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Live
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Dreweatts
Donnington Priory
Newbury, Berkshire
RG14 2JE
United Kingdom
Art Live
This is a live online auction with auctioneer. For details on registration, bidding, viewing & condition reports, click “Important information” link.
Mesmerising Colours...read more!
Please note: The auction will take place at Dreweatts Donnington Priory, but viewing is at Dreweatts Hambridge Lane. Viewing is by appointment only and as the works are not on display we ask that you specify the lots you are wanting to view in advance, to avoid delay. To book an appointment: email: pictures@dreweatts.com | tel: 44 (0) 1635 553 553. Collection is also from Dreweatts Hambridge Lane: 1 Hambridge Lane, Newbury, Berkshire RG14 5TU
Auction dates
12 Dec 2024 10:30 GMT
Viewing dates
By appointment only
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Featured lots
There are 231 lots within this auction
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PIERRE ERNEST PRINS (FRENCH 1838-1913)
LE HAMEAU EN SEINE-ET-OISE
Pastel and watercolour
Signed (lower left)
25 x 33cm (9¾ x 12 in.)
Executed in 1900.
Provenance:
Madden Galleries, London
Private Collection, London (acquired from the above in 1966)
Thence by descent to the late owner
Literature:
Pierre-Edouard Prins, L'Association des Amis de Pierre Prins, Catalogue general de l'ouevre de Pierre Prins 1838-1913 , 1993, p. 128, illus., cat. no. 1014
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
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ENGLISH SCHOOL (19TH CENTURY)
VIEW OF MALVERN FROM LEDBURY ROAD
Pencil, ink, and watercolour
12 x 21.5cm (4½ x 8¼ in.)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Very light discolouration to the sheet. The colours are a little down, but generally good. There is some surface dirt in the upper right quadrant (see online images). Some light staining to the framing edges. Unexamined out of glazed frame.
Condition Report Disclaimer
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JAMES FRANCIS DANBY (BRITISH 1793-1861)
FIGURE CROSSING A BRIDGE BY A WATERMILL
Pencil, ink and watercolour
19 x 30cm (7¼ x 11¾ in.)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
The colours are a little faded, and there is some discolouration throughout the sheet. Light undulation to the framing edges. Unexamined out of frame.
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184
AFTER CHARLES JOHNSON PAYNE (SNAFFLES)
OH TO BE IN ENGLAND; THE FINEST VIEW IN THE WORLD; AND SPORT IN THE SHINEY
Colour lithographs
Each 46 x 61cm (18 x 24 in.) (2)
Measurements do not include the frame unless specified.
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PAUL SANDBY (BRITISH 1731-1809)
VIEW FROM BISHOPGATE
Watercolour and pen heightened with white
11 x 48cm (4¼ x 18¾ in.)
Provenance:
William Sandby, the artist's grandson
Sabin Galleries, London
Measurements do not include the frame unless specified.
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BRITISH SCHOOL (19TH CENTURY)
THE LONDON CUSTOM'S HOUSE
Ink and watercolour
Inscribed Custom House (lower right)
18.5 x 27cm (7¼ x 10½ in.)
Drawn circa 1830.
Provenance:
Abboott & Holder, London
Measurements do not include the frame unless specified.
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BRITISH SCHOOL (19TH CENTURY)
DARTMOUTH
Pencil on blue paper
Inscribed and dated Dartmouth Aug 1877 (lower right)
15.5 x 24.5cm (6 x 9½ in.)
This lot is from a deceased estate sold to benefit the Art Fund.
Measurements do not include the frame unless specified.
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WILLIAM RAMSEY (BRITISH 19TH/20TH CENTURY)
HARBOUR VIEW
Watercolour
Signed (lower right)
51 x 90cm (20 x 35¼ in.)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
The colours are a little down, and there is some fading and discolouration to the sheet. One or two minor spots of surface dirt throughout. Unexamined out of glazed frame.
Please note Dreweatts is not liable for damage to frames.
