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Live
Venue address
Forum Auctions
London
SW8 3NS
United Kingdom
Jack Shirreff at 107 Workshop: The Collection of a Master Printer (at Forum Auctions)
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Auction dates
Jul 02, 2025 01:00 PM BST
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GBP |
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Buyer's premium
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27 % (exc. Sales tax) |
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Featured lots
There are 170 lots within this auction
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1
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Estimate
5,000 - 7,000 GBP
λ Howard Hodgkin (1932-2017) For Jack (Not in Heenk) Etching with aquatint and carborundum printed in colours, extensively hand-coloured in acrylic, 2006, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 60, printed and hand-coloured by Jack Shirreff at 107 Workshop, the edition published by Alan Cristea Gallery, London, on wove paper, the full sheet printed to the edges, sheet 988 x 1360mm (38 7/8 x 53 1/2in)
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Won
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Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,000 - 3,000 GBP
Howard Hodgkin (1932-2017)
Evermore (See Heenk pages 218/219)
A special presentation copy of the deluxe ‘Blue’ edition of the book, 1996-97, comprising six lift-ground etchings with aquatint printed in colours extensively hand-coloured in acrylic, the hand-painted frontispiece and two unfolded impressions of Untitled (Morris Car) and Untitled (Landscape) each initialled, dated and inscribed 'A.P. 9/10', this copy with title-page, text and justification, signed and inscribed Jack Shirreff’s copy and with a manuscript poem by the author Julian Barnes in black ink, signed, dated and inscribed ‘Without you this wouldn’t be here’ in pencil by the artist, an artist’s proof aside from the deluxe edition of 50, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Palawan Press, London, on various papers, bound as published in the original blue paper wrappers, housed within a silver paper wrapped portfolio box and matching slipcase, overall size 262 x 330mm (10 1/4 x 13in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
3,000 - 5,000 GBP
λ Howard Hodgkin (1932-2017) Mango (Heenk 83) Etching with carborundum printed in colours, extensively hand-coloured in acrylic, 1990-91, initialled, dated and inscribed 'PP 1' , a printer's proof aside from the edition of 55, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Waddington Graphics, London, on Arches paper, the full sheet printed to the edges, sheet 760 x 1115mm (29 7/8 x 43 7/8in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
6,000 - 8,000 GBP
λ Howard Hodgkin (1932-2017) Street Palm (Heenk 87) Etching with carborundum printed in colours, extensively hand-coloured in acrylic, 1990-91, initialled, dated and inscribed 'PP 1' in pencil , a printer's proof aside from the edition of 55, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Waddington Graphics, London, on Arches paper, the full sheet printed to the edges, sheet 1495 x 1215mm (58 3/4 x 47 3/4in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
6,000 - 8,000 GBP
λ Howard Hodgkin (1932-2017) Palm and Window (Heenk 88) Etching with aquatint with carborundum printed in colours, extensively hand-coloured in acrylic, 1990-1991, initialled, dated and inscribed 'PP 1/4' in pencil, a printer's proof aside from the edition of 55, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Waddington Graphics, London, on wove paper, the full sheet printed to the edges, sheet 1490 x 1210mm (58 3/4 x 47 5/8in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
6,000 - 8,000 GBP
λ Howard Hodgkin (1932-2017) Flowering Palm (Heenk 89) Etching with aquatint with carborundum printed in colours, extensively hand-coloured in acrylic, 1990-1991, initialled, dated and inscribed 'PP 1/4' in pencil, a printer's proof aside from the edition of 55, printed and hand-coloured by Jack Shirreff at the 107 Workshop, Wiltshire, the edition published by Waddington Graphics, London, on wove paper, the full sheet printed to the edges, sheet 1492 x 1199mm (58 3/4 x 47 1/4in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,500 - 3,500 GBP
λ Howard Hodgkin (1932-2017) Put Out More Flags (Heenk 90) Lift-ground etching with aquatint and carborundum printed in colours, extensively hand-coloured in acrylic, 1992, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 55, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by The Modern Art Museum of Fort Worth, Texas, on Two Rivers wove paper, the full sheet printed to the edges, sheet 420 x 524mm (16 1/2 x 20 5/8in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
3,000 - 5,000 GBP
