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Live
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Dreweatts
Donnington Priory
Newbury, Berkshire
RG14 2JE
United Kingdom
Old Master, British and European Art
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01 Jun 2026: 10:00 - 16:00 BST
02 Jun 2026: 10:00 - 16:00 BST
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Auction dates
Jun 10, 2026 10:30 AM BST
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Jun 06, 2026 10:00 AM - 03:00 PM BST
Jun 07, 2026 10:00 AM - 03:00 PM BST
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FLORENTINE SCHOOL (16TH CENTURY) MYTHOLOGICAL FIGURE WITH PUTTI Pen and brown ink on paper With collector's stamp for Richard Cosway (L.628) (lower right) 12 x 24cm (4½ x 9¼in.) Provenance: The Collection of Richard Cosway Condition Report: Condition Report Disclaimer
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FOLLOWER OF HENDRICK GOLTZIUS, AFTER CORNELIS VAN HAARLEM CAIN KILLING ABEL Red chalk on laid paper Inscribed 'Henrr goltio / Kain * Abel' (lower centre) 39 x 42cm (15¼ x 16½in.) Based on a lost composition by Cornelis van Haarleem engraved by Jan Muller (1571-1628) and Hendrick Goltzius (1558-1617) Condition Report: With some discolouration to the sheet, as well as speckled foxing throughout. There is a concentrated band of discolouration running along the upper and lower edges - possibly caused by previous mounting. There are two central vertical creases running the length of the sheet. There is a small area of damage and subsequent repair (approx. 5mm diameter) to the lower left quadrant (see online and catalogue image). Light undulation to the sheet throughout. Evidence of a partial collector's stamp (lower left). Light spots of surface dirt throughout. Unexamined out of glazed frame.Condition Report Disclaimer
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LUDOVICO CARDI, CALLED IL CIGOLI (ITALIAN 1559-1613) RECLINING NUDE, POSSIBLY A STUDY FOR MERCURY Red chalk on oatmeal paper Inscribed 'RR' (lower right); with inscription 'Del Cigoli' (centre left) 23 x 8cm (9 x 3in.) Condition Report: Unexamined out of glazed frame. The sheet appears to have been laid down to a secondary sheet, as seen where the inscription has been placed. The sheet is slightly cockled. Acidic staining and surface dirt are present. Slight abrasions to the extreme edges. Scattered foxing throughout. Superficial scratches and some slight chalk losses commensurate with age. Condition Report Disclaimer
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FLORENTINE SCHOOL (LATE 16TH CENTURY) FIGURE WITH CORNUCOPIA, POSSIBLY AN ALLEGORY OF ABUNDANCE Black chalk heightened with white and pen on blue paper Numbered '47' (upper left); indistinctly inscribed (lower left and right) 38 x 15.8cm (14¾ x 6in.) Condition Report: The work has been laid down. Light discolouration to the sheet as well as some staining to the edges. Spots of foxing scattered throughout. There is a small amount of creasing to the lower left corner and along the upper right edge. There are two, light, horizontal creases running through the centre of the sheet, and another two towards the lower third of the sheet. A number of white blemishes where the work has previously been treated but these are very minor. Unexamined out of glazed frame.Condition Report Disclaimer
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700 - 1,000 GBP
