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A CHINESE BRONZE 'EIGHT IMMORTALS' CENSER, QING DYNASTY

337

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700 GBP

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700 - 1,000 GBP

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Auction date(s): 05 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

A SMALL CHINESE BRONZE 'HORSE AND RIDER' PLAQUE, LATE MING OR QING DYNASTY

412

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60 GBP

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80 - 120 GBP

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Auction date(s): 05 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

A CHINESE BRONZE 'ARCHAISTIC' VASE, LATE MING DYNASTY

333

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240 GBP

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400 - 600 GBP

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Auction date(s): 05 Jun

Lot location: Newbury, Berkshire

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A ROYAL DOULTON RIBBED GREY POTTERY CYLINDRICAL VASE BY VERA HUGGINS

209

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1

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300 GBP

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500 - 700 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

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A WILLIAM III/QUEEN-ANNE WALNUT AND FLORAL MARQUETRY EIGHT-DAY LONGCASE CLOCK JOSEPH WINDMILLS

10

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6,500 GBP

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7,000 - 10,000 GBP

A WILLIAM III/QUEEN-ANNE WALNUT AND FLORAL MARQUETRY EIGHT-DAY LONGCASE CLOCK JOSEPH WINDMILLS LONDON, CIRCA 1700-05 The six finned and latched inside countwheel bell striking movement with anchor escapement regulated by seconds pendulum, the 11 inch square gilt brass dial with subsidiary seconds, ringed winding holes and conforming calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with stylised sword-hilt half hour markers and signed J. Windmills, London to lower margin, the angles applied with twin cherub and crown spandrels with foliate scroll engraved infill to the plate between, the case decorated with floral and foliate marquetry and with caddy top over glazed hood door with turned columns flanking the aperture, with concave throat moulding and trunk door centred with a lenticle and decorated with three-shaped panels incorporating central bird amid flowers, on conforming plinth base with decorated shallow skirt. 232cm high excluding later finials, 49cm wide, 26.5cm deep Provenance: Acquired August 1919, 'A fine Wm & Mary long case clock with bird & flower marquetry panels' The life and work of Joseph Windmills and his successors is comprehensively documented in Neale, J.A. Joseph and Thomas Windmills Clock and Watch Makers 1671-1737 . Joseph joined the Clockmakers' Company as a free Brother on 29th September 1671 - the same year that Joseph Knibb, Daniel Quare and Thomas Tompion also gained their freedom of the Company. He initially worked from Blow Bladder Street in St. Martins le Grand, London before moving to premises at 'Swan Court, Mark Lane End, next Tower Street' by April 1674 where the business remained. Joseph took his son, Thomas, as an apprentice who, after gaining his freedom in 1696, is thought to have immediately gone into business with his father; shortly after 1700 the firm became a partnership which lasted until Joseph's death in 1724. As a contemporary of Knibb, Quare and Tompion, Joseph Windmills would have had to compete with some of the finest clockmakers that have ever lived during a period of heightened scientific enlightenment. In this environment Windmills excelled, producing clocks of a quality that equalled many of his more famous peers.

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

WILLIAM ANDREWS NESFIELD (BRITISH 1793-1881), A MOUNTAINOUS LANDSCAPE WITH A RIVER IN SPATE

234

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60 GBP

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60 GBP

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100 - 200 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

A QUEEN ANNE WALNUT OPEN ARMCHAIR CIRCA 1710

194

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300 GBP

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500 - 800 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

λ ROBERT HUMBLOT (FRENCH 1907-1962), LES HUPPES

34

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1

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950 GBP

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1,000 - 1,500 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

AN EARLY VICTORIAN POLYCHROME AND GILT DECORATED TOLE PEINTE PURDONIUM CIRCA 1840-1860

52

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180 GBP

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300 - 500 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

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Y A REGENCY MAHOGANY AND BOXWOOD-LINED TOILET-MIRROR EARLY 19TH CENTURY