λ Howard Hodgkin (1932-2017) In an Empty Room (Heenk 84) Etching with carborundum printed in colours, extensively hand-coloured in acrylic, 1990-91, initialled, dated and inscribed 'PP 1/4' in pencil, a printer's proof aside from the edition of 55, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Waddington Graphics, London, on Arches paper, the full sheet printed to the edges, sheet 1205 x 1495mm (47 3/8 58 3/4 in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,000 - 3,000 GBP
Howard Hodgkin (1932-2017)
The Way We Live Now (See Heenk pages 216/217)
The book, comprising seven lift-ground etchings with aquatint printed in colours, extensively hand-coloured in acrylic, 1990, one impression of As You’d Be Won’t - Wantonly Wantonly loose and initialed and inscribed 'PP 2', this copy with title-page, text and justification, signed in pencil by the artist and the author Susan Sontag, numbered 'PP 2', a printer's proof aside from the edition of 200, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Karsten Schubert, London, on Fabriano Ingres Avorio paper, the full sheets, bound as published in the original boards and hand-painted paper wrappers, within the original brown cardboard fitted box. Overall size, 303 x 220mm (11 7/8 x 8 5/8in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
5,000 - 7,000 GBP
Howard Hodgkin (1932-2017) Venice Morning, from Venetian Views (Heenk 93) Lift-ground etching with aquatint printed in colours, extensively hand-coloured in acrylic, 1995, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 60, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Alan Cristea Gallery, London, on 16 sheets of Arches paper, the full sheets printed to the edges, overall size 1600 x 1965mm (63 x 78 3/8in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
6,000 - 8,000 GBP
Howard Hodgkin (1932-2017) Venice Afternoon, from Venetian Views (Heenk 94) Lift-ground etching with aquatint printed in colours, extensively hand-coloured in acrylic, 1995, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 60, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Alan Cristea Gallery, London, on 16 sheets of Arches paper, the full sheets printed to the edges, overall size 1600 x 1965mm (63 x 78 3/8in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
6,000 - 8,000 GBP
Howard Hodgkin (1932-2017) Venice Evening, from Venetian Views (Heenk 95) Lift-ground etching with aquatint printed in colours, extensively hand-coloured in acrylic, 1995, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 60, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Alan Cristea Gallery, London, on 16 sheets of Arches paper, the full sheets printed to the edges, overall size 1600 x 1965mm (63 x 78 3/8in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
5,000 - 7,000 GBP
λ Howard Hodgkin (1932-2017) Venice Night, from Venetian Views (Heenk 96) Lift-ground etching with aquatint printed in colours, extensively hand-coloured in acrylic, 1995, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 30, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Alan Cristea Gallery, London, on two sheets of Arches paper, the full sheets printed to the edges, overall size 1590 x 1950mm (62 1/2 x 76 3/4in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
1,500 - 2,000 GBP
λ Howard Hodgkin (1932-2017) Green Room (Heenk 72) Etching with aquatint printed in colours, extensively hand-coloured in acrylic, 1986, initialled, dated and inscribed PP1, in pencil, a printer's proof aside from the edition of 100, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Bernard Jacobson Ltd., London, on TH Saunders wove paper, the full sheet printed to the edges, sheet 512 x 618mm (20 1/8 x 25 1/4in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
1,500 - 2,000 GBP
λ Howard Hodgkin (1932-2017) Red Listening Ear (Heenk 74) Etching with carborundum printed in colours, extensively hand-coloured in acrylic, 1986, initialled, dated and inscribed PP1 in pencil, a printer's proof aside from the edition of 100, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Bernard Jacobson Ltd., London, on TH Saunders wove paper, the full sheet printed to the edges, sheet 475 x 644mm (18 5/8 x 25 1/4in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
4,000 - 6,000 GBP
Howard Hodgkin (1932-2017) Norwich (Heenk 101) Lift-ground etching with aquatint and carborundum printed in colours, extensively hand-coloured in acrylic, 1999-2000, initialled, dated and inscribed 'P' in pencil, a proof aside from the edition of 80, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Alan Cristea Gallery, London, on Two Rivers wove paper, the full sheet printed to the edges, sheet 415 x 470mm (16 3/8 x 18 1/2in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,500 - 3,500 GBP
λ Howard Hodgkin (1932-2017) After Degas (Heenk 81) Etching with carborundum printed in colours, extensively hand-coloured in acrylic, 1990-91, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 80, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by The Metropolitan Museum of Art, New York, on Moulins de Larroque et Pombie wove paper, the full sheet printed to the edges, sheet 255 x 320mm (10 x 12 1/2in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,500 - 3,500 GBP
