Dreweatts 1759 | A View from Across the Atlantic: The Pamela Ford Collection

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A View from Across the Atlantic: The Pamela Ford Collection

Dreweatts

Donnington Priory

Newbury, Berkshire

RG14 2JE

United Kingdom

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It is a privilege to bring to auction the collection of Pamela Ford, a discerning connoisseur whose vision and taste embody one of the most fascinating narratives in collecting history: the transatlantic dialogue between America and England | Find out more

Viewing in London (highlights):
27 Oct 2025 10:00 - 16:00 GMT
28 Oct 2025 10:00 - 16:00 GMT
29 Oct 2025 10:00 - 19:00 GMT

Viewing in Newbury (full sale): see below

Nov 18, 2025 02:00 PM GMT

Nov 14, 2025 10:00 AM - 04:00 PM GMT

Nov 16, 2025 10:00 AM - 03:00 PM GMT

Nov 17, 2025 10:00 AM - 04:00 PM GMT

Nov 18, 2025 09:00 AM - 02:00 PM GMT

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ATTRIBUTED TO SIR GODFREY KNELLER (1646-1723), PORTRAIT OF A GENTLEMAN

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1,400 GBP

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1,400 GBP

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1,500 - 2,500 GBP

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

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ATTRIBUTED TO JOHN CLOSTERMAN (1660-1711), PORTRAIT OF A GENTLEMAN

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950 GBP

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950 GBP

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1,000 - 1,500 GBP

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

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‡ MANNER OF MAURICE-QUENTIN DE LA TOUR, MADAME DE POMPADOUR (1721-1764) IN HER STUDY

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4,500 GBP

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5,000 - 8,000 GBP

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

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‡ JACQUES-BARTHELEMY DELAMARRE (FRENCH, 19TH CENTURY), PORTRAIT OF A SMALL POODLE

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3,800 GBP

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4,000 - 6,000 GBP

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

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ENGLISH SCHOOL (18TH CENTURY), PORTRAIT OF A LADY, HALF LENGTH IN A RED DRESS

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800 GBP

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1,000 - 1,500 GBP

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

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‡ JOHN CLOSTERMAN (BRITISH 1665-1711), PORTRAIT OF A BOY

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1,500 GBP

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2,000 - 3,000 GBP

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

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ATTRIBUTED TO JAN VAN HAENSBERGEN (DUTCH 1642-1705), PORTRAIT OF A GENTLEMAN

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800 GBP

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1,000 - 1,500 GBP

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

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‡ ATTRIBUTED TO ENOCH SEEMAN (BRITISH 1694-1744), PORTRAIT OF A LADY

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2,400 GBP

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3,000 - 5,000 GBP

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

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‡ CHARLES D' AGAR (FRENCH 1669-1723), PORTRAIT OF ROBERT DARCY, 3RD EARL OF HOLDERNESS (1681-1721)

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4,500 GBP

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5,000 - 7,000 GBP

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

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‡ THOMAS HUDSON (1701-1779), PORTRAIT OF A LADY

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18,000 GBP

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20,000 - 30,000 GBP

‡ THOMAS HUDSON (1701-1779) PORTRAIT OF A LADY, THREE-QUARTER-LENGTH, IN A BLUE SATIN DRESS WITH LACE SLEEVES, A LANDSCAPE BEYOND Oil on canvas 127 x 102cm (50 x 40 in.) Provenance : Acquired from Mackinnon, London by the present owner. This sitter is depicted in a fashionable style of seventeenth-century costume, her blue satin dress with lace sleeves, jewels and feathers topped with a cavalier style hat was a very popular choice for portraits. It derived from Rubens' famous 1630s portrait of Susannah Fourment, which was acquired by Sir Robert Walpole and hung in the Van Dyck Drawing Room at Houghton before entering the collection of Catherine the Great (now in the Gulbenkian Museum, Lisbon). The fashion for ladies to be painted in fancy, or historical, dress went hand-in-hand with the vogue for Masquerade Balls, which had become very popular with 18th Century Society, enabling guests to transcend their own identities. Horace Walpole wrote to his friend Horace Mann in 1742 after seeing a masquerade given by the Duchess of Norfolk: 'quantities of pretty Vandykes, and all kinds of old pictures walked out of their frames' (1). Mary, Duchess of Ancaster wore this particular costume to a Masque at Ranelagh and was subsequently painted by Hudson and engraved by James MacArdell in 1757 (fig. 1), who also produced a mezzotint after Rubens's famous portrait. Both Hudson and his pupil Joseph Wright of Derby (1734-1797) painted a number of portraits of ladies in this antiquarian 'van Dyck' costume including a full-length portrait of Mary Bertie, Duchess of Ancaster and Kesteven, painted in 1757 (Grimsthorpe Castle, Lincolnshire) and a portrait of Lady Oxenden (Art Gallery of New South Wales), recently reattributed to Wright of Derby. Gainsborough also embraced this fashion for period costumes, echoing earlier eras of a family's power and prestige, examples include his portraits for Arundel Castle of Charles Howard, 11 th Duke of Norfolk and Bernard Edward Howard, 12 th Duke of Norfolk . Perhaps Gainsborough's best-known work in this vogue is The Blue Boy (The Huntington, San Marino) the sale of which by the art dealer Joseph Duveen in 1921 to American railroad tycoon Henry Edwards Huntington caused significant outcry in England. 1. Quoted in Thomas Hudson 1701-1779 , London, The Iveagh Bequest, Kenwood, 1979, exh. cat. by Ellen Miles, under n. 15.