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FREDERICK EDWARD JOSEPH GOFF (BRITISH 1855-1931)
WESTMINSTER, VIEW FROM THE THAMES
Watercolour and pencil
Signed and titled Westminster (lower right)
17.5 x 25cm (6¾ x 9¾ in.)
Provenance:
Abbey Antiques and Arts, Hemel Hempstead
Measurements do not include the frame unless specified.
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HENRY THOMAS ALKEN (BRITISH 1784-1851)
PERSIAN HORSEMEN
Pencil and watercolour
Signed (lower right)
21 x 33cm (8¼ x 12 in.)
Measurements do not include the frame unless specified.
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SARAH FRANCES KELLY (BRITISH 19TH CENTURY)
DINNER IN AN IRISH CABIN
Pencil and watercolour
Signed and dated 1827 (lower left); titled (lower right)
9.5 x 15cm (3½ x 5¾ in.)
This lot is from a deceased estate sold to benefit the Art Fund.
Provenance:
The Molesworth Antiques Gallery, Dublin
Measurements do not include the frame unless specified.
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BRITISH SCHOOL (19TH CENTURY)
TWO SHEPHERD BOYS ON A HILLSIDE WITH A FLOCK OF SHEEP
Pen, ink, and watercolour
16 x 12cm (6¼ x 4½ in.)
Provenance:
William Drummond, London (sold as by William Watch, circa 1840)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
The sheet has been laid down. There is a small white blemish to the centre of the sheet - possibly an area of previous restoration. Otherwise the work appears to be in good condition commensurate with age. Unexamined out of glazed frame.
Condition Report Disclaimer
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FRANK BARNARD (BRITISH FL. 1871 - 1883)
THE RAISING OF THE LIGHT
Watercolour, pencil and white heightening
Signed (lower left)
36 x 57cm (14 x 22¼ in.)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Some areas of discolouration to the sheet but overall the colours are good. There is a very small white blemish to the upper right framing edge (approx. 4mm). Light undulation to the sheet under the glazed frame. Overall the work appears to be in good condition commensurate with age.
Unexamined out of glazed frame.
Dreweatts is not liable to damage to frames.
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FOLLOWER OF JAMES ABBOTT MCNEILL WHISTLER
LOW TIDE, POURVILLE, 1899
Oil on canvas board
Bears monogram (lower left)
24.5 x 34cm (9½ x 13¼ in.)
Provenance:
The Collection of Mrs. Clifford Addams (according to label, verso)
Measurements do not include the frame unless specified.
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λ PHILIP NAVIASKY (BRITISH 1894-1983)
THE PROMENADE
Pencil
Signed (lower right)
22 x 30cm (8½ x 11¾ in.)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Unexamined out of glazed frame. Very light undulation to the sheet. Otherwise appears to be in good original condition.
Condition Report Disclaimer
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AFTER ANDRÉ DUNOYER DE SEGONZAC (FRENCH 1884-1974)
LE ROUTE DE GRIMAUD
Lithograph printed in colours
48 x 70cm (18¾ x 27½ in.)
After the work held in the Tate Collection titled The Road from Grimaud and painted in 1937.
Measurements do not include the frame unless specified.
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JOHN ROSS (SCOTTISH B. 1956)
EVENING LIGHT
Oil on canvas laid to panel
Signed (lower right)
40.5 x 51.5cm (15¾ x 20¼ in.)
Provenance:
McKewan Gallery, Ballater
Measurements do not include the frame unless specified.
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λ P. M. MOORHOUSE (BRITISH 20TH CENTURY)
STILL LIFE OF FLOWERS IN A BLUE AND WHITE VASE AND KNEELING FIGURINE
Oil on canvas laid to board
Signed (lower left)
60 x 49cm (23½ x 19¼ in.)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Under glaze. Light surface dirt throughout. Otherwise appears to be in good original condition. Please note Dreweatts are not liable for damage to frames or mounts.
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MARGHERITA BARTALINI (20TH CENTURY)
STILL LIFE WITH JAPANESE POT AND BLOSSOMS
Oil on board
Signed (upper left)
19.5 x 29cm (7½ x 11¼ in.)