λ Howard Hodgkin (1932-2017) Snow (Heenk 92) Etching with carborundum printed in colours, extensively hand-coloured in acrylic, 1995, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 80, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by The Metropolitan Museum of Art, New York, on Two Rivers wove paper, the full sheet printed to the edges, sheet 285 x 365mm (11 1/4 x 14 1/4in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,500 - 3,500 GBP
Howard Hodgkin (1932-2017) Turkish Delight (Not in Heenk) Etching with aquatint printed in colours, extensively hand-coloured in acrylic, 2004, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 80, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by The Metropolitan Museum of Art, New York, on wove paper, the full sheet printed to the edges, sheet 240 x 290mm (9 1/2 x 11 1/2in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
3,000 - 5,000 GBP
Howard Hodgkin (1932-2017) Summer (Heenk 98) Lift-ground etching with carborundum printed in colours, extensively hand-coloured in acrylic, 1997, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 100, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by The Metropolitan Museum of Art, New York, on Two Rivers wove paper, the full sheet printed to the edges, sheet 290 x 372mm (11 3/8 x 14 5/8in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,500 - 3,500 GBP
λ Howard Hodgkin (1932-2017) In a Public Garden (Heenk 99) Etching with aquatint and carborundum printed in colours, extensively hand-coloured in acrylic, 1997-98, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 70, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by the Kunstverein für die Rheinland und Westfalen, Düsseldorf, on Two Rivers wove paper, the full sheet printed to the edges, sheet 240 x 280mm (9 1/2 x 11in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
3,000 - 5,000 GBP
Howard Hodgkin (1932-2017) Dawn (Heenk 106) Sugarlift-ground etching with aquatint printed in colours, extensively hand-coloured in acrylic, 2000-02, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 60, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Alan Cristea Gallery, London, on Two Rivers wove paper, the full sheet printed to the edges, sheet 260 x 320mm (10 1/4 x 12 1/2in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
1,500 - 2,000 GBP
λ Howard Hodgkin (1932-2017) Eye (Heenk 102) Lift-ground etching with aquatint and carborundum printed in colours, extensively hand-coloured in acrylic, 2000, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 80, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition co-published by The Institute of Contemporary Arts at the Philadelphia Museum of Art, Philadelphia and Alan Cristea Gallery, London, on Two Rivers wove paper, the full sheet printed to the edges, sheet 284 x 330mm (11 1/4 x 13in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,500 - 3,500 GBP
λ Howard Hodgkin (1932-2017) Away (Heenk 108) Sugarlift-ground etching with aquatint printed in colours, extensively hand-coloured in acrylic, 2000-02, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 60, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Alan Cristea Gallery, London, on Two Rivers wove paper, the full sheet printed to the edges, sheet 260 x 320 mm (10 1/4 x 12 1/2 in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,500 - 3,500 GBP
Howard Hodgkin (1932-2017) Rain (Heenk 105) Lift-ground etching with aquatint and carborundum printed in colours, extensively hand-coloured in acrylic, 2000-02, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 50, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Alan Cristea Gallery, London, on Two Rivers wove paper, the full sheet printed to the edges, sheet 234 x 280mm (9 1/4 x 11in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,500 - 3,500 GBP
λ Howard Hodgkin (1932-2017) Books For The Paris Review (Heenk 100) Lift-ground etching with aquatint and carborundum printed in colours, extensively hand-coloured in acrylic, 1997-99, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 55, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by The Paris Review, New York, on Two Rivers wove paper, the full sheet printed to the edges, sheet 380 x 420mm (15 x 16 1/2in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
8,000 - 12,000 GBP
Howard Hodgkin (1932-2017) Frost (Heenk 103) Lift-ground etching with aquatint printed in colours, extensively hand-coloured in acrylic, 2000-02, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 50, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Alan Cristea Gallery, London, on Arches paper, the full sheet printed to the edges, sheet 1162 x 1157 mm (45 3/4 x 45 1/2in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,500 - 3,500 GBP