292

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300 GBP

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500 - 700 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

A PAIR OF FRENCH TERRACOTTA RECUMBENT LIONS 19TH CENTURY

324

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1

950 GBP

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950 GBP

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1,000 - 1,500 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

161

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1

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300 GBP

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500 - 700 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

296

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1

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350 GBP

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600 - 800 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

TWO HUNTLEY & PALMERS 'LITERATURE' BISCUIT TINS EARLY 20TH CENTURY

29

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90 GBP

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150 - 250 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

A GEORGE III MAHOGANY TRIPOD TABLE CIRCA 1760

295

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120 GBP

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200 - 400 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

A GEORGE II OAK BOOKCASE MID-18TH CENTURY

202

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1

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1,800 GBP

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2,000 - 3,000 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

JAMES DICKSON INNES (BRITISH 1887-1914), LANDSCAPE, SOUTH OF FRANCE

43

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9,500 GBP

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10,000 - 15,000 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

FRANCIS WHEATLEY (BRITISH 1747-1801), MILKMAIDS IN A FARMYARD

265

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180 GBP

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300 - 500 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

A PAIR OF ARMCHAIRS HOWARD & SONS, EARLY 20TH CENTURY

49

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1

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2,800 GBP

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3,000 - 5,000 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

A GEORGE III MAHOGANY TRIPOD TABLE LATE 18TH CENTURY

53

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1

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180 GBP

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300 - 500 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

A CHINESE RECTANGULAR REVERSE GLASS PAINTING OF TWO FIGURES BY A RIVER QING DYNASTY

90

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1

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4,800 GBP

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5,000 - 7,000 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

A REGENCY MAHOGANY SOFA TABLE EARLY 19TH CENTURY

284

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1

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240 GBP

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400 - 600 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

A PAIR OF PILL POTTERY (NEWPORT MONMOUTHSHIRE) TREACLE-GLAZED RED POTTERY MODELS OF RECUMBENT LIONS

174

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1

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650 GBP

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700 - 1,000 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

A GEORGE II MAHOGANY POLE SCREEN MID-18TH CENTURY

275

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1

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240 GBP

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400 - 600 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

MYLES BIRKET FOSTER (BRITISH 1825-1899), CAMBUSKENNETH ABBEY

69

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1

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350 GBP

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600 - 800 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

λ PHILIP MATTHEWS (BRITISH 1916-1984), STILL LIFE OF ORANGES

171

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300 GBP

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500 - 800 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

JOSEPH GOTT (BRITISH, 1786-1860) A TERRACOTTA GROUP OF A DOG WITH HER THREE YOUNG PUPPIES

189

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240 GBP

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400 - 800 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

λ RICHARD EURICH (BRITISH 1903-1992), 'THE HAMMOCK': WITH ACKNOWLEDGEMENTS TO WADSWORTH

112

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1

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6,500 GBP

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7,000 - 10,000 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

A SILVER GILT SHAPED CIRCULAR WAITER JAMES DIXON & SON 1945

165

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1

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40 GBP

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80 - 120 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

A WILLIAM AND MARY WALNUT AND SEAWEED MARQUETRY CUSHION-FRAMED MIRROR LATE 17TH CENTURY

96

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1

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9,500 GBP

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10,000 - 15,000 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

A REGENCY MAHOGANY CHEVAL MIRROR EARLY 19TH CENTURY

272

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350 GBP

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600 - 800 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

λ WILLIAM BROOKER (BRITISH 1918-1983), THE NELSON JUG

123

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1

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1,800 GBP

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2,000 - 3,000 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

A GEORGE III MAHOGANY SMALL PARTNER'S DESK

195

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1

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1,800 GBP

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2,000 - 3,000 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

λ ANTHONY DEVAS (BRITISH 1911-1958), NUDE SEATED

125

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1

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350 GBP

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600 - 800 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