Together with five further oil sketches each by various hands, comprising; a 20th century portrait of a gentleman (29 x 19cm), a 19th century seascape (15 x 25cm), figures walking at sunset (11.5 x 18.5cm), a sketch of a figure in Arab dress (recto); a woman in an interior (verso) (31.5 x 14cm), and a church at sunset (10 x 16cm)
All unframed (6)
Condition Report:
All works with some surface dirt and general wear, particularly to the unframed edges, commensurate with age. In addition, the portrait of the gentleman has been laid down, and this is starting to tear at the lower and upper edges. There is a hole to the board at the centre of the upper edge on the seascape (approx. 5mm diameter). There is also a considerable amount of surface dirt and discolouration.
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λ BENNETT OATES (BRITISH 1928 - 2009)
HOLLYHOCKS AND REDCURRANTS
Oil on board
Signed and dated '90' (lower centre)
60 x 50cm (23½ x 19½ in.)
Provenance:
E-Stacy Marks Ltd, Eastbourne
Sudgrove House, Gloucestershire
Measurements do not include the frame unless specified.
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λ SHERREE VALENTINE-DAINES (BRITISH B.1959)
IN THE GARDEN
Oil on board
Signed with initials (lower right centre)
29.2 x 31.2cm (11¼ x 12¼ in.)
Measurements do not include the frame unless specified.
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λ NICK ARCHER (BRITISH B. 1963)
FOX GLOVE
Oil on canvas
Signed, dated 14 and titled (verso)
97 x 122cm (38 x 48 in.)
Unframed
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NORTH AFRICAN SCHOOL (20TH CENTURY)
FIGURES IN A SOUK
Oil on canvas
78 x 98cm (30½ x 38½ in.)
Measurements do not include the frame unless specified.
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λ CHRISTOPHER PREWETT (BRITISH 20TH/21ST CENTURY)
THE GARDEN PARTY
Oil on board
Signed (lower right)
91 x 122cm (35¾ x 48 in.)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Appears to be in good original condition.
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KEN OKIISHI (AMERICAN B. 1978)
GESTURE/DATA 2013
Chroma key video paint on large format display led, barco crt blue screen video by HD camera transfer OR Oil on flatscreen monitor with video, colour, sound
105 x 61cm (41¼ x 24 in.)
Provenance:
Matthew Gallery, Lieske/Kersten Gbr., Berlin
Acquired from the above in 2014
Based in New York, Ken Okiishi is celebrated for his avant-garde combination of media, particularly painting and film. Okiishi is represented by Pilar Corrias; he has exhibited at the Whitney Museum, Frieze Art Fair, and MoMA. Though the artist embraces video footage as readily as acrylic pigment, his interdisciplinary work is united by a forward-looking impulse, forever interrogating the impact of technology on visual perception. The gesture/data series marked Okiishi's first solo exhibition in London: six television screens hang from the walls, playing jittery VHS footage or, indeed, recordings of blue error screens. The present example falls into the latter camp, as chroma key paint (used for green-screen compositing) is superimposed onto the azure empyrean. Okiishi's mark-making recalls Joan Mitchell - an avowed inspiration - in its eloquent intensity. The paint is daubed onto the surface like a heat map, as if tracking movements across a touch screen. By implying connections between abstract expressionism and modern-day technological manipulation, Okiishi inaugurates a new form of art, one suited to our digital age.
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† ADRIAN SCHACHTER (AMERICAN B.1996)
ACCIDENTALLY IGNITING THE DOORWAY TO HELL, 2018
Acrylic on board
41.5 x 42cm (16¼ x 16½ in.)
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JORVIK (BRITISH 20TH CENTURY)
EPHEMERAL
oil on board
Signed and dated `23' (lower right)
30.5 x 23cm (12 x 9 in.)
Unframed
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JORVIK (BRITISH 20TH CENTURY)
PARCHED
Oil on board, unframed
Signed and dated `23' (lower right)
35.5 x 28cm (13¾ x 11 in.)