FERRARESE SCHOOL (16TH CENTURY) THE ASSUMPTION OF THE VIRGIN, A FRAGMENT Charcoal, brown wash with white Numbered '2922' (upper left) 30 x 22.5cm (11¾ x 8¾in.) Condition Report: The sheet has been laid down, and the supporting sheet can been seen coming through to areas in the upper left quadrant where the original work has suffered some loss. There are a number of folding creases - two horizontal running through the centre of the sheet, and one vertical crease running down the centre right. There is an associated tear (approx. 2cm), which has been repaired to the left edge. Additional associated, smaller creases throughout. There appears to be a repaired tear (approx. 5cm) to the lower left corner. Further smaller areas of repair scattered throughout. Some discolouration to the sheet together with scattered spots of surface dirt and foxing. Also with some fading throughout. Unexamined out of glazed frame.Condition Report Disclaimer
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STEFANO MAGNASCO (ITALIAN CIRCA 1635-1665) THE LAMENTATION OF CHRIST Chalk and grey wash on grey paper 49 x 38cm (19¼ x 14¾in.) Provenance: Erich Schleier Collection, Berlin Sale, Sotheby's, London, 5 July 2000, lot 184 (as Genovese School 18th Century) Sale, Van Ham, Cologne, 17 May 2024, lot 1063 (as Stefano Magnasco) The authentication of this lot was confirmed by Simonetta Valenti, Rome, at the time of its previous sale at Van Ham, Cologne. Condition Report: Condition Report Disclaimer
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AFTER GIOVANNI BATTISTA MORONI PORTRAIT OF A GENTLEMAN, TITIAN'S SCHOOLMASTER (RECTO); SKETCH OF A FIGURE (VERSO) Coloured chalks and stump on laid paper 28 x 23cm (11 x 9in.) Unframed Condition Report: The sheet is not laid down but is attached to the edges of a paper mount using tape. There are several scattered fox marks present. Acidic staining to the edges likely caused by previous housing. Discolouration to the sheet overall. The coloured chalks are slightly rubbed in areas but generally it is well preserved.Condition Report Disclaimer
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ITALIAN SCHOOL (17TH CENTURY) SKETCH AFTER MICHELANGELO'S FIGURES IN THE LAST JUDGMENT, SISTINE CHAPEL Black chalk Inscribed 'A. Carracci d'apres / Michelangelo 1594' (lower left) 35.7 x 25.5cm (14 x 10in.) Unframed Condition Report: Condition Report Disclaimer
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CIRCLE OF CRISTOFANO RONCALLI, CALLED IL POMARANCIO (ITALIAN 1553-1626) STUDY OF A PUTTO (RECTO); STUDY OF A PROFILE (VERSO) Red chalk on laid paper Indistinctly inscribed 'Dommen*co / R [..]' (lower right) 12.5 x 10cm (4¾ x 3¾in.) Condition Report: Condition Report Disclaimer
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3,000 - 5,000 GBP
DANIEL GARDNER (BRITISH 1750-1805) PORTRAIT GROUP OF VISOUNT BROME (1774-1823), LADY MARY CORNWALLIS (1769-1840) AND MISS CAROLINE TOWNSEND (1778-1866) AS CHILDREN, WITH A SPANIEL IN A WOODED LANDSCAPE Pastel, bodycolour and pencil, oval Extensively inscribed 'Lord Viscount Brome Son to Earl Cornwallis/Aged five years/Lady Mary Cornwallis Daughter to Earl Cornwallis/Aged Ten years/Miss Caroline Townshend Eldest Daughter to the/Rt. Honble. Charles Townsend of Honingham in Norfolk/Aged one year and Half/Bean a favourite Dog/Painted by Mr. Gardener/ March 1780' (to the frame, verso) 75 x 95.5cm (29½ x 37½in.) Provenance: Sir Ailwyn Fellowes Agnew's, London, April 1917 Mrs Burns The Viscount Harcourt, by 1921 Thence by descent to Hon. Alexander St. Vincent Baring, 6th Lord Ashburton Sale, Christie's, London, British Drawings and Watercolours, 30 March 1993, lot 14 Literature: G. C. Williamson, Daniel Gardner, London, 1921, p.102, repr. opp. p.100 N. Jeffares, Dictionary of Pastellists, online edition, no. J.338.1193 Condition Report: Unexamined out of glazed frame. The sheet appears to be slightly cockled and has been laid to canvas. Several tears are present, with three more notable ones to the centre of the upper edge and to the clothing of the girl on the left. A vertical mark runs down the centre of the work. Scattered pinholes, protrusions and abrasions with some associated losses. Some lifting is present to the bodycolour. Further sheet losses to the extreme edges possibly due to rubbing to the frame and some losses to the pastel commensurate with age. Surface dirt, scattered foxing and staining, most notably to the sky. Please refer to additional images for further details.Condition Report Disclaimer