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

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‡ GEORGE ROMNEY (BRITISH 1734-1802), PORTRAIT OF FRANCIS LIND (1752/3-1840)

Quantity

35,000 GBP

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35,000 GBP

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40,000 - 60,000 GBP

‡ GEORGE ROMNEY (BRITISH 1734-1802) PORTRAIT OF FRANCIS LIND (1752/3-1840), THREE QUARTER LENGTH, SEATED BY A WINDOW, HOLDING A ONE-KEYED SIMPSON IVORY FLUTE IN HIS RIGHT HAND Oil on canvas w ith inscription Francis Lind Esq/Son of Captn Francis Lind/brother to Edwd George Lind/Esq. & Uncle to Lady Denys/beautiful portrait by Romney/... 1776 (on an old label attached to the frame) 124.5 x 99cm (49 x 38¾ in.) Provenance: Painted for the sitter's mother, Elizabeth Lind, née Farrer and by bequest to the sitter's niece Elizabeth Lind, wife of George Denys and by descent to their daughter, Juliana Louisa Denys, wife of Arthur Montagu and by descent to their son Leopold Agar Denys Montague (1861-1940) and by descent until Anonymous sale; London, Sotheby's, 13 June 1994, lot 54. Mallett, London, 1998. Private Collection. Anonymous sale; London, Christie's, 26 November 2003, lot 6. Anonymous sale; London, Christie's, 5 July 2011, lot 29 (unsold). Anonymous sale, London, Christie's, 7 July 2017, lot 169. Acquired from Mackinnon, London by the present owner. Exhibited: Mallett, London, Predominantly People , 1998, catalogue unnumbered. Literature: H. Ward & W. Roberts, Romney. A Biographical and Critical Essay with a Catalogue Raisonné of his Works , London, 1904, vol. II, p. 95. M. Pastoureau, Green: The History of a Color , Princeton, 2013, p. 169, illustrated. A. Kidson, George Romney, A complete catalogue of his paintings , vol. II, New Haven and London, 2015, pp. 367-68, cat. no. 803. Francis Lind was the son of Captain Francis Lind and his wife Elizabeth, n é e Farrier. He married his cousin Ann Cooper in 1785. The present portrait, along with one of his brother Edward George Lind (1754-1832), see Kidson, op,cit. no. 801, were commissioned by the sitter's mother circa 1775-6 shortly after Romney's return from Italy. Elizabeth Lind was the sister-in-law of Dr James Ainslie who was one of Romney's best patrons in the mid 1760s. Painted just before Romney started keeping sitter records there is a note on the fly-leaf of his 1776 sitter book, 'Mrs Lind, Carlisle, to be sent on Friday morning to the Castle Inn'. Kidson notes that the romantic view through the window behind the sitter probably represents a scene in the Lake District. The Simpson family were a dynasty of flute makers, based in London during the 18th and early 19th centuries. Their ivory flutes were prized for their clear, resonant sound and elegant construction.

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

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‡ JOSEPH HIGHMORE (BRITISH 1692-1780), PORTRAIT OF MR EDWARD PRYCE OF GUNLEY AND MRS FRANCES PRYCE