Unframed
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λ GUY CAMBIER (FRENCH 1923-2008)
STANDING NUDE
Oil on canvas
SIgned (lower left)
35 x 24cm (13¾ x 9¼ in.)
Provenance :
The Estate of a deceased Gentleman
Measurements do not include the frame unless specified.
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MARK KAPLAN (RUSSIAN B. 1950)
MADAMOISELLE PEGGY BEATRICI
Oil on canvas
Signed (lower right)
92 x 74cm (36 x 29 in.)
Painted in 2001.
Provenance:
The Bruton Street Gallery, London
Measurements do not include the frame unless specified.
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IRENE GUNSTON (BRITISH 20TH/21ST CENTURY)
FIGURE RESTING
Bronze
Stamped with initials (to the underside)
16 x 35 x 25cm (6¼ x 13¾ x 9 7/8in.)
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λ HOWARD MORGAN (BRITISH 1949-2020)
HORSEMAN PASSING BY I
Oil on canvas
Signed and dated X 99 (lower left), titled (upper right)
61 x 45.5cm (24 x 17¾ in.)
Provenance:
Eaton Gallery, London
Measurements do not include the frame unless specified.
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λ TOM COATES (BRITISH 1941-2023)
NUDE ON A BED; SEATED NUDE
Oil on canvas
25.5 x 30cm (10 x 11¾ in.) & 25.5 x 18cm (10 x 7 in.)
Both unframed
Together with two drawings 'Prisoners of War' and 'Woman in Mourning', the first unframed (4)
Provenance:
Acquired directly from the artist circa 1972
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λ MARCEL GROMAIRE (FRENCH 1892-1971)
NU LISANT
Pen and ink
Signed and dated 58 (lower left)
32 x 24.5cm (12½ x 9½ in.)
Provenance:
Lefevre, London
Measurements do not include the frame unless specified.
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NEOPOLITAN SCHOOL (19TH CENTURY)
STANDING NUDE
Oil on canvas
87 x 59cm (34¼ x 23 in.)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
The canvas has been lined. Craquelure and light surface dirt throughout. There are a number of isolated flecks and patches of paint loss evident throughout the canvas. Rubbing and abrasions to the framing edges. A number of superficial surface scratches. There is an area of 'L-Shaped' repair to the canvas right of the sitter's left thigh. Inspection under UV light reveals very light scattered retouching throughout but mainly to the framing edges.
Please note Dreweatts is not liable for damage to frames.
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λ HOWARD MORGAN (BRITISH 1949-2020)
ALISON - STRAW HAT
Oil on canvas
Signed and dated 97 (lower left)
101 x 45cm (39¾ x 17½ in.)
Measurements do not include the frame unless specified.
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λ ROBIN PHILIPSON (BRITISH 1916-1992)
WAITING
Oil on canvas
Signed (verso)
32 x 24.5cm (12½ x 9½ in.)
Provenance:
Roland, Browse & Delbanco, London (acquired by Dr. John O'Driscoll, 5 November 1975)
The Estates of Dr. John & Mary Esther O'Driscoll, Kildare, Ireland
By descent to the present owners
Measurements do not include the frame unless specified.
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λ ALAN MCGOWAN (BRITISH 21ST CENTURY)
MARTINA
Oil on board
Signed (lower centre)
84 x 63cm (33 x 24¾ in.)
Painted in 2003.
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Appears to be in good original condition.
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λ JOHN SWANNELL (BRITISH B. 1946)
FINE LINES PLATE 33
Giclée print on paper
Signed in pencil and numbered 4/30AP (aside from the edition of 295)
Image: 40 x 50cm (15½ x 19½ in.)
Together with a certificate of authenticity signed by the artist.
Measurements do not include the frame unless specified.
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λ UWE HENNEKEN (DANISH B. 1974) V.O.T.E. 31-2, 2007 Painted bronze and wood 60 x 47.5 x 36cm (23½ x 18½ x 14 1/4in.)
This work is edition 2 of 5.