PAUL NASH (BRITISH 1889-1946), STUDIO INTERIOR

186

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1

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48,000 GBP

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50,000 - 80,000 GBP

PAUL NASH (BRITISH 1889-1946) STUDIO INTERIOR Oil on canvas Signed (lower right) 81 x 39cm (31¾ x 15¼ in.) Painted in 1930. Provenance: Arthur Tooth & Sons Ltd., London Barbara Gibbs and thence by descent Exhibited: London, Arthur Tooth & Sons Ltd., Recent Developments in British Painting , October 1931, no. 4 London, Tate Gallery, Paul Nash , November-December 1975, no. 119 Literature: A. Causey, Paul Nash , Oxford, 1980, no. 668, p1. 493 The present painting forms part of a rare body of work by Paul Nash that solely depicts an interior, without it being a construct for an external landscape beyond. A tall slender jug holds tentacles of dried grasses and flower heads, perched upon a bookcase filled with casually inserted volumes. Before the bookcase a wooden armchair sits semi shrouded in a white sheet and an architect's T Square rests in the corner, throwing a dark shadow of a cross onto the wall behind. Nash had recently incorporated mathematical instruments into Dead Spring , painted in the previous year following the death of his father, who he was very close to. Writing to his friend Gordon Bottomley he confided that "It was a tragic business losing my Dad...As you know I loved him very much...A part of my life goes with him for in so many ways he and I were linked." (A.Causey, Paul Nash, Landscape and the Life of Objects , Farnham, 2013, p.67) In writing about Dead Spring , Causey observes that "A ruler and set square add to the sense that design is about geometry, measurement and control, from which the plant is suffering" (ibid, p.66) and indeed the tension within the painting is created through the strong linear construction juxtaposed to the withering natural curves of the pot plant. The use of similar subject matter correlates to the present work, however the context in which it is used feels altogether more personal. The dry, formalised technique that Nash started to experiment with in 1929 where the brushstroke is disguised, eliminating the presence of the artist's individual hand and thus giving the work a timelessness and in the case of Dead Spring , a memorialising atmosphere, has been used. However, this artistic objectification is conflicted with the intimate private space in Studio Interior . We the onlooker have stumbled on a quiet overlooked corner of this room. The still life is not formally constructed but seemingly happened upon. These are real objects in a real space acutely positioned to create an emptiness in what appears to be a busy studio. Slightly claustrophobic and nostalgic but with an underlying disquiet that is present in Nash's finest works. This painting is reflective but not sentimental. It does not represent or mark a specific moment but rather the conscious inevitability of time passing for us all. .

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

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A CASED VICTORIAN CHRISTENING SILVER TWIN HANDLED BOWL, KNIFE, FORK AND SPOON