λ Howard Hodgkin (1932-2017) Strictly Personal (Heenk 109) Lift-ground etching with aquatint and carborundum printed in colours, extensively hand-coloured in acrylic, 2000-02, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 55, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Alan Cristea Gallery, London, on Two Rivers wove paper, the full sheet printed to the edges, sheet 300 x 343 mm (11 3/4 x 13 1/2in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,500 - 3,500 GBP
λ Howard Hodgkin (1932-2017) Home (Heenk 112) Lift-ground etching with aquatint and carborundum printed in colours, extensively hand-coloured in acrylic, 2000-02, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 50, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Alan Cristea Gallery, London, on Two Rivers wove paper, the full sheet printed to the edges, sheet 368 x 414mm (14 1/2 x 16 1/4in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
3,000 - 5,000 GBP
λ Howard Hodgkin (1932-2017) Seafood (Heenk 111) Lift-ground etching with aquatint and carborundum printed in colours, extensively hand-coloured in acrylic, 2000-02, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 55, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Alan Cristea Gallery, London, on Two Rivers wove paper, the full sheet printed to the edges, sheet 426 x 521mm (16 3/4 x 20 1/2in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
4,000 - 6,000 GBP
Howard Hodgkin (1932-2017) Into the Woods Spring (Heenk 113) Lift-ground etching with aquatint printed in colours, extensively hand-coloured in acrylic, 2001-02, initialled, dated and inscribed 'PP 1/3' in pencil, a printer's proof aside from the edition of 19, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Alan Cristea Gallery, London, on two sheets of Moulin du Gué wove paper, the full sheets printed to the edges, overall size 2032 x 2666mm (80 x 105in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
4,000 - 6,000 GBP
Howard Hodgkin (1932-2017) Into the Woods Summer (Heenk 114) Lift-ground etching with aquatint printed in colours, extensively hand-coloured in acrylic, 2001-02, initialled, dated and inscribed 'PP 1/3' in pencil, a printer's proof aside from the edition of 19, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Alan Cristea Gallery, London, on two sheets of Moulin du Gué wove paper, the full sheets printed to the edges, overall size 2032 x 2666mm (80 x 105in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
4,000 - 6,000 GBP
Howard Hodgkin (1932-2017) Into the Woods Autumn (Heenk 115) Lift-ground etching with aquatint printed in colours, extensively hand-coloured in acrylic, 2001-02, initialled, dated and inscribed 'PP 1/3' in pencil, a printer's proof aside from the edition of 19, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Alan Cristea Gallery, London, on two sheets of Moulin du Gué wove paper, the full sheets printed to the edges, overall size 2032 x 2666mm (80 x 105in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
4,000 - 6,000 GBP
Howard Hodgkin (1932-2017) Into the Woods Winter (Heenk 116) Lift-ground etching with aquatint printed in colours, extensively hand-coloured in acrylic, 2001-02, initialled, dated and inscribed 'PP 1/3' in pencil, a printer's proof aside from the edition of 19, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Alan Cristea Gallery, London, on two sheets of Moulin du Gué wove paper, the full sheets printed to the edges, overall size 2032 x 2666mm (80 x 105in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,000 - 3,000 GBP
Howard Hodgkin (1932-2017) Two’s Company A (Heenk 118) Sugar lift-ground etching with aquatint and carborundum printed in colours, extensively hand-coloured in acrylic, 2002-03, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 100, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition co-published by The Elton John Aids Foundation, and Alan Cristea Gallery, London, on Two Rivers wove paper, the full sheet printed to the edges, sheet 375 x 460mm (14 3/4 x 18in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,000 - 3,000 GBP
Howard Hodgkin (1932-2017) Two’s Company B (Heenk 118) Sugar lift-ground etching with aquatint and carborundum printed in colours, extensively hand-coloured in acrylic, 2002-03, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 100, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition co-published by The Elton John Aids Foundation, and Alan Cristea Gallery, London, on Two Rivers wove paper, the full sheet printed to the edges, sheet 375 x 460mm (14 3/4 x 18in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,000 - 3,000 GBP
Howard Hodgkin (1932-2017) Two’s Company C (Heenk 118) Sugar lift-ground etching with aquatint and carborundum printed in colours, extensively hand-coloured in acrylic, 2002-03, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 100, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition co-published by The Elton John Aids Foundation, and Alan Cristea Gallery, London, on Two Rivers wove paper, the full sheet printed to the edges, sheet 375 x 460mm (14 3/4 x 18in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,000 - 3,000 GBP