Provenance: Meyer Riegger, Berlin Acquired from the above in 2007
Born and based in Germany, Uwe Henneken is particularly known for his vibrant landscape paintings. The artist is represented by Choi and Choi, Galerie Gisela Capitain, and Gether Contemporary; he has exhibited at Almine Rech and Rodolphe Janssen. As Henneken's pictorial iconography of itinerant shamans and winding paths suggests, he is preoccupied with travel and transition. The V.O.T.E. sculpture series marks a departure from these trademark canvases, as grotesque, rather pitiful figures peek over the edge of their trunks, mouths agape in disappointment, even despair. The suitcase returns as a symbol in Henneken's 2024 painting Wheels of Life (after Marion Adnams) , only that in V.O.T.E. 31-2 is sturdier: an ammunition crate, or perhaps - in a reference to its title - a ballot box? Indeed, the frightened character could well be scanning no man's land from a dugout, protected only by its makeshift helmet. A shade more earnest than Henneken's usual magical realism, this work may allude to the psychological baggage that accompanies humans as they journey from place to place.
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λ DOUGLAS SWAN (AMERICAN/BRITISH 1935-2000)
LOBSTER POTS AT THE HARBOUR
Gouache, ink and watercolour
Signed and dated 52 (lower right)
37 x 56cm (14½ x 22 in.)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Unexamined out of glazed frame. Appears to be in good original condition.
Condition Report Disclaimer
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λ BARRY NEWIS (BRITISH 1939-2017)
STUDY, ROAD UNDER CONSTRUCTIONS NEAR MELTON CONSTABLE STATION, WINTER 1969
Gouache
38 x 56cm (14¾ x 22 in.)
Measurements do not include the frame unless specified.
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λ JULIE ANN SCOTT (BRITISH 21ST CENTURY)
KOI CARP
Oil on canvas
Signed (lower left)
76 x 76cm (29¾ x 29¾ in.)
Measurements do not include the frame unless specified.
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λ MICHAEL LEVANTIS (BRITISH B. 1944)
LILY
Oil, letraset and emulsion on canvas
Signed twice, titled, inscribed and dated Apr 1988 (verso)
122 x 81cm (48 x 31¾ in.)
Provenance:
The Solomon Gallery, London
Sale, Bonhams, Oxford, 12 June 2013, lot 110A
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Condition Report:
Some light scuff marks to the lower left quadrant and lower right quadrant. In overall good condition.
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λ NEIL DAWSON (BRITISH 20TH/21ST CENTURY)
LONDON BUS & TAXI
Oil on canvas board
Signed (lower right)
29 x 28.5cm (11¼ x 11 in.)
Measurements do not include the frame unless specified.
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λ NEIL DAWSON (BRITISH 20TH/21ST CENTURY)
NEW YORK TAXI
Oil on canvas board
Signed (lower right)
22.8 x 23.5cm (8¾ x 9¼ in.)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Featured lot
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λ JON JONES (BRITISH 21ST CENTURY)
NIGHT MASK
Oil on board
Signed with initials (lower right)
24 x 24cm (9¼ x 9¼ in.)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
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λ EMMA GRZONKOWSKI (BRITISH, 21ST CENTURY)
TO BE TORN
Acrylic on canvas
Signed (lower right) and numbered '35/95' (lower left)
81 x 101.5cm (31¾ x 39¾ in.)
Unframed
Together with a certificate of authenticity signed by the artist
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λ EMMA GRZONKOWSKI (BRITISH 21ST CENTURY)
SUN ROSE
Mixed media on paper
Signed (lower right); further signed titled and inscribed (verso)
9 x 41cm (3½ x 16 in.)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
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λ SIMON CLARIDGE (BRITISH 21ST CENTURY)
BRIGITTE BARDOT
Silkscreen on canvas with diamond dust
Signed (verso)
91.5 x 70.5cm (36 x 27¾ in.)
Measurements do not include the frame unless specified.
Please note Dreweatts are not liable for damage to frames or mounts.
Featured lot
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λ CRAIG ALAN (BRITISH B. 1971)
DAVID BECKHAM
Mixed media
Signed (lower left); inscribed Becham/Celery 2 of 2 (verso)
102 x 102cm (40 x 40 in.)
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