnhampark.co.uk
To purchase a printed catalogue, click here: Catalogue Subscriptions.
Auction dates
13 May 2025 10:30 BST
Viewing dates
09 May 2025 10:30 - 17:00 BST
10 May 2025 10:30 - 17:00 BST
11 May 2025 10:30 - 17:00 BST
12 May 2025 10:30 - 17:00 BST
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GBP |
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Buyer's premium
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26 % (exc. VAT) |
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Featured lots
We found 48 items matching your search
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6,000 - 8,000 GBP
λ BOUKE DE VRIES (DUTCH B. 1960)
ADAM
Set of 12 Fornasetti plates with ceramics and mixed media
162 x 52cm (63¾ x 20¼ in.)
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5,000 - 8,000 GBP
JAMES PERKINS STUDIO
FULL MOON
Oil on canvas
117.5 x 117.5cm (46¼ x 46¼ in.)
Full Moon is a strikingly detailed oil painting by James Perkins. Celebrated for his ability to evoke profound narratives through his work, this piece, one of Perkins' most appreciated creations, captures the illuminated moon in exquisite detail, inviting the viewer to reflect on both its natural beauty and symbolic significance. The artwork seems to transcend mere representation, provoking thoughts of mankind's future in space and the aspirational daydreams of the Grand Tour era-an era that dreamed of new frontiers and the possibilities of human exploration.
The moon, an eternal presence in our night skies, serves as a constant reminder of the vast and mysterious universe beyond our reach. In Full Moon, Perkins conveys a sense of both timelessness and anticipation, capturing the moon not only as a celestial body but as a metaphor for the inevitable march of progress. It evokes the boundless optimism of the future, a future where humanity's dreams of traveling to the moon may one day be realized. This piece speaks to our shared global experience, reminding us that no matter where we are on Earth, the moon remains a universal symbol of hope, discovery, and the infinite possibilities that await.
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λ LYON OLIVER (BRITISH B. 1949)
FADED MOSAIC
Oil and pencil on board
Signed and indistinctly inscribed (lower right)
78 x 61cm (30½ x 24 in.)
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λ LYON OLIVER (BRITISH B. 1949)
CHATEAU MARMONT SUNSET
Oil on canvas
Signed (lower left); further signed and dated 2016 (verso)
143 x 115cm (56¼ x 45¼ in.)
Unframed
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4,000 - 6,000 GBP
λ SUZY O'MULLANE (IRISH 20TH/21ST CENTURY)
UNTITLED (SWANS WERE)
Mixed media on canvas, laid to board
222 x 290cm (87¼ x 114 in.)
Painted in 2022.
Suzy O' Mullane is an Irish visual artist, born in Liverpool U.K. and has been based in France since 2021. In 2022, she completed her Masters degree in Drawing with distinction at Paris College of Art, where she was awarded the "Félicitations du Jury" by external jurors for outstanding work. She holds a Bachelor of Fine Art (Hons) and a Postgraduate Diploma in Fine Art from Crawford College of Art and Design (CCAD) and a BA in English Literature from University College Cork.
O' Mullane has been a full-time art practitioner since 1996 mainly focusing on painting and drawing. She has exhibited frequently in Dublin, London, New York, Berlin, Seattle, Miami, Toronto and Los Angeles, and has also been an invited artist at exhibitions in Beijing, Shanghai, Berlin and Melbourne. Her work has been presented at Context NYC, Art Miami, Art Toronto, Art Chicago, Art Wynwood, Art Palm Beach, Aqua Miami, Pulse Miami, Art Seattle as well as several solo and group exhibitions internationally.
Since 2021, she has widened her 2D practice to include performance and writing, which aligns with her deeply personal, provocative, narrative-driven practice, To date she has created performances in Cork, Paris, Estremoz (Portugal), and in the Languedoc, sometimes collaborating with other creatives. Her videos have been presented twice at the IndieCork Film Festival, in Ireland and also in New York. She was co-founder and director of ArtTrail Cork (1996 - 2002), playing a pivotal role in its creation and development from a local visual artist event to a nationally renowned visual artist event involving over 200 artists before its closure in 2011.