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0 GBP

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12,000 GBP

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15,000 - 25,000 GBP

‡ JOSEPH HIGHMORE (BRITISH 1692-1780) DOUBLE PORTRAIT OF MR EDWARD PRYCE (B.1723) OF GUNLEY AND MRS FRANCES PRYCE, NEE EGERTON OF TRELYDAN, HALF LENGTH, WITH A LANDSCAPE BEYOND Oil on canvas Signed and dated Jos Highmore/pinx 1752 (lower right, on a ledge) and with inscription, Mr + Mrs Edward Pryce/she was Miss Egerton of Trelydan (on a label attached to the stretcher) and with a further inscription Mr & Mrs Edwd Pryce/of Trelydan (on a label attached to the frame) 102 x 127cm (40 x 50 in.) Provenance: The Pryce family (records indicate a receipt for the painting and frame on 7 May 1752). Anonymous sale; Woolley & Wallis, Salisbury, 4 April 2007, lot 359. Acquired from Butchoff Antiques, London by the present owner. The Pryce family were seated at Gunley (Gwnle) manor in Chirbury, Shropshire from ancient times. Edward Pryce married Frances, daughter and co-heiress of Rev. James Egerton, of Trelydan, in 1751. The present work was probably commissioned on the occasion of their marriage. Joseph Highmore was encouraged by his family to train as a lawyer and took a clerkship at the age of 17, while still attending Godfrey Kneller's Drawing Academy. By 1715 Highmore abandoned his law career, and began work as a portrait painter in London. From 1720 he attended the St. Martin's Lane Academy, where he was able to study contemporary French styles in art and design, particularly that of Gravelot. He also attended William Cheselden's anatomy lectures and contributed designs to that author's Anatomy of the Human Body, 1722. Highmore travelled to the Low Countries to study works by Rubens and van Dyck, and later went to Paris, where he saw the art collections at Versailles, the Palais du Luxembourg and the Louvre. In the following years he secured important commissions from the Royal family, such as Queen Caroline of Ansbach ( circa 1735; Royal Collection, Hampton Court).

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

‡ ADRIANA (FORMERLY KNOWN AS MARIA) VERELST (BRITISH CIRCA 1683-1769), PORTRAIT OF SARAH CHURCHILL

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0 GBP

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7,500 GBP

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8,000 - 12,000 GBP

‡ ADRIANA (FORMERLY KNOWN AS MARIA) VERELST (BRITISH CIRCA 1683-1769) PORTRAIT OF SARAH CHURCHILL, DUCHESS OF MARLBOROUGH (1660-1744), FULL-LENGTH, HER LEFT ARM RESTING ON A PILLAR, BEFORE A COLUMN Oil on canvas 228.5 x 142.2cm (89¾ x 55 in.) Provenance: Gennaro Maione (1894-1965) and Gertrude A. Maione (née Jennings, b.1890) and by descent to Patricia Gertrude Maione (1921-2001); London, Christie's, 10 December 1965, lot 72 (as by Kneller) where purchased by Mr. Box. Private collection, U.K.. Philip Mould, London, September 2010 where acquired by the present owner. The present portrait of the politician and courtier Sarah Churchill, previously attributed to Kneller is by Adriana Verelst. Verelst, traditionally and successively been erroneously identified as Maria, was the only surviving daughter of Herman Verelst (a portrait painter) and Cecilia Fend, originally from Venice, the exact date and place of her birth uncertain. She was already a successful artist when she married Richard Baker, a widower of St Andrew's Holborn, on 6 June 1717 at St Michael Queenhithe, however within four months, the marriage had broken down. Baker claimed in court that all of Verelst's property was rightfully his and that she had sold a substantial amount of goods (including pictures) to a local dealer on or about 29 August 1717. He appealed to the court for restitution of his property or compensation. The couple separated and a judgement of 25 November 1718 awarded her an annuity of £40 per annum for life for 'separate maintenance and in lieu and satisfaction of any Demand Right or Title' that she might later claim. Continue reading Condition Report: The canvas has been relined and examination under UV light reveals a possible repaired tear running diagonally in the upper right corner and a vertical repaired tear in the curtain upper left. There is some older retouching in the sitter's face and decolletage and to her hands and other scattered spots of restoration in the background. There is some possible strengthening of the highlights in the sitter's dress and hair. The paint surface in the marbled floor is a little worn and thin, particularly in the lower right quadrant. Condition Report Disclaimer

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

‡ LEMUEL FRANCIS ABBOTT (BRITISH 1760-1802), PORTRAIT OF AUBREY, EARL OF BURFORD (1765-1815)

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12,000 GBP

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15,000 - 25,000 GBP

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

‡ ALLAN RAMSAY (SCOTTISH 1713-1784), PORTRAIT OF VALENTINE MORRIS (1727-1789)