169

Quantity

1

90 GBP

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90 GBP

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150 - 250 GBP

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Auction date(s): 04 Jun

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

A fine Chinese five-colour cloud blue-ground summer gauze 'Dragon' robe

129

Quantity

1

9,000 GBP

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9,000 GBP

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0 GBP

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GBP

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4,000 - 6,000 GBP

A fine Chinese five-colour cloud blue-ground summer gauze 'Dragon' robe , Jifu , Qing dynasty, first half of the 19th century, the blue silk gauze worked in couched gold thread and fine counted stitch with nine five-clawed dragons pursuing flaming pearls amidst five-colour clouds interspersed with bats and melons or persimmons above a wide terrestrial diagram and lishui stripe separated by billowing ruyi-shaped clouds, with similar decoration repeated on the border, collar and horse shoe cuffs, with midnight-blue silk gauze sleeve extensions, 207cm cuff to cuff x 144cm hem to collar; sold with two sheets of Chinese Government 5% Gold Loan, 1912, £100 ("Crisp loan") Provenance: By family inheritance Charlotte Victoria Hunt (nee Crisp) until 1964 Collected by Charles Birch Crisp (1887-1958) in Peking circa 1912 Charles 'Chinese' Crisp was a financier known as 'Chinese' Crisp because of his work in raising finance for the Chinese Government, culminating in a five million pound Bond issue in 1912. He was also a personal friend of Sir Winston Churchill, but in later years Mr Crisp fell on hard times, and in 1953 sold at Sotheby's personal letters written to him by Sir Winston Churchill. A very similar blue gauze dragon robe, is illustrated by C. Hall et al., Power Dressing, Textiles for Rulers and Priests from the Chris Hall Collection , Asian Civilizations Museum, 2006, p. 147, no. 23, where the authors note that, 'blue was the colour used on dragon robes worn by the third and fourth degree princes, nobles down to the eleventh degree, and officials'. They further state that the appearance of the five-clawed dragons, together with the colour and style, indicate that the robe was likely made to be worn by a third or fourth degree prince or noble, as would have been the case with the present robe. 清十九世紀早期石青地納紗彩雲金龍紋吉服袍拍品來源：Charles Birch Crisp (1887-1958) 于1912年左右購自北平，後由家族傳承，他為英國前首相丘吉爾密友，並曾幫助北洋政府發行了總價約五百萬鎊的國庫券。 Condition Report: in fine condition other than some minor loose gold threads loose and other minor faults and very minor fading Condition Report Disclaimer

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Auction date(s): 21 May

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

500

Quantity

1

180 GBP

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180 GBP

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200 - 300 GBP

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Auction date(s): 22 May

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

248

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1

400 GBP

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400 GBP

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250 - 350 GBP

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Auction date(s): 21 May

Lot location: Newbury, Berkshire

Featured lot Provisionally sold Leading Won Outbid Lost Declined Reserve not met Leading

346

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1

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300 GBP

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300 - 500 GBP

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Auction date(s): 22 May

Lot location: Newbury, Berkshire

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ATTRUBUTED TO COSMO ALEXANDER (SCOTTISH 1724-1772), PORTRAIT OF SIR JOSEPH SCOTT BT (1752-1828)

71

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1

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1,400 GBP

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1,500 - 2,500 GBP

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Auction date(s): 12 Jun

Lot location: Newbury, Berkshire

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BRITISH SCHOOL (19TH CENTURY), PORTRAIT OF A LADY IN A BLUE DRESS

95

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1

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350 GBP

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400 - 600 GBP

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Auction date(s): 12 Jun

Lot location: Newbury, Berkshire

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EDWARD WILLIAM COOKE (BRITISH 1811-1880), THE EUGANEAN HILLS FROM THE LAGUNE [sic] OF VENICE

220

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1

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1,800 GBP

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2,000 - 3,000 GBP

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Auction date(s): 12 Jun

Lot location: Newbury, Berkshire

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JOSEPH WARREN (BRITISH EARLY 20TH CENTURY), STORY TIME

178

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1

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900 GBP

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1,000 - 1,500 GBP

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Auction date(s): 12 Jun

Lot location: Newbury, Berkshire

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ISAAC LAZARUS ISRAELS (DUTCH 1865-1934), RICHMOND BOATHOUSE ON THE THAMES

205

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1

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4,500 GBP

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5,000 - 7,000 GBP

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Auction date(s): 12 Jun

Lot location: Newbury, Berkshire

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JAMES ABBOTT MCNEILL WHISTLER (AMERICAN 1834-1903), VENETIAN CANAL; BRIDGE OVER CANAL (VERSO)