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15,000 - 20,000 GBP
λ BASED UPON STUDIO (ESTABLISHED 2004) FIRST LIGHT Artists proof, 2025 Mixed Media (Tramazite, Brass, Aluminium Honey Comb) 91 x 2cm (35¾ x 0¾ in.) First Light is a stunning creation by Based Upon, a pioneering creative house redefining the boundaries of luxury through meaning, legacy, and craftsmanship since 2004. Based Upon creates physical manifestations of the unsaid, a process that excavates origin and lore, faces the sacred, and invites the personal. Their works exist at the rare intersection of imagination and realization-the space where chaos becomes masterpiece, and transience meets timelessness.
In "First Light," precise geometry holds a surface of powerful allure, where the deep, ineffable blue defies exact description. It is a hue that transcends mere colour, invoking a deeper experience. A reflecting eye stares down introspection, while the detail within the piece seems infinite, offering endless layers of discovery. Characterized by extraordinary craftsmanship and multilayered narratives, "First Light" embodies Based Upon's ethos of rich materiality and profound meaning. From private commissions to public artworks and prestigious brand collaborations, Based Upon exceeds expectations with every creation, providing moments of reflection and timeless value. Led by founders Ian and Richard Abell and Alex Welch, Based Upon operates from their studio and workshop in Greenwich, London. Here, they expertly balance epic scale with intricate detail, creating works that resonate not just for their aesthetic beauty but for the philosophies and values they carry. "First Light" is a testament to the legacy of Based Upon, transforming art into something eternal.
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1
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1,000 - 1,500 GBP
LOUIS DAREY (FRENCH 1863-1914)
STUDY OF HOUNDS
Oil on canvas, a pair
One signed (lower right), the other (lower left)
54 x 65cm (21¼ x 25½ in.) (2)
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BENJAMIN HOLD (BRITISH 1839/40 - 1917)
BIRDS' NESTS WITH EGGS
Oil on canvas, a pair
Each signed and indistinctly dated (lower left)
24.5 x 29.5cm (9½ x 11½ in.)
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1,200 - 1,800 GBP
JAMES PERKINS STUDIO
THE COUGAR
Oil and Acyrlic on canvas
90 x 60cm (35¼ x 23½ in.)
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Y JAMES PERKINS STUDIO WILD THINGS 12 x 25cm (4½ x 9¾ in.) Hand made animal masks Handmade woodland creature masks inspired by the enchanting wildlife of Parnham Park and the mystical idea that the woodlands come alive at night, this series of playful masks blurs the boundaries between nature and humanity. The masks offer a playful exploration of identity, inviting the wearer to step into another persona and experience the wild, untamed personality of the Parnham parkland. Within the castellated walls of Parnham guests don their masks and are transported into a world where both human and animal spirits awaken, coming to life in a harmonious dance of nature and society under the full moon.
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2,000 - 3,000 GBP
JAMES PERKINS STUDIO
THE NIGHT OWL
Oil and Acrylic on canvas
206 x 138cm (81 x 54¼ in.)
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λ JEAN DRATZ (BELGIAN 1903-1967)
ARBRES DANS UN PAYSAGE
Oil on canvas
Signed (lower right)
57 x 88cm (22¼ x 34½ in.)
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1
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2,000 - 3,000 GBP
λ BERNARD LORGE (BELGIAN B. 1953)
LES CHAMPIGNONS
Oil on canvas
Signed, titled and dated 1978 (verso)
150 x 200cm (59 x 78½ in.)
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4,000 - 6,000 GBP
λ VIRGINIA PANICHI (ITALIAN B. 1981)
HAI PAURA DELLA NOTTE (DON'T BE SCARED OF THE DARK)
Oil on canvas
Signed, titled and dated 01 (verso)
180 x 199.6cm (70¾ x 78½ in.)