Howard Hodgkin (1932-2017) Two’s Company D (Heenk 118) Sugar lift-ground etching with aquatint and carborundum printed in colours, extensively hand-coloured in acrylic, 2002-03, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 100, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition co-published by The Elton John Aids Foundation, and Alan Cristea Gallery, London, on Two Rivers wove paper, the full sheet printed to the edges, sheet 375 x 460mm (14 3/4 x 18in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,500 - 3,500 GBP
λ Howard Hodgkin (1932-2017) Sea (Heenk 117) Sugar lift-ground etching with aquatint printed in colours, extensively hand-coloured in acrylic, 2002-03, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 100, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Thames & Hudson, London, on Two Rivers wove paper, the full sheet printed to the edges, sheet 232 x 265mm (9 1/8 x 10 3/8in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,500 - 3,500 GBP
λ Howard Hodgkin (1932-2017) Sunset (Not in Heenk) Etching with aquatint printed in colours, extensively hand-coloured in acrylic, 2008, initialled, dated and inscribed 'PP 1/5' in pencil, a printer's proof aside from the edition of 30, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by The Whitechapel Gallery, London, on BFK Rives paper, with full margins, sheet 320 x 700mm (12 5/8 x 27 1/2in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Victor Pasmore (1908-1998) Images on the Wall A (Lynton G72a) Etching with aquatint printed in colours, 1992, initialled and dated in pencil, a printer’s proof aside from the edition of 50, printed by Jack Shirreff, Bath, the edition published by Marlborough Graphics, Ltd., London, on BFK Rives paper, with full margins, sheet 560 x 497mm (22 x 19 1/2 in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Victor Pasmore (1908-1998) Images on the Wall B (Lynton G72b) Etching with aquatint printed in colours, 1992, initialled and dated in pencil, a printer’s proof aside from the edition of 50, printed by Jack Shirreff, Bath, the edition published by Marlborough Graphics, Ltd., London, on BFK Rives paper, with full margins, sheet 565 x 497mm (22 1/4 x 19 1/2in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Victor Pasmore (1908-1998) Images on the Wall C (Lynton G72c) Etching with aquatint printed in colours, 1992, initialled and dated in pencil, a printer’s proof aside from the edition of 50, printed by Jack Shirreff, Bath, the edition published by Marlborough Graphics, Ltd., London, on BFK Rives paper, with full margins, sheet 565 x 500mm (22 1/4 x 19 5/8in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Victor Pasmore (1908-1998) Images on the Wall D (Lynton G72d) Etching with aquatint printed in colours, 1992, initialled and dated in pencil, a printer’s proof aside from the edition of 50, printed by Jack Shirreff, Bath, the edition published by Marlborough Graphics, Ltd., London, on BFK Rives paper, with full margins, sheet 560 x 497mm (22 x 19 1/2 in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Victor Pasmore (1908-1998) Images on the Wall E, Edition A (Lynton G72e) Etching with aquatint printed in colours, 1992, initialled and dated in pencil, a printer’s proof aside from the edition of 50, printed by Jack Shirreff, Bath, the edition published by Marlborough Graphics, Ltd., London, on BFK Rives paper, with full margins, sheet 560 x 500mm (22 x 19 1/2 in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Victor Pasmore (1908-1998) Images on the Wall E, Edition B (Lynton G72e) Etching with aquatint printed in colours, 1992, initialled and dated in pencil, a printer’s proof aside from the edition of 25, printed by Jack Shirreff, Bath, the edition published by Marlborough Graphics, Ltd., London, on BFK Rives paper, with full margins, sheet 562 x 500mm (22 x 19 1/2 in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Victor Pasmore (1908-1998) Images on the Wall F, Edition A (Lynton G72f) Etching with aquatint printed in colours, 1992, initialled and dated in pencil, a printer’s proof aside from the edition of 50, printed by Jack Shirreff, Bath, the edition published by Marlborough Graphics, Ltd., London, on BFK Rives paper, with full margins, sheet 560 x 497mm (22 x 19 1/2in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Victor Pasmore (1908-1998) Images on the Wall F, Edition B (Lynton G72f) Etching with aquatint printed in colours, 1992, initialled and dated in pencil, a printer’s proof aside from the edition of 25, printed by Jack Shirreff, Bath, the edition published by Marlborough Graphics, Ltd., London, on BFK Rives paper, with full margins, sheet 560 x 497mm (22 x 19 1/2in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Victor Pasmore (1908-1998) Images on the Wall G, Edition A (Lynton G72g) Etching with aquatint printed in colours, 1992, initialled and dated in pencil, a printer’s proof aside from the edition of 50, printed by Jack Shirreff, Bath, the edition published by Marlborough Graphics, Ltd., London, on BFK Rives paper, with full margins, sheet 560 x 497mm (22 x 19 1/2in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Victor Pasmore (1908-1998) Images on the Wall G, Edition B (Lynton G72g) Etching with aquatint printed in colours, 1992, initialled and dated in pencil, a printer’s proof aside from the edition of 25, printed by Jack Shirreff, Bath, the edition published by Marlborough Graphics, Ltd., London, on BFK Rives paper, with full margins, sheet 560 x 497mm (22 x 19 1/2in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