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CIRCLE OF ANTOINE DE FAVRAY (FRENCH 1706 - 1798) A MAN READING; SEATED WOMAN Pencil with later watercolour, laid down, a pair With inscription 'Favray F' (lower left) and (lower right) respectively 20 x 14cm (7¾ x 5½in.) (2) Condition Report: Condition Report Disclaimer
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ROMAN SCHOOL (18TH CENTURY) THE FACADE OF THE PALAZZO MADAMA, ROME Black chalk, pen, brown ink and grey wash 29 x 49.5cm (11¼ x 19¼in.) Condition Report: Condition Report Disclaimer
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FRENCH SCHOOL (18TH CENTURY) PORTRAIT OF A GIRL Red chalk Indistinctly signed (lower right) 23 x 16cm (9 x 6¼in.) Condition Report: Condition Report Disclaimer
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ATTRIBUTED TO MARIE LECZINSKA, QUEEN OF FRANCE (POLISH 1703-1768), AFTER FRANÇOIS-ANDRÉ VINCENT HEAD STUDY OF A YOUNG WOMAN Red and black chalk on paper 36.5 x 26.5cm (14¼ x 10¼in.) After the original work now in the MAH Musée d'art et d'histoire, Geneva, or the print by Gilles-Antoine Demarteau (1750-1802). https://www.pastellists.com/Articles/MLeszczynska.pdf - use to write note Condition Report: Condition Report Disclaimer
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CIRO FERRI (ITALIAN 1634-1689) THE DOGE ADORING THE MADONNA IN THE PRESENCE OF SAINT MARK AND A JESUIT SAINT, WITH A NAVAL BATTLE IN THE BACKGROUND Pen and brown wash, heightened with white, lunette Signed (lower left) 27 x 35cm (10½ x 13¾in.) Provenance: Skippe Sale, 1958, lot 97 (according to inscription, verso) Condition Report: Condition Report Disclaimer
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FOLLOWER OF ANDREA APPIANI STUDY FOR A RECLINING NUDE Pencil and coloured chalk 24 x 35cm (9¼ x 13¾in.) Condition Report: Condition Report Disclaimer
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JOHN SELL COTMAN (BRITISH 1782-1842) STUDY OF TREES Pencil Inscribed '9' (lower right); bears W.Bateson's collector's stamp, Lugt.2604a (verso) 29 x 24cm (11¼ x 9¼in.) Executed circa 1805 Provenance: Professor William Bateson (1861-1926), Trustee of the British Museum Gerald M. Norman Gallery, London Sale, Dreweatts, 8 August 2017, lot 195, where purchased by the present owner Condition Report: Condition Report Disclaimer
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FRANCIS TOWNE (BRITISH 1739 - 1816) LANDSCAPE WITH COTTAGE Pencil, pen and grey ink with grey wash Later inscribed (verso) 20 x 15cm (7¾ x 5¾ in.) Provenance: The Collection of James White (1744-1825), Exeter 1816 The Collection of John Herman Merivale (1779 - 1844), 1825 The Collection of Rose Mary Merivale (1823 - 1902) The Collection of Maria Sophia Merivale (1853 - 1926), May 1915, BP254 The Collection of Judith Ann Merivale (1860 - 1945), May 1915, BP254 Squire Gallery [?], London,1938 The Collection of R.C. Rudolf, 1943 P & D Colnaghi & Co [?], London, 14 October 1943, No. A.12045 The Collection of Joseph Hawksley Elliot (1884 - 1978), Sheffield, 18 June 1945, for £12 Sale, Christie's, London, 14 March 1978, lot 90 where bought by Davies for £220 Thence by descentLiterature: Online catalogue raisonne (see https://francistowne.ac.uk/collection/list-of-works/landscape-with-cottage/page/16), Reference FT389Exhibited: London, Royal Albert Memorial Museum, Three Exeter Artists of the Eighteenth Century: Francis Hayman RA, Francis Towne, John White Abbott, 1951, No. 31 This drawing had a Merivale provenance, as demonstrated by the inscription (not in Towne's hand) of the words "Rose Merivale" on the verso. Rose Merivale is probably John Herman Merivale's daughter Rose Mary Merivale (b.1823, alive 1901), and is likely to have been among those inherited by Judith Merivale (BP254, Trees & Cottage). Condition Report: Unexamined out of glazed frame. The sheet is slightly cockled. A pinhole is present to the upper left corner. A vertical join in the sheet is present approximately 4.5cm from the right edge. A crease or possible repaired tear is present to the lower right corner. Surface dirt and light scattered foxing. Condition Report Disclaimer