142

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1

0 GBP

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35,000 GBP

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GBP

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40,000 - 60,000 GBP

JAMES ABBOTT MCNEILL WHISTLER (AMERICAN 1834-1903) VENETIAN CANAL (RECTO); AND BRIDGE OVER CANAL (VERSO), (M.0766) Chalk and pastel on brown paper 30 x 20cm (11¾ x 7¾ in.) Executed circa 1879-80. Provenance: Macbeth, New York; Sale, Sotheby's, New York, 30 May 1984, lot 43, bt. Merrington; Rodney Merrington, London; From a Private Collection. Exhibited: New York, M. Knoedler & Co, Inc., Notes, Harmonies and Nocturnes: Small Works by James McNeill Whistler , 29 November - 27 December 1984, no. 86; London, Bankside Gallery, Visions of Venice , 1 November - 2 December 1990; Amsterdam, Rijksmuseum, Whistler and Holland , 16 August - 9 November 1997, fig. 39; Glasgow, The Hunterian Museum and Art Gallery, Whistler and Holland , 19 October 2000 - 27 January 2001; Glasgow, The Burrell Collection, Palaces in the Night: Whistler in Venice , 17 October 2003 - 18 January 2004; Valencia, The Valencian Institute of Modern Art (IVAM), Whistler-Music , 21 July - 25th September 2005; Riehen/Basel, Fondation Beyeler, Venice from Canaletto and Turner to Monet , 28 September 2008 - 25 January 2009, no number. Literature: M. MacDonald, Notes, Harmonies and Nocturnes: Small Works by James McNeill Whistler , 29 November - 27 December 1984, no. 86, ill., p. 66 J. F. Heijnbroek and M. F. MacDonald, Whistler and Holland, 1997, ill., fig. 39, p. 34 MacDonald, James McNeill Whistler, Drawings, Pastels and Watercolours : A Catalogue Raisonné , New Haven, 1995, no. 1278, pp. 281-2, ill., No. 766 Dr. A Grieve, Whistler's Venice , New Haven, 2000, pp. 56, 59, ill., pl. 46 M. MacDonald, Palaces in the Night; Whistler in Venice , Aldershot & California, 2001, pp. 45, 46, 53, ill., pl. 50 M. Schwander, ed, Venice from Canaletto and Turner to Monet , 2008, pp. 94, 102, 220 M. MacDonald, G. Petri, James McNeill Whistler: The paintings, a catalogue raisonné , University of Glasgow, 2020, website at <https://whistlerpaintings.gla.ac.uk> ., no. M.0766 The present subject captures the Rio dei Tre Ponte from the Fondamenta San Marco. The Ponte da Ca'Rizzi is in the left foreground and the Ponte dei Tre Ponte in the distance. The area has changed considerably since Whistler's depiction, with bridges altered and rebuilt. The bridge depicted in the sketch on the verso of the sheet is the Ponte del Guglie. As Dr Alastair Grieve notes, Whistler has drawn the view from a slightly elevated position so that he is looking down on the fondamenta , from a bridge that is no longer extant. He has used the edge of the structure to form a vertical axis in the centre of his paper. The bridge with two arches in the distance in his pastel is part of the Ponte dei Tre Ponti, a knotty interchange of bridges which was rebuilt in 1933 when the Rio Novo was made . It is obscured...today by a bridge with a pointed top, the Ponte del Pagan . (Grieve, op. cit. p.59). His delight in the architecture and the constantly changing views of the city is evident in the present work, which seems to embody the lively portrayal that Whistler wrote in a letter to his mother describing, the colours of the walls and their reflections on the canals are more gorgeous than ever - and with sun shining upon the polished marble, mingled with rich, toned bricks and plaster this amongst the city of palaces becomes really a fairyland - created one would think especially for the painter. (M. Schwander, op. cit , p. 95). For a condition report on this lot, please contact our Picture department directly, at pictures@dreweatts.com.

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Auction date(s): 12 Jun

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23

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750 GBP

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800 - 1,200 GBP

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SIR PETER LELY (BRITISH 1618-1680), ANNE DE LAUNE (B. 1634); ABRAHAM, DE LAUNE (1629-1709) (2)