λ Victor Pasmore (1908-1998) Images on the Wall H, Edition A (Lynton G72h) Etching with aquatint printed in colours, 1992, initialled and dated in pencil, a printer’s proof aside from the edition of 50, printed by Jack Shirreff, Bath, the edition published by Marlborough Graphics, Ltd., London, on BFK Rives paper, with full margins, sheet 560 x 497mm (22 x 19 1/2 in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Victor Pasmore (1908-1998) Images on the Wall H, Edition B (Lynton G72h) Etching with aquatint printed in colours, 1992, initialled and dated in pencil, a printer’s proof aside from the edition of 25, printed by Jack Shirreff, Bath, the edition published by Marlborough Graphics, Ltd., London, on BFK Rives paper, with full margins, sheet 562 x 500mm (22 1/8 x 19 5/8 in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,000 - 3,000 GBP
λ Patrick Hughes (b.1939) Hoppera 3-D Archival inkjet print with extensive hand-colouring, 2008, signed and inscribed PP1/3 in pencil, a printer’s proof aside from the edition of 45, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Flowers Gallery, London, housed in the original plexiglass box frame, overall size 430 x 955 x 185mm (17 x 37 1/2 x 7 1/4 in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,000 - 3,000 GBP
λ Patrick Hughes (b.1939) Mark 3-D Archival inkjet print with extensive hand-colouring, 2004, signed and inscribed 'PP1/3' in pencil, a printer’s proof aside from the edition of 50, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Flowers Gallery, London, housed in the original plexiglass box frame, overall size 440 x 770 x 200mm (17 1/4 x 30 1/4 x 8in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,000 - 3,000 GBP
λ Patrick Hughes (b.1939) Venice 3-D Archival inkjet print with extensive hand-colouring, 2006, signed and inscribed 'PP1/3' in pencil, a printer’s proof aside from the edition of 45, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Flowers Gallery, London, housed in the original plexiglass box frame, overall size 425 x 880 x 170mm (16 3/4 x 34 5/8 x 7 1/4in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,000 - 3,000 GBP
λ Patrick Hughes (b.1939) Shutters 3-D Archival inkjet print with extensive hand-colouring, 2003, signed and inscribed 'PP1/3' in pencil, a printer’s proof aside from the edition of 45, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Flowers Gallery, London, housed in the original plexiglass box frame, overall size 460 x 905 x 150mm (18 x 38 x 6in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
2,000 - 3,000 GBP
λ Patrick Hughes (b.1939) Pop 3-D Archival inkjet print with extensive hand-colouring, 2008, signed and inscribed PP1/3 in pencil, a printer’s proof aside from the edition of 45, printed and hand-coloured by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Flowers Gallery, London, housed in the original plexiglass box frame, overall size 430 x 950 x 180mm (17 x 37 1/2 x 7 1/4in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
λ John Hoyland (1934-2011) Bouquet Etching with aquatint printed in colours, 1983, signed, dated and inscribed 'PP 1/3' in pencil, a printer's proof aside from the edition of 60, printed by Jack Shirreff at 107 Workshop, Wiltshire, the edition published by Waddington Graphics, London, with the publisher's blindstamp, on wove paper, with full margins, 1210mm x 910mm (47 1/2in x 35 3/4in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
Quantity
1
Max bid
GBP
Estimate
1,000 - 1,500 GBP
λ Craigie Aitchison (1926-2009) Goatfell, Isle of Arran (Lambirth & Peck 18) Etching with carborundum printed in colours, 2001, signed and inscribed PP1/3, a printer’s proof aside from the edition of 60, printed by Jack Shirreff at 107 Workshop, Wiltshire, the edition co-published by Timothy Taylor Gallery and Waddington Galleries, London, on wove paper, with full margins, sheet 673 x 616mm (26 5/8 x 24 1/4 in)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
λ Craigie Aitchison (1926-2009) Holy Island (Lambirth & Peck 19) Etching with carborundum printed in colours, 2001, signed and inscribed PP1/3, a printer’s proof aside from the edition of 60, printed by Jack Shirreff at 107 Workshop, Wiltshire, the edition co-published by Timothy Taylor Gallery and Waddington Galleries, London, on wove paper, with full margins, sheet 673 x 616mm (26 5/8 x 24 1/4in)
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