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PETER DE WINT (BRITISH 1784-1849) STUDY OF CHILDREN CLIMBING A FENCE Watercolour and pencil on paper 7 x 18cm (2¾ x 7in.) Provenance: Bequeathed by the artist to his wife, Harriet de Wint (1791-1866) By descent to their granddaughter, Harriet Helen Tatlock (1848-1921) By whom gifted to her companion, Muriel Grace Bostock From whom acquired by Sir Geoffrey Harmsworth, 3rd Bt. (1904-1980), 1941 Sale, Christie's, London, British Art on Paper including Original Book Illustrations, 13 June 2002, lot 40 Andrew Wyld, W/S Fine Art, 2005 Private Collection, UK Exhibited: London, W/S Fine Art, Peter de Wint: Colourist and Countryman, 16 November - 9 December 2005, No. 11 Literature: A. Wyld, Peter de Wint: Colourist and Countryman, London, 2005 Condition Report: Unexamined out of glazed frame. The sheet appears to have been laid down. Acidic staining is present, most notably to the extreme edges of the sheet, likely caused by previous housing. Some discolouration commensurate with age with some fading to the more fugitive pigments. Otherwise, the colours appear strong and the sheet seems to be in good condition. Condition Report Disclaimer
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CIRCLE OF DAVID ROBERTS (SCOTTISH 1796-1864) GREAT SQUARE AND MARKETPLACE AT CARMONA, SPAIN Chalk heightened with white 25.5 x 37cm (10 x 14½in.) The picture is derived from the engraving by Roberts in his Picturesque Sketches in Spain (London: Hodgson & Graves, 1837). Condition Report: Condition Report Disclaimer
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FRENCH SCHOOL (LATE 19TH CENTURY) SKETCH OF A LADY WITH A FAN AND A GENTLEMAN (RECTO); SKETCH OF A LADY IN PROFILE (VERSO) Black and white chalk on brown paper 20 x 32.5cm (7¾ x 12¾in.) Unframed Condition Report: Condition Report Disclaimer
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GEORGE CHINNERY (BRITISH 1774-1852) STUDY OF A RESTING FIGURE Pencil Inscribed with the artist's shorthand (upper right) 10 x 13cm (3¾ x 5in.) Unframed Sold to benefit Turner's House, Twickenham. Condition Report: Condition Report Disclaimer
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GEORGE CHINNERY (BRITISH 1774-1852) STUDY OF CHINESE FIGURES IN A MARKET Pencil Extensively inscribed with the artist's shorthand (verso) 10 x 14cm (3¾ x 5½in.) Unframed Sold to benefit Turner's House, Twickenham. Condition Report: Condition Report Disclaimer
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GEORGE CHINNERY (BRITISH 1774-1852) VARIOUS FIGURE STUDIES INCLUDING MEN AROUND A TABLE, A BARBER AND A MAN DRINKING Pencil Inscribed with the artist's shorthand (throughout) and dated '1836' (lower left) 20 x 16cm (7¾ x 6¼in.) Unframed Sold to benefit Turner's House, Twickenham. Condition Report: Condition Report Disclaimer
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GEORGE CHINNERY (BRITISH 1774-1852) STUDY OF A MAN CARRING A BOX ON HIS SHOULDER; STUDIES OF A TANKA BOAT AND TWO FIGURES SWEEPING (RECTO) WITH STUDIES OF VARIOUS FIGURES (VERSO) Pencil The first sheet 17 x 7.5cm (6½ x 2¾in.); the second 16 x 10.5cm (6¼ x 4in.)(2) Unframed Sold to benefit Turner's House, Twickenham. Condition Report: Condition Report Disclaimer