42

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8,000 GBP

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10,000 - 15,000 GBP

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HERBERT WILLIAM WEEKES (BRITISH 1841-1914), THE YOUNG VISITOR

182

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1,800 GBP

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2,000 - 3,000 GBP

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VINCENZO IROLLI (ITALIAN 1860-1949), YOUNG GIRL AT THE FOUNTAIN

195

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4,000 GBP

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5,000 - 7,000 GBP

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EDWARD WILLIAM STOTT (BRITISH 1855-1918), TREES OLD AND YOUNG

202

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3,800 GBP

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4,000 - 6,000 GBP

EDWARD WILLIAM STOTT (BRITISH 1855-1918) TREES OLD AND YOUNG, SPROUTING A SHADY BOON FOR SIMPLE SHEEP Oil on canvas Signed (lower left) 38 x 46cm (14¾ x 18 in.) Painted in 1888. Provenance: Bridgeman Images (listed as Springtime) Waterhouse and Dodd, London Private Collection Literature: Webb. V, Edward Stott, A Master of Colour and Atmosphere , Sansom & Company, 2018, p. 56, ill. No. 19 William Edward Stott was a British artist born in Lancashire. He attended Manchester School of Art before furthering his studies in Paris from 1880, enrolling first at the studio of Carolus-Duran, and then between 1882 and 1884, at the Ecole des Beaux-Arts under Alexandre Cabanel. He returned to England and helped to found the New English Art Club in 1886, which at its inception had 50 members. The idea behind this new group was that it would be an exhibiting society for artists influenced by Impressionism and rustic naturalism. Among its members were Sir George Clausen, Philip Wilson Steer, Walter Sickert, and Henry Herbert La Thangue. In 1906, Stott was elected Associate of the Royal Academy of Arts. 1888 was an important year for the members of the New English Art Club as it marked the opening of the New Gallery. Founded by J. Comyns Carr and Charles Edward Hallé, it was completed in time to house the annual summer exhibition on 8th May. The theme of shepherds and their flocks played an integral part in the portraying of rural life, and proved a popular subject at the New Gallery exhibitions. Certain artists focused on shepherds herding sheep into pens, whereas others depicted the shepherd and his flock at rest, as is the case with Trees Old and Young, Sprouting a Shady Boon for Simple Sheep . The title of the work is taken from Book I of Keats' poem Endymion (1818), of which a collection of his poems was published in 1884, four years before Stott produced his work. The reference to poetry in his painting was typical of New Gallery artists who found inspiration in combining art and poems. Both Alfred East and Arthur Tomson referenced lines from poems in their 1888 exhibition pieces.

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AFTER MEINDERT HOBBEMA, LANDSCAPE WITH WATERMILL

59

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650 GBP

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650 GBP

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700 - 1,000 GBP

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ARTHUR HUGHES (BRITISH 1832-1915), NORTH CORNWALL

148

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700 GBP

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800 - 1,200 GBP

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Auction date(s): 12 Jun

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FOLLOWER OF GIOVANNI BELLINI, PORTRAIT OF A MAN WITH BLUE EYES

7

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900 GBP

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1,000 - 1,500 GBP

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FOLLOWER OF JAN HACKAERT, TWO TRAVELLERS RESTING BENEATH A TREE

52

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900 GBP

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1,000 - 1,500 GBP

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EDWARD BIRD (BRITISH 1772-1819), THE BENEVOLENT VILLAGE INSTRUCTRESS (2)

119

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550 GBP

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600 - 800 GBP

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ROSA BONHEUR (FRENCH 1822-1899), SHEEP GRAZING

158

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650 GBP

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700 - 1,000 GBP

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MYLES BIRKET FOSTER (BRITISH 1825-1899), WINDING THE SKEIN

159

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1,000 - 1,500 GBP

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JULIUS CAESAR IBBETSON (BRITISH 1759-1817), CASTLE CAMPBELL. CLACKMANNANSHIRE

56

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3,500 GBP

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4,000 - 6,000 GBP

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ATTRIBUTED TO LOUIS-NICOLAS VAN BLARENBERGHE (FRENCH 1716-1754), A BATTLE SCENE OUTSIDE A TOWN

34

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2,600 GBP

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2,600 GBP

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3,000 - 5,000 GBP

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Auction date(s): 12 Jun

Lot location: Newbury, Berkshire