Provenance:
This work was commissioned by the director Gillo Pontecorvo
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2,000 - 3,000 GBP
JAMES GEMMILL (AMERICAN B. 1954)
STILL LIFE WITH LOBSTER, LEMON AND TABLECLOTH
Oil on canvas
215 x 415cm (84½ x 163¼ in.)
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2,000 - 3,000 GBP
JAMES GEMMILL (AMERICAN B. 1954)
STILL LIFE WITH VENETIAN GLASS AND VASES
Oil on canvas
206 x 407cm (81 x 160 in.)
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2,000 - 3,000 GBP
JAMES PERKINS
DARK SIDE OF THE MOON
Oil on canvas
70.5 x 70cm (27¾ x 27½ in.)
In Dark Side of the Moon, James Perkins invites the viewer into a more introspective realm, where the moon's shadowed hemisphere-often referred to as the "dark side"- becomes a profound symbol of the unknown. The artist's masterful use of oil paints creates a hauntingly beautiful depiction of the moon's hidden face, one that remains largely out of view from Earth. This obscurity, both literal and metaphorical, evokes feelings of mystery and contemplation, compelling us to reflect on the vastness of space and the enigma of the universe that lies beyond understanding.
The "dark side" in Perkins' piece represents more than just a physical location - it embodies the hidden, the unexplored, and the unexplained elements of existence. The mood of the painting is somber yet captivating, offering an invitation to delve into the depths of our own thoughts and emotions. In capturing this celestial enigma, Perkins speaks to the human condition itself - our constant pursuit of knowledge and the inevitable allure of what remains out of reach. Through this painting, he confronts us with the vastness of space, a reminder of how much of the universe remains beyond our grasp, yet how it continues to shape our curiosity and imagination.
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CONTINENTAL SCHOOL (20TH CENTURY)
UNTITLED
Mixed media
140 x 170cm (55 x 66¾ in.)
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4,000 - 6,000 GBP
λ CHRIS MOON (BRITISH B. 1977)
GIRLS GIRLS GIRLS
Oil on canvas
Signed (lower right)
198.5 x 198.5cm (78 x 78 in.)
Unframed
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3,000 - 5,000 GBP
λ CHRIS MOON (BRITISH B. 1977)
LAZY BONES (DIPTYCH)
Oil on unstretched canvas
Both signed (lower right)
78 x 158cm (30½ x 62 in.) & 63 x 154cm (30¾ x 60½ in.) (2)
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4,000 - 6,000 GBP
λ VITO CECERE (ITALIAN B. 1961)
VALERIA
Mixed media on canvas
Signed and dated 2013 (lower centre)
148 x 194cm (58¼ x 76¼ in.)
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7,000 - 10,000 GBP
KRISTJANA WILLIAMS (ICELANDIC B. 1984) UNTITLED Paper collage on board Signed (lower right) Overall: 110 x 110cm (43¼ x 43¼ in.) Kristjana S Williams is an award winning graphic artist, creating 3D artworks and collage-based Limited Edition prints from her Chiswick Studio. Kristjana has gained critical acclaim for her work, and has collaborated with a number of high profile clients including Penhaligon's, The Victoria & Albert Museum, Harrods, Fortnum and Mason and Paul Smith, and her work can be found across London and around the world. Inspired by Britain's greatest landscape artist, Lancelot 'Capability' Brown, this perfectly balanced circular tableau demonstrates the often surprising symbiosis between wild, untamed nature and manmade structure. In the style of Brown, the delicate 3D elements have been purposely positioned so that the entire vista can be viewed in one glance. A heron steps into the frame from its watery glade, poised in its elevated position over the pastoral landscape. Woodland toadstools fringe a floral border, standing tall amidst the delicate flora of the English countryside. The viewer peers out from this natural world towards a rainbow arched palace - make this the place of your dreams or perhaps the house where your dreams come true. By request Kristjana will tailor the primary building element of this artwork, making it truly bespoke to the owner.