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GEORGE CHINNERY (BRITISH 1774-1852) STUDY OF PENHA HILL, MACAU Pencil 16 x 17cm (6¼ x 6½in.) Unframed Sold to benefit Turner's House, Twickenham. Condition Report: Condition Report Disclaimer
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GEORGE CHINNERY (BRITISH 1774-1852) STUDY OF A CHINESE MAN AT A DESK WITH AN ABACUS AND A STUDY OF A HAND HOLIDNG A HAMMER Pencil and ink Inscribed with artist's shorthand and dated '1842' (centre right) 18.5 x 18cm (7¼ x 7in.) Unframed Sold to benefit Turner's House, Twickenham Condition Report: Condition Report Disclaimer
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GEORGE CHINNERY (BRITISH 1774-1852) VARIOUS STUDIES OF FIGURES AND CATTLE Pencil, pen and ink Inscribed with the artist's shorthand (throughout) and dated '1833' (lower right) 18 x 27cm (7 x 10½in.) Unframed Sold to benefit Turner's House, Twickenham. Condition Report: Condition Report Disclaimer
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MICHEL FRONTI (FRENCH 1862-1935) RECLINING NUDE Pastel on paper laid to canvas Signed (lower right) 53 x 44cm (20¾ x 17¼in.) Condition Report: Condition Report Disclaimer
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286
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SIR JOHN EVERETT MILLAIS (BRITISH 1829-1896) STUDY OF A GIRL WALKING BY THE SEA (RECTO); PORTRAIT STUDY OF EFFIE (VERSO) Pencil, pen and ink (recto); pencil (verso) Signed with monogram and dated '1861' (recto, lower right) 20 x 14cm (7¾ x 5½in.) Provenance: Thomas Agnew & Sons, London, no. 29836 Exhibited: London, Thomas Agnew & Sons, French and English Drawings, 19th and 20th Centuries, 1968, no. 68 The portrait of Millais' wife Effie Gray appears to be a study for Peace Concluded (now in the Minneapolis Institute of Fine Art), which the artist completed in 1856, the year after they married. When the painting was exhibited at the Royal Academy, John Ruskin proclaimed that 'This picture is as brilliant in invention as consummate in executive power... [it] will rank in future among the world's best masterpieces' (John Ruskin, 'Academy Notes, 1856' in The Works of John Ruskin, 1903, p. 56).In a letter dated 14 April 1856 to William Bell Scott, William Michael Rossetti wrote 'He [Millais] means now to do ... a cliff and sea-shore picture by night, with the rather absurd incident of a somnambulist girl followed by her father with a lantern. Doubtless he will make something strange and impressive out of it; but meaning is not apparent' (Roger W. Peattie (ed.), Selected Letters of William Michael Rossetti, 1990, p. 65). While the study is dated '1861', evidently the subject of somnambulism was on Millais' mind five years earlier. It is therefore possible that Millais began the sleepwalking scene on the reverse of the study of Effie in 1856, using pencil to complete the girl's head and to roughly describe the setting and nightgown. He may then have returned to reinforce the work in brown ink at the later date. Indeed, the subject is brought to fruition in Millais' The Somnambulist of 1871, which shares some compositional similarities with the present drawing, albeit the sleepwalker becomes a young woman. We are grateful to Malcolm Warner for his assistance in cataloguing this work. Condition Report: The drawing is double sided and is fitted into an acidic mount along all four edges. The sheet has discoloured overall from the acidic housing, particularly at the edges and the lower right corner is reattached. There is some light surface dirt, particularly to the left of the sitter's head. There is scattered foxing and a stain upper left and a surface abrasion upper right on the verso. Condition Report Disclaimer
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DELPHIN ENJOLRAS (FRENCH 1857-1945) THE MODEL Pastel Signed (lower right) 36 x 53cm (14 x 20¾in.) Condition Report: Condition Report Disclaimer
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