Quantity

4,800 GBP

Opening bid

4,800 GBP

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0 GBP

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GBP

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5,000 - 7,000 GBP

‡ ALLAN RAMSAY (SCOTTISH 1713-1784) PORTRAIT OF VALENTINE MORRIS,(1727-1789), BUST LENGTH, IN A GREEN COAT AND GOLD EMBROIDERED WAISTCOAT Oil on canvas, cut to an oval and laid on canvas 76.3 x 63.5cm (30 x 25 in.) Provenance: Captain Alfred Charles Seton Christopher (1856-1934), Chelsea, London. Anonymous sale; New York, Christie's, 31 October 2017, lot 45. Valentine Morris was the son of Colonel Valentine Morris (c. 1678-1743), a sugar plantation owner and merchant and Elizabeth Wilmott (d. 1761). In 1748 Morris married Mary Mordaunt, a niece of the 3rd Earl of Peterborough and on his father's death, he inherited Piercefield House near Chepstow. With the help of Richard Owen Cambridge (1717-1802), he transformed the parkland into a fashionable English landscape garden in the style of Lancelot 'Capability' Brown, it was one of the earliest examples of picturesque landscaping. In his Observations on the River Wye (1782), William Gilpin (1724-1804) deemed the grounds at Piercefield to be 'as much worth of the traveller's notice as anything on the banks of the Wye ... they are extremely romantic, and give a loose to the most pleasing riot of imagination.' However, Morris' gambling, alongside his business and political dealings, took him into financial difficulty and as a result of expenses accrued during a contested county election in 1771, Morris was forced to sell his estate and decamp to the West Indies. There he was soon nominated as Governor of Saint Vincent and while he sought to defend the island against French attacks (it has been ceded under the terms of the Treaty of Paris in 1763) in 1779 he was forced to negotiate its surrender. Morris was reduced to poverty, he surrendered his estates in the West Indies and forced to sell Piercefield in 1784 . He returned to London where he was imprisoned for debt. He died in London in 1789, aged 61. Ramsay painted the sitter's mother in 1750, see A. Smart, ed. J. Ingamells, Allan Ramsay: A Complete Catalogue of his Paintings , London, 1999, pp. 161-62, 310, no. 380, fig. 361. The picture previously belonged to Captain Seton Christopher who served with the Seaford Highlanders, earning the Afghan War Medal in 1880, he served as an alderman and May of Chelsea from 1925-26 and died at his home in Carlyle Square, Chelsea, London. Condition Report: The original oval canvas has been laid onto another canvas- an early arrangement. Examination under ultra violet light reveals an opaque varnish. There are scattered areas of old retouching in the sitter's cheek, forehead and nose and in the background. There is an area of retouching to the sitter's right sleeve which is lifting and there are some small losses. Condition Report Disclaimer

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

‡ THOMAS HICKEY (BRITISH 1741-1824), PORTRAIT OF SOPHIA DASHWOOD

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5,500 GBP

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7,000 - 10,000 GBP

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

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‡ JOHN VANDERBANK (BRITISH 1694-1739), PORTRAIT OF A LADY

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4,000 GBP

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5,000 - 7,000 GBP

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

‡ THOMAS BEACH, R.A. (BRITISH 1738-1806), PORTRAIT OF ELIZA FITZGERALD

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2,400 GBP

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3,000 - 5,000 GBP

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

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‡ AFTER JEAN BAPTISTE MARIE PIERRE, THE ABDUCTION OF EUROPA

Quantity

2,800 GBP

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2,800 GBP

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3,000 - 5,000 GBP

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

‡ FLEMISH SCHOOL (EARLY 17TH CENTURY), A FETE CHAMPETRE OF FOXES AND SWANS

Quantity

14,000 GBP

Opening bid

14,000 GBP

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15,000 - 25,000 GBP

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

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‡ GASTON LA TOUCHE (FRENCH 1854-1913), UNE SOIREE ELEGANTE

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3,500 GBP

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4,000 - 6,000 GBP

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

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280 GBP

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300 - 500 GBP

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

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‡ JUAN PABLO SALINAS Y TERUEL (SPANISH 1871-1946), THE FINAL TOUCH

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2,400 GBP

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3,000 - 5,000 GBP

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

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‡ JUAN PABLO SALINAS Y TERUEL (SPANISH 1871-1946), THE PRESENTATION OF THE PORTRAIT

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3,500 GBP

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4,000 - 6,000 GBP

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

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λ‡ JEAN-GABRIEL DOMERGUE (FRENCH 1889-1962), LA LOGE A L'OPERA

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4,000 GBP

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5,000 - 7,000 GBP

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

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λ‡ JEAN-GABRIEL DOMERGUE (FRENCH 1889-1962), ASCOT - L'AGA KHAN

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3,000 GBP

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4,000 - 6,000 GBP

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire

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λ‡ JEAN-GABRIEL DOMERGUE (FRENCH 1889-1962), BUSTE DE FEMME

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2,000 GBP

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3,000 - 5,000 GBP

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Auction date(s): Nov 18

Lot location: Newbury, Berkshire