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1,000 - 2,000 GBP
JAMES PERKINS STUDIO
OUT OF THIS WORLD SERIES, UFO 06
Oil on canvas
Signed and dated 96 (lower right)
90 x 120cm (35¼ x 47 in.)
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3,000 - 5,000 GBP
NIGEL HUGHES (BRITISH 1940-2021)
CRAX RUBRA, A PAIR OF BIRDS IN A WOODLAND
Oil on canvas
Signed and dated 1992 (lower right), further signed and titled to stretcher (verso)
90 x 113cm (35¼ x 44¼ in.)
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3,000 - 5,000 GBP
λ NIGEL HUGHES (BRITISH 1940-2021)
ALAGOAS CURASSOW (MITU MITU);
Oil on canvas
signed and dated 1997 (lower left); further signed and titled (to stretcher verso)
94 x 75cm (37 x 29½ in.)
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3,000 - 5,000 GBP
NIGEL HUGHES (BRITISH 1940-2021)
PENELOPE SUPERCILIARIS
Oil on canvas
Signed with initials and dated 02 (upper right); further signed and titled (to stretcher verso)
94 x 75cm (37 x 29½ in.)
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6,000 - 10,000 GBP
EUROPEAN SCHOOL (18TH/19TH CENTURY)
HUNTING SCENE WITH HOUNDS, WATERING AT THE FOUNTAIN
Oil on canvas
199 x 257cm (78¼ x 101 in.)
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3,000 - 5,000 GBP
CIRCLE OF RICHARD ANSDELL (BRITISH 1815-1885)
GAME BIRDS: THE HUNT
Oil on canvas
65 x 92cm (25½ x 36 in.)
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1,500 - 2,500 GBP
JAMES PERKINS STUDIO
STILL LIFE OF GRAPES, APPLES AND THE BUTTERFLIES
Oil on canvas
101 x 126.5cm (39¾ x 49¾ in.)
The butterflies have been added to the still life by James Perkins.
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3,000 - 5,000 GBP
λ NIGEL HUGHES (BRITISH 1940-2021)
PENELOPE DABBENA
Oil on canvas
96 x 76cm (37¾ x 29¾ in.)
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3,000 - 5,000 GBP
λ NIGEL HUGHES (BRITISH 1940-2021)
NOTHOCRAX URUMUTUM
Oil on canvas
Signed (lower right); titled (to frame verso)
96 x 75cm (37¾ x 29½ in.)
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1,000 - 1,500 GBP
JAMES PERKINS STUDIO
THE BADGER
Oil and acrylic on panel
68 x 54cm (26¾ x 21¼ in.)
Part of The Full Moon Masquerade Ball Series.
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1,200 - 1,800 GBP
JAMES PERKINS STUDIO
THE ROGUE
Oil and acrylic on canvas
104 x 80.5cm (40¾ x 31½ in.)
Part of The Full Moon Masquerade Ball Series.
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2,000 - 3,000 GBP
JAMES PERKINS
A303 (STONEHENGE)
Oil on canvas
67 x 84cm (26¼ x 33 in.)
There is a sense of mystery still to this day surrounding the original purpose of Stonehenge. Now a World Heritage Site it was previously thought to be a Druid temple, a burial monument, a meeting place between chiefdoms, or even an astronomical "computer." The most mysterious and ancient of landmarks, a portal to another world, it's art laid bare for all to see on this famous thoroughfare.
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1,000 - 1,500 GBP
JAMES PERKINS STUDIO
OUT OUT & SUMMER BALL
Oil and acrylic on canvas
31.5 x 26.5cm (12¼ x 10¼ in.)
Part of The Full Moon Masquerade Ball Series.
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JAMES PERKINS STUDIO
OUT OF THIS WORLD SERIES, ROCKET 01
Oil on canvas
Signed by Thors (lower right)
34.5 x 29cm (13½ x 11¼ in.)
Part of The Out of this World Series.
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JAMES PERKIN'S STUDIO
OUT OF THIS WORLD SERIES, UFO 07
Oil on canvas
Signed (lower right)
19 x 39.5cm
Part of The Out of this World Series.
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1,200 - 1,800 GBP
JAMES PERKINS STUDIO
OUT OF THIS WORLD SERIES, UFO 08 and 09
Oil and acrylic on board
25.5 x 37cm (10 x 14½ in.)
Part of The Out of this World Series.
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1,000 - 2,000 GBP
BRITISH SCHOOL (20TH CENTURY)
TWO HOUNDS IN A CLASSICAL LANDSCAPE
Oil on canvas
147 x 198cm (57¾ x 77¾ in.)
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1,000 - 2,000 GBP
BRITISH SCHOOL (20TH CENTURY)
HOUND IN A LANDSCAPE
Oil on canvas
88 x 118cm (34½ x 46¼ in.)
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1,500 - 2,000 GBP
MANNER OF JEAN BAPTISTE-OUDRY
A POINTER IN A LANDSCAPE
Oil on canvas
148 x 199cm (58¼ x 78¼ in.)
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λ MARCEL DEMAGNY (FRENCH B. 1949)
VASE DE FLEURS
Oil on canvas
Signed (lower right)
73.5 x 60cm (28¾ x 23½ in.)
Together with Lenoir (21st century), After Marcel Demagny, Le Nouveau Blanc , Oil on canvas, Signed (lower left), 90.5 x 60.5cm, Unframed (2)
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2,500 - 3,500 GBP
CONTINENTAL SCHOOL (18TH CENTURY)
WATERBIRDS
Oil on canvas
67 x 107cm (26¼ x 42 in.)
Condition Report:
Most likely not relined but this work was not removed from the wall. Generally good condition but canvas slightly slack. There are a number of patches to the canvas (verso). Stretcher marks visible. Surface dirt throughout causing some discolouration most notable to the sky. Retouching visible under UV very light scattered, most notable to the lower edge.
Condition Report Disclaimer
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ENRICO BRANDANI (ITALIAN 1914-1979)
LES STYLITES
Oil on board
Signed (lower right)
33 x 10cm (12 x 3¾ in.)
Painted in 1964.
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J. C. JOON (20TH/21ST CENTURY)
SUNFLOWERS
Oil on board
Signed (lower right)
100 x 76cm (39¼ x 29¾ in.)
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JAMES PERKINS STUDIO
THE PRINCESS
Oil on canvas
90 x 70cm (35¼ x 27½ in.)
Part of The Full Moon Masquerade Ball Series.
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1,000 - 1,500 GBP
JAMES PERKINS STUDIO
OUT OF THIS WORLD SERIES, UFO 10
Oil on canvas
Signed and dated 1905 (lower left)
52 x 41.5cm (20¼ x 16¼ in.)
Part of The Out of this World Series.
Condition Report:
Henry MAIDMENT
(act.1889-1914)
Condition Report Disclaimer
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A REVERSE DECORATED GLASS ROYAL WARRANT SIGN 'BY SPECIAL APPOINTMENT TO HIS MAJESTY & THE ROYAL FAMILY' EARLY 20TH CENTURY In a pine frame 132cm high, 188cm wide
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Unable to place your bid
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We're very sorry, but we were unable to process the Buy it now.
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Your bid has been declined
Your bid has been declined by the auctioneer, please contact customer services for more information.
Your bid is pending approval with the auctioneer
Please check your email account for more details.
You cannot Buy it now until you are approved to bid.
Please contact the auctioneer
Confirming your bid is a legally binding obligation to purchase and pay for the lot should your bid